For twenty years, Edna escaped the world by devoting herself to the health and welfare of her husband and home, so when she learns he’s been having an affair, her sense of betrayal is devastating and literally maddening. And so she sits, silently filling notebooks, trying to find where and how her life went wrong. Dancing in the Dark is a tightly woven psychological novel, which explores the idea that madness is not necessarily self-destructive, and may lead to a kind of wisdom.

    The novel is at once a compassionate portrait of innocence and idealism, and an emphatic condemnation of a society where the lines between good and evil are essentially blurred.Such Is My Beloved is widely considered to be Morley Callaghan’s finest novel.From the Paperback edition.

    Another overfilled, ill-equipped, dilapidated ship has sunk under the weight of its too many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives back in their homelands. But miraculously, someone has survived the passage: nine-year-old Amir, a Syrian boy who is soon rescued by Vanna. Vanna is a teenage girl, who, despite being native to the island, experiences her own sense of homelessness in a place and among people she has come to disdain. And though Vanna and Amir are complete strangers, though they don't speak a common language, Vanna is determined to do whatever it takes to save the boy.In alternating chapters, we learn about Amir's life and how he came to be on the boat, and we follow him and the girl as they make their way toward safety. What Strange Paradise is the story of two children finding their way through a hostile world. But it is also a story of empathy and indifference, of hope and despair--and about the way each of those things can blind us to reality.

    At once wryly humorous and deeply affecting, this sparkling novel follows the irresistible Lucy Bloom as she searches for her place in the world. When we first meet Lucy, she’s an imaginative eleven-year-old dreaming of a taste of freedom — and only beginning to grasp that all is not well between her parents. In the years that follow, Lucy’s journey to adulthood will see her question the limits of unconditional love, grow “criminally thin” as she stops eating, and discover complicated truths about what it means to be a young woman. Through it all, the central figure in Lucy’s life remains her mother, Joy, whose larger-than-life stories and boisterous voice belie a deep disappointment. As their relationship is tested again and again, Lucy comes to understand the resilience of the bonds that tie us to the ones we love.Among the characters we meet are Lucy’ s father, Frank, a failed glamour photographer turned travel agent who’s never been out of the country; her best friend, Erin, an artist whose outspoken iconoclasm will inspire and challenge Lucy; and Crashing Wave, Frank’s lover, a former exotic dancer and the woman Lucy comes to imagine as the ideal of all that is feminine.Set in Toronto throughout the 1990s, Where We Have to Go is a novel of self-discovery, family, and love. It introduces Lauren Kirshner as one of our most striking new voices, and reminds us that sometimes the most difficult journey is the one that takes us home.

    It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery.André Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral.For his very first parish, Father Christopher Pennant is sent to the sleepy town of Barrow. With more sheep than people, it's very bucolic—too much Barrow Brew on Barrow Day is the rowdiest it gets. But things aren't so idyllic for Liz Denny, whose fiancé doesn't want to decide between Liz and his more worldly mistress Jane, and for Father Pennant himself, who greets some miracles of nature—mayors walking on water, talking sheep—with a profound crisis of faith.

    A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father’s ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours. One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and rich in details of character and place, this unforgettable novel charts the journey of a moral heart in a turbulent world of change.From the Trade Paperback edition.

    There’s Chan Sam, who left an "at home" wife in China to earn a living in "Gold Mountain"—North America. There’s May-ying, the wilful, seventeen-year-old concubine he bought, sight unseen, who labored in tea houses of west coast Chinatowns to support the family he would have in Canada, and the one he had in China. It was the concubine’s third daughter, the author’s mother, who unlocked the past for her daughter, whose curiosity about some old photographs ultimately reunited a family divided for most of the last century.

    But the bank is about to foreclose, so Prudence must turn things around fast! Fortunately she'll have help from Earl, her banjo-playing foreman with a family secret; Seth, the neighbor who hasn't left the house since a high school scandal; and Sara Spratt, an eleven-year-old who's looking for a home for her prize-winning chickens.Home to Woefield is about learning how to take on a challenge, face your fears, and find friendship in the most unlikely of places.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

    She’s been dining out too long, literally and figuratively, on a culture of celebrity worship and empty punditry. She seeks refuge from her better judgment in endless parties, ritual substance abuse, and half-hearted attempts to get herself fired, but in a libertarian newsroom where outrageous spin is the easiest way to sell papers, her bad-girl behaviour just wins her more accolades.Along this path of self-destruction, Max’s past, comic and poignant, keeps intruding: memories of her mother’s brutal death and her hippie father’s crippling breakdown; the reappearance of an aging vegan idealist who briefly played her stepmom on the West Coast commune where she came of age; tender realizations about the bad artist she was supposed to marry and a long-lost boyfriend who seems exotically sane. When a host of prior indiscretions finally catches up with her, Maxime realizes that any chance at happiness depends on uncovering, at last, her one true story.Set during the madness of the Toronto International Film Festival and weaving back and forth between Max’s commune past and her newsroom present, How Happy to Be portrays with razor-sharp insight and bittersweet wit a modern woman’s descent into — and eventual escape from — the deafening pop culture noise of the early twenty-first century. Intelligent, savvy, this novel marks the arrival of a remarkable new fiction talent.

