Stardust is Rania Attafi's debut full length collection of poetry.Charged with themes of feminism, existentialism, love, loss and uncertainties, it will take you on a rollercoaster ride where you will glimpse lives of different people with each poem.Stardust is a book about a constellation of homo-sapiens written for all Booklovers regardless of their planet of origin.

    Things I Meant to Say to You When We Were Old [Paperback]

    It's about finding light in dark places, and it examines the cost of unconditional love.Mary McConnell grew up longing for information about the mother she never knew, who died suddenly when Mary was only a baby. Her brother Sean was barely old enough to remember, and their father numbed his pain with drink.Now aged thirty-five, Mary has lived in the same house her whole life. She's never left Belfast. She has a son, TJ, who's about to turn eighteen, and is itching to see more of the world.One Saturday morning, TJ wakes up to find his mother gone. He doesn't know where - or why - but he's the only one who can help find her.Mother Mother takes us down the challenging road of Mary's life, while following TJ's increasingly desperate search for his mother, as he begins to understand what has led her to this point.This is a gritty, affecting novel about family, grief, addiction, and motherhood. And it asks the question - if you spend your life giving everything to the ones you love; do you risk losing yourself along the way?

    Both are beautifully crafted dramas that celebrate Irish gifts for lyrical language. They are reprinted here from authoritative editions, complete with Synge's preface to The Playboy of the Western World.

    Yeats, Lady Gregory, J.M. Synge, Bernard Shaw, Sean O'Casey, Brendan Behan, Samuel Beckett, and Brian Friel. The texts are fully annotated with explanatory notes on Anglo-Irish usage, place names, historical figures, and literary allusions. "Backgrounds and Criticism" contains almost fifty texts relevant to the twelve plays represented. Included are prefaces by the authors, reports by spectators on original productions, memoirs concerning playwrights and performances, and recent critical assessments by American, British, and Irish scholars. From its collection of documents relevant to the origin of the Irish Literary Revival in the midst of Ireland's republican revolution to the recent formation of the Field Day Company in Northern Ireland, Modern Irish Drama charts the rise and development of one of the most powerful national dramas of the twentieth century. A Chronology and Selected Bibliography are also included.

    With a delicate wife and their unborn child, he has no choice but to leave Ireland and set out for England in search of work. But from the moment Patrick and Mary set foot in Liverpool, they are beset by new trials.After moving to York, they are forced to settle in the nightmarish slums of Walmgate. Yet the very poverty and hopelessness of their surroundings binds the small community together. Only stubborn determination survive tragedy can win them hopes of a better life….

    The book includes an account of the murder of the Irish crime reporter, Veronica Guerin.

    That afternoon she went with her fiancée to watch Tipperary and Dublin play a gaelic football match at Croke Park. Across the city nine men lay dead in their beds after a synchronised IRA attack designed to cripple British intelligence services in Ireland. Trucks of police and military rumbled through the city streets as hundreds of people clamoured at the metal gates of Dublin Castle seeking refuge. Some of them were headed for Croke Park.Award-winning journalist and author Michael Foley recounts the extraordinary story of Bloody Sunday in Croke Park and the 90 seconds of shooting that changed Irish history forever. In a deeply intimate portrait he tells for the first time the stories of those killed, the police and military that were in Croke Park that day, and the families left shattered in its aftermath, all against the backdrop of a fierce conflict that stretched from the streets of Dublin and the hedgerows of Tipperary to the halls of Westminster.

    In this chance encounter, she discovers that her immigrant husband of almost fifteen years was not an orphan after all. Instead, his aged mother Jo is alive and residing on the family’s isolated farm in the west of Ireland.Faced with news of her mother-in-law incarnate, the thirty-nine-year-old American prep school teacher decides to travel to Ireland to investigate the truth about her husband Fintan and why he kept his family’s existence a secret for so many years.Between Jo’s hilltop farm and the lakeside village of Gowna, Ellen begins to uncover the mysteries of her Irish husband’s past and the cruelties and isolation of his rural childhood. Ellen also stumbles upon Fintan’s long-ago romance with a local village woman, with whom he had a daughter, Cat. Cat is now fourteen and living with her mother in London. As Ellen reconciles her troubled relationship with Fintan, she discovers a way to heal the wounds of the past.Deeply rooted in the Irish landscape and sensibility, Dance Lessons is a powerful story of loss, regret, and transformation.

    Some poems read as conversations, some as internal monologues, others as observations, but they all work together to tell one couple's love story.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    

    But when she was in her late twenties, she realized that she had a strong need to know the woman who had given birth to her. She was able to locate her birth mother, Sarah, and they developed a strong attachment.But Sarah set one painful condition to this joyous new relationship: she wished to keep it - to keep Caitriona - secret from her family, from her friends, from everyone.Who was Sarah, and why did she want to preserve a decades-old secret? An Affair with My Mother tells the story of Caitriona's quest to answer these questions, and of the intense, furtive 'affair' she and her mother conducted in carefully chosen locations around Dublin. By turns heartwarming and heartbreaking, An Affair with My Mother is a searing portrait of the social and familial forces that left Sarah - and so many other unwed Irish mothers of her generation - frightened, traumatized and bereft. It is also a beautifully written account of a remarkable relationship.'Caitriona Palmer has called out the false shame of her origins, with a kind of anguished courage that is incredibly moving. An Affair With My Mother is a forensic account of how it feels to be - in the interests of Catholic "respectability" - excluded from the facts of your own life. In its commitment to family love, to joy and truth, it is a gift.' Anne Enright, winner of the Man Booker Prize

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    It contains the earliest and most comprehensive collection of Fenian stories and poetry, intermingling the contemporary Christian world of Saint Patrick with his scribes; clerics; occasional angels and souls rescued from Hell; the earlier pagan world of the ancient, giant Fenians and Irish kings; and the parallel, timeless Otherworld (peopled by ever-young, shape-shifting fairies). This readable, lucid new translation is based on existing manuscript sources and is richly annotated, complete with an Introduction discussing the place of the Acallam in Irish tradition and the impact of the Fenian or Ossianic tradition on English and European literature."