Then Gertrude conceives the child which has long eluded her, and the spell breaks into foreboding, menace and madness.

    Imprisoned by walls of their own construction, here are three people, each in midlife, in midcrisis, forced to make choices--after the rules have changed. Elizabeth, with her controlled sensuality, her suppressed rage, is married to the wrong man. She has just lost her latest lover to suicide. Nate, her gentle, indecisive husband, is planning to leave her for Lesje, a perennial innocent who prefers dinosaurs to men. Hanging over them all is the ghost of Elizabeth's dead lover...and the dizzying threat of three lives careening inevitably toward the same climax.

    Part historical epic, part love story, it recalls The English Patient in its mix of emotional intimacy and sweeping landscape.In a run-down apartment block in Moscow, a nine-year-old piano prodigy practices silently for fear of disturbing the neighbors.In a factory on the outskirts of the city, his aunt makes car parts, trying to hide her dissident past.In the hospital, a leading surgeon buries himself deep in his work to avoid facing his failed marriage.And in a rural village in the Ukraine, a teenage boy wakes up to a sky of the deepest crimson. In the fields, the ears of the cattle are dripping blood. Ten miles away, at the Chernobyl Power Plant, something unimaginable has happened.Now their lives will change forever.All That Is Solid Melts Into Air is an astonishing end-of-empire novel by a major new talent.

    In the supermarket, on the street, at the graveyard. Only Henry is dead. He died two months earlier, leaving a huge hole in Grace's life and in her heart. But then Henry turns up to fix the boiler one evening, and Grace can't decide if she's hallucinating or has suddenly developed psychic powers. Grace isn't going mad - the man in front of her is not Henry at all, but someone else who looks uncannily like him. The hole in Grace's heart grows ever larger. Grace becomes captivated by this stranger, Andy - to her, he is Henry, and yet he is not. Reminded of everything she once had, can Grace recreate that lost love with Andy, resurrecting Henry in the process, or does loving Andy mean letting go of Henry?

    With compassion, wit, and what appears to be candor she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.

    Her everywoman heroine, Sasha, must confront the loves— and losses— of her past in this mesmerizing and formally daring psychological portrait.

    Sandy Pressman is a nice suburban wife whose boredom is getting the best of her. She could be making friends at the club, like her husband keeps encouraging her to do.Or working on her golf game.Or getting her hair done.But for some reason, these things don't interest her as much as the naked man on the motorcycle...

    But when his wife Mary Rose dies suddenly he has to think again. In reliving their twenty years together David sees that the ground beneath them had shifted and he simply hadn't noticed. Or had chosen not to.Figuring out who Mary Rose really was and the secrets that she kept—some of these hidden in plain sight—makes David wonder if he really knew her. Did he even know himself?Nothing But Blue Sky is a precise and tender story of love in marriage—a gripping examination of what binds couples together and of what keeps them apart.

    From “Guests of the Nation” to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex,” these tales of Ireland have touched generations of readers the world over and placed O'Connor alongside W. B. Yeats and James Joyce as the greatest of Irish authors.Analyzing a Robert Browning poem, O'Connor once wrote: “Since a whole lifetime must be crowded into a few minutes, those minutes must be carefully chosen indeed and lit by an unearthly glow.” Each of the sixty-seven stories gathered here achieves the same incredible feat of the imagination, laying bare entire lives and histories within the space of a few pages. Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A boy on an important mission is waylaid by a green-eyed temptress and seeks forgiveness in his mother’s loving arms in “The Man of the House,” a tale that draws on O'Connor’s own difficult childhood. A series of awkward encounters and humorous misunderstandings perfectly encapsulates the complicated legacy of Irish immigration in “Ghosts,” the bittersweet account of an American family’s pilgrimage to the land of their forefathers.As a writer, critic, and teacher, O'Connor elevated the short story to astonishing new heights. This career-spanning anthology, epic in scope yet brimming with the small moments and intimate details that earned him a reputation as Ireland’s Chekhov, is a testament to Frank O’Connor's magnificent storytelling and a true pleasure to read from first page to last.

    Early evening, the hottest August in living memory.A frightened girl bangs on a door. A man answers. From the moment he invites her in, his world will never be the same again.She tells him about her family, and their strange life in the show home of an abandoned housing estate. The long, blistering days spent sunbathing; the airless nights filled with inexplicable noises; the words that appear on the windows, written in dust.Where is her family now? Is she telling the truth? Can the man be trusted? Beautiful and disturbing, her story – retold in his words – reaches towards those frayed edges of reality where each of us, if only once, glimpses something nobody will ever explain.

    As two pals wander the streets of Belfast in search of something better--a better pint, a better job, a better woman, a better now--readers are treated to their hilarious misadventures, political intrigues, and outlandish schemes.

    Kennedy is inaugurated, Claire, a young wife and mother obsessed with the glamor of Jackie, struggles over the decision of whether to stay in a loveless but secure marriage or to follow the man she loves and whose baby she may be carrying. Decades earlier, in 1919, Vivien Lowe, an obituary writer, is searching for her lover, who disappeared in the Great San Francisco Earthquake of 1906. By telling the stories of the dead, Vivien not only helps others cope with their grief but also begins to understand the devastation of her own terrible loss. The surprising connection between these two women will change Claire’s life in unexpected and extraordinary ways.Part literary mystery and part love story, The Obituary Writer examines expectations of marriage and love, the roles of wives and mothers, and the emotions of grief, regret, and hope.

    An extraordinarily well-crafted work, this book is a work of vision. Through its deft negotiation of race, class, gender and cultural change, it dramatizes the 'nervousness' of the 'postcolonial' conditions that bedevil us still. In Tambu and the women of her family, we African women see ourselves, whether at home or displaced, doing daily battle with our changing world with a mixture of tenacity, bewilderment and grace.

    Alone among all of Molly's possessions, struggling to finish her latest play, she looks back on the many years and many phases of her friendship with Molly and their college friend Andrew, and comes to wonder whether they really knew each other at all. She revisits the intense closeness of their early days, the transformations they each made in the name of success and security, the lies they told each other, and betrayals they never acknowledged. Set over a single midsummer's day, Molly Fox's Birthday is a mischievous, insightful novel about a turning point--a moment when past and future suddenly appear in a new light.

    What follows is a rich, nostalgic look at one of our most cherished national pastimes and a remarkable story about fathers and sons, love and family, and the inimitable joy of finding your way home.