    The war is over, and as the initial phase of de-Nazification winds down, the citizens of Vienna struggle to rebuild their lives amidst the rubble.Anna Beer returns to the city she fled nine years earlier after discovering her husband's infidelity. She has come back to find him and, perhaps, to forgive him. Traveling on the same train from Switzerland is 18-year-old Robert Seidel, a schoolboy summoned home to his stepfather's sickbed and the secrets of his family's past.As Anna and Robert navigate an unrecognizable city, they cross paths with a war-widowed American journalist, a hunchbacked young servant girl, and a former POW whose primary purpose is to survive by any means and to forget. Meanwhile, in the shells of burned-out houses and beneath the bombed-out ruins, a ghost of a man, his head wrapped in a red scarf, battles demons from his past and hides from a future deeply uncertain for all.In The Crooked Maid, Dan Vyleta returns to the shadows of war-darkened Vienna, proving himself once again "a magical storyteller, master of the macabre" (David Park).

    There’s Tuyen, a lesbian avant-garde artist and the daughter of Vietnamese parents who’ve never recovered from losing one of their children in the crush to board a boat out of Vietnam in the 1970s. Tuyen defines herself in opposition to just about everything her family believes in and strives for. She’s in love with her best friend Carla, a biracial bicycle courier, who’s still reeling from the loss of her mother to suicide eighteen years earlier and who must now deal with her brother Jamal’s latest acts of delinquency. Oku is a jazz-loving poet who, unbeknownst to his Jamaican-born parents, has dropped out of university. He is in constant conflict with his narrow-minded and verbally abusive father and tormented by his unrequited love for Jackie, a gorgeous black woman who runs a hip clothing shop on Queen Street West and dates only white men. Like each of her friends, Jackie feels alienated from her parents, former hipsters from Nova Scotia who never made it out of subsidized housing after their lives became entangled with desire and disappointment. The four characters try to make a life for themselves in the city, supporting one another through their family struggles.There’s a fifth main character, Quy, the child who Tuyen’s parents lost in Vietnam. In his first-person narrative, Quy describes how he survived in various refugee camps, then in the Thai underworld. After years of being hardened, he has finally made his way to Toronto and will soon be reunited with his family – whether to love them or hurt them, it’s not clear. His story builds to a breathless crescendo in an ending that will both shock and satisfy readers. What We All Long For is a gripping and, at times, heart-rending story about identity, longing and loss in a cosmopolitan city. No other writer has presented such a powerful and richly textured portrait of present-day Toronto. Rinaldo Walcott writes in The Globe and Mail: “… every great city has its literary moments, and contemporary Toronto has been longing for one. We can now say with certainty that we no longer have to long for a novel that speaks this city’s uniqueness: Dionne Brand has given us exactly that.” Donna Bailey Nurse writes in the National Post: “What We All Long For is a watershed novel. From now on, Canadian writers will be pressed to portray contemporary Toronto in all its multiracial colour and polyphonic sound.” But What We All Long For is not only about a particular city. It’s about the universal experience of being human. As Walcott puts it, “Brand makes us see ourselves differently and anew. She translates our desires and experiences into a language, an art that allows us to voice that which we live, but could not utter or bring to voice until she did so for us.”

    Dressed in a navy blue trench coat and white Nikes, the woman introduces herself as Mary. Mother of God.... You know. Mary. Instead of a golden robe or a crown, she arrives bearing a practical wheeled suitcase. Weary after two thousand years of adoration and petition, Mary is looking for a little R & R. She's asked in for lunch, and decides to stay a week. As the story of their visit unfolds, so does the story of Mary-one of the most complex and powerful female figures of our time-and her changing image in culture, art, history, as well as the thousands of recorded sightings that have placed her everywhere from a privet hedge to the dented bumper of a Camaro.As this Everywoman and Mary become friends, their conversations, both profound and intimate, touch upon Mary's significance and enduring relevance. Told with humor and grace, Our Lady of the Lost and Found is an absorbing tour through Mary's history and a thoughtful meditation on spirituality, our need for faith, and our desire to believe in something larger than ourselves.

    Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth