Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

    But David is up to the challenge. Living in a three-bedroom semi in 1970s' working-class East Dulwich, surrounded by his somewhat colourful relatives, he is bright, smart-mouthed, fanatical about pop music and ready to shine. Rehearsals begin, and he strikes up a friendship with the handsome yet enigmatic Maxie Boswell, captain of the school football team. As their alliance deepens it appears they might become more than just good friends, but that can't be right, can it?Discovering a confidant in empathetic teacher, Hamish McClarnon, and spurred on by his no-nonsense best friend, Frances Bassey, David takes on the school bully, the National Front, and anyone else who threatens to stand in the way of true love.Vibrant, warm, and full of life, this uproarious and touching coming-of-age novel, set against the backdrop of South-East London in the thrill of the late seventies, will transport you straight back to your first music obsession and the highs and lows of your first love.

    A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.Written with gem-like precision and probing intelligence, Conversations With Friends is wonderfully alive to the pleasures and dangers of youth."

    She wears big green fisherman's boots. She's the founding (and only) member of NOLAW, the National Organization to Liberate All Weirdos. Emily wears sweaters with faux pearl buttons. She's vice president of the student council. She has a boyfriend.These two girls have nothing in common, except the passionate "private time" they share every Tuesday afternoon. Jesse wishes their relationship could be out in the open, but Emily feels she has too much to lose. When they find themselves on opposite sides of a heated school conflict, they each have to decide what's more important: what you believe in, or the one you love?

    Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place.Unfurling the history of Melody's parents and grandparents to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives--even before they have begun to figure out who they are and what they want to be.

    Each Recruit participates in increasingly difficult and violent military training for a chance to advance to the next level. Those who fail must choose an “Incentive”—a family member—to be brutally killed. If Lucky fails, he’ll have to choose death for his only living relative: Cole, his four-year-old brother.Lucky will do everything he can to keep his brother alive, even if it means sacrificing the lives of other Recruits’ loved ones. What Lucky isn’t prepared for is his undeniable attraction to the handsome, rebellious Digory Tycho. While Lucky and Digory train together, their relationship grows. But daring to care for another Recruit in a world where love is used as the ultimate weapon is extremely dangerous. As Lucky soon learns, the consequences can be deadly...

    A foster kid with a checkered past and a history of suicide attempts, Ash was just another number in a system that failed him. But to James, Ash was never just a number, and the facts around his death no longer stack up so neatly. Now James has plenty of questions, and the one person who might have held the answers—Ash’s older brother, Elliot—has left town. And if anyone knows where he is, they aren’t talking. As James searches for Elliot and uncovers the tangle of lies and false alibis he left in his wake, he grows suspicious of what really happened on Ash’s last day. After all, innocent people don't run.

    They are about to embark on the summer before senior year of high school, where each is going on a new, big adventure. Reese is attending a design school in Paris. Gabriel is going to Boston to volunteer with a environmental nonprofit. Sal is interning on Capitol Hill for a U.S. Senator. And Heath is stuck going to Daytona Beach to help out at his aunt’s beachfront arcade.What will this summer of new experiences and world-expanding travel mean for each of them—and for their friendship?

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine.

    The son of a preacher, Tom reaches out to Joel in friendship, and their bond to each other becomes as tight as brothers. Joel's openness to his own feelings and acceptance of himself (a healthy trait instilled by his loving parents) allows him to explore some new and confusing feelings he has for Tom. His confusion clears, however, after a reckless drinking bout ends with a very public kiss from Tom. But Tom's torment of sin and self-incrimination are far from over. Common Sons, the first in a series entitled "Common Threads in the Life," is a moving tale of self-discovery, love, and finding the courage to come out and come to grips with the truth in the face of hatred and adversity.

    Initially denying even the possibility that he might be experiencing a homosexual crush, De'Ath soon finds himself giving in to this "strange and bothersome distraction" by scouring teenybopper magazines for articles like "20 Facts Ya Didn't Know About [Ronnie]!!" "As someone who did not know any facts at all about him as yet," he notes, "I confess I felt a certain onset of excitement." Gilbert Adair's narrative--it might be more accurate to call it a novella instead of a novel--is a precise depiction of romantic obsession and frustration. Narrated by De'Ath, it is thus somewhat more internally driven than the excellent 1998 film adaptation starring John Hurt and Jason Priestley. Love and Death on Long Island can be easily polished off with a few hours' reading, but its nuanced characterization of a man who trades restraint for recklessness is well worth savoring. --Ron Hogan

    He has a crappy job at Food World, a "boyfriend" who won't publicly acknowledge his existence (maybe because Pablo also has a girlfriend), and parents on the verge of a divorce. College is Dade's shining beacon of possibility, a horizon to keep him from floating away. Then he meets the mysterious Alex Kincaid. Falling in real love finally lets Dade come out of the closet - and, ironically, ignites a ruthless passion in Pablo. But just when true happiness has set in, tragedy shatters the dreamy curtain of summer, and Dade will use every ounce of strength he's gained to break from his past and start fresh with the future.

    If you're lucky, you find a place that accepts you, no questions asked. And if you're really lucky, that place has a drum set, a place to practice, and a place to sleep. For Kid, the streets of Greenpoint, Brooklyn, are that place. Over the course of two scorching summers, Kid falls hopelessly in love and then loses nearly everything and everyone worth caring about. But as summer draws to a close, Kid finally finds someone who can last beyond the sunset. Brooklyn, Burning is a fearless and unconventional love story. Brezenoff never identifies the gender of his two main characters, and readers will draw their own conclusions about Kid and Scout. Whatever they decide, Brooklyn, Burning is not a book any teen reader will soon forget. Brooklyn, Burning is the story of two summers in Brooklyn, two summers of fires, music, loss, and ultimately, love.

    Friends since childhood, they become lovers at age 16 and must deal with the realities of being gay in a hardscrabble neighborhood, a traditional Catholic family, and the restaurant kitchens where they've begun to work.