A group of men—convicts, a farmer, two free black traders, and Black Bill, an aboriginal man brought up from childhood as a white man—are led by Jon Batman, a notorious historical figure, on a “roving party.” Their purpose is massacre. With promises of freedom, land grants and money, each is willing to risk his life for the prize. Passing over many miles of tortured country, the roving party searches for Aborigines, taking few prisoners and killing freely, Batman never abandoning the visceral intensity of his hunt. And all the while, Black Bill pursues his personal quarry, the much-feared warrior, Manalargena. A surprisingly beautiful evocation of horror and brutality, The Roving Party is a meditation on the intricacies of human nature at its most raw.

    Drawn by the promise of his heart’s desire, and compelled to distance himself from pain at home, Gabriel begins his quest into Van Diemen’s Land. His guide, a cannibal who is not all he seems, leads him north where Gabriel might free himself of his distracting burden and seek the woman he must find. As Gabriel traverses this wild country, he uncovers new truths buried within his own memory.Authentic, original and playful, A Treacherous Country is a novel of loyalty, wisdom and the freedom to act.

    At once the story of a region, a town and people, it is also the story of Anna Tolley - "leggy, wilful and auburn-haired, always answering back" - who lives through momentous changes and earns the envy, love and hatred of those around her.

    The family of three journeys across the country, squabbling, bonding, searching and reconnecting.But Loretta isn’t mother material. She’s broke, unreliable, lost. And there’s something else that’s not quite right with this reunion.They reach the west coast and take refuge in a beachside caravan park. Their neighbour, a surly old man, warns the kids to stay away. But when Loretta disappears again the boys have no choice but to ask the old man for help, and now they face new threats and new fears.This beautifully written and gripping debut is as moving as it is frightening, and as heartbreaking as it is tender.

    Based on the wartime diaries of the author’s father, the novel tells the story of Tholdi, a 16-year-old Jewish boy living in Czernowitz—now known as Chernivtsi in Ukraine—during WWII. Tholdi is a musical prodigy who wants to become a conductor, but the year is 1941, and he and his family are forced into the Czernowitz ghetto. After two weeks in appalling conditions, they manage to bribe their way out as ‘skilled Jews’ and Tholdi gets a job at a weaving mill. However, before long he learns that the two brothers in charge are Nazi collaborators who are receiving a hefty commission for herding Jews onto trains bound for the concentration camps of Transnistria. Thanks to a chance encounter with a Romanian ‘gypsy’, Tholdi devises a way to save himself and his family—but it comes at a cost, especially to his integrity. This book is a fascinating retelling of true events, painting a vivid picture of Czernowitz and what is often called the forgotten Holocaust in Transnistria. Rick Held’s experience as a television screenwriter and editor shows in the fast pacing of the narrative, which will also appeal to anyone who enjoys well-developed historical writing.

    An Australian classic. Depicts the enduring hardships of life in the Australian outback and the battles against sexist and racial prejudices.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    I hold their anticipation for three seconds, and then, while they're all ablaze, I say out loud, 'I do think I'm better.'As far as Bani Adam is concerned Punchbowl Boys is the arse end of the earth. Though he's a Leb and they control the school, Bani feels at odds with the other students, who just don't seem to care. He is a romantic in a sea of hypermasculinity. Bani must come to terms with his place in this hostile, hopeless world, while dreaming of so much more.

    Since it had come from the sea, it was an evil omen.Soon after, many people died mysteriously, others disappeared without a trace, and once-friendly families became bitter enemies. The islanders muttered, 'It's the times', but Wooreddy alone knew more: the world was coming to an end.In Mudrooroo's unforgettable novel, considered by many to be his masterpiece, the author evokes with fullest irony the bewilderment and frailty of the last native Tasmanians, as they come face to face with the clumsy but inexorable power of their white destroyers.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.

    Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn.After: The summers have grown even fiercer and the Cormac name doesn't mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn't even know what legacy means now. Not since the ground started sinking beneath her. Meanwhile, a nameless woman has been released from state care. She sticks to her twelve-step program, recites her affirmations, works one day at a time on a humble life devoid of ambition or redemption. How can she have an after when baby Robbie doesn't?

    Their affluent father, Rex, has made sure that they'll be the envy of the new, working-class suburb they've moved to. But underneath the surface of the perfect family, is there something unsettling about the Jensons? To the local kids, Rex becomes a kind of hero, but Colt senses there's something in his father that could destroy their fragile new lives.

    . . until she meets Tim. A beautiful young man with the mind of a child; a gentle outcast in a cruel, unbending world - he illuminates the darkness of Mary's days with his boyish innocence. And he will shatter the lonely, middle-aged spinster's respectable, ordered life with a forbidden promise of a very special love.

    Yet in the serene heart of the French province of Gascony, little has changed in a hundred years -- and the events in Paris seem but a distant thunder. Indeed, the dramatic crash landing of American artist and amateur balloonist Stephen Fletcher sparks far more excitement. Stephen lands in the pastoral world of a magistrate and his three daughters -- ethereal Claire, pert and precocious Mathilde, and plain, sensible Sophie, who lovingly tends her rose garden as she simmers with unfulfilled longings.As the revolution brings murder, terror, and fear into the remote Gascon countryside, Stephen finds himself enchanted by the angelic Claire. Yet he is also strangely drawn to Sophie, whose courage and compassion sustain them all, from her family to the quixotic, tormented physician who silently adores her. And even as Sophie keeps a tender secret of her own, she works toward realizing yet another dream: the miracle of an original repeat-flowering crimson rose -- a hopeful symbol of an unblighted future.

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.