Book 1: Vienna PreludeBook 2: Prague CounterpointBook 3: Munich Signature

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    1973, Indian badminton player.

    Unrequited love. Platonic love. Lost love. Self-love. And, for a lucky few humans: old soul love that seems to transcend even death.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    But unlike most people when breaking off a long term relationship with the man you once loved, Brielle is much happier single than she has ever been. Until an unexpected weekend of fun with her best friends leads her to meet and become attracted to none other than Royalty Records CEO, Kiyan Sanchez. After taking a chance with Kiyan, Brielle finds herself again hurt by another man's actions and words. Now second guessing if it was too soon to be taking a shot at love, she's ready to give up on men and love all together. What Brielle doesn't know is Kiyan is on a mission to teach her a lesson on how to forgive past mistakes and look forward to the future, with him as the new man in her life. However, Kiyan isn't the only one lurking in the shadows ready to teach Brielle a life changing lesson. Prepare yourself and get ready to embark on the journey of friendship, love, and betrayal.

    He’s a man of the African bush, and coping with ‘girlie feelings’ was always Helene’s department, not his. When an orphaned baby elephant is found, Rodger sees an opportunity that might help him reconnect with his children. But interfering with the orphan goes against his usual conservation methods. It will require a new approach to save both the baby and his family.

    Walker touches the arm of his mother's dead friend at her wake service and whispers the wish that she wouldn't be dead, he's just trying to do the right thing. But when the undertaker sees the woman's rosary sliding off her outstretched fingers and tumbling down her raised left arm, the firestorm can't be held in check. Frightened people near and far demand to know how many of their own loved ones might have been buried alive by the same undertaker, or by any undertaker. But proof that C.J. Walker can indeed raise the dead is secretly videoed, then publicly aired. In a single morning, C.J.'s mother, Lynn, watches their home becoming a fortress and her son becoming a target. Grieving individuals desperate to see death let go of their loved ones; representatives from news, medical, and scientific organizations; influential religious representatives; and powerful government agencies all move in to gain maximum positions of influence over the greatest power on earth. Through the ordeal, Lynn and her separated husband, Joe, struggle to find a way to escape with C.J., to keep him hidden from every pursuer, and somehow to make it possible for him to live a normal life again. But to do it all they must act quickly, before he's stolen away by authorities in high places.

    He and his crew run the streets of Cleveland, he has an abundance of money, plus all the women love him. But can things get any better for him or can one life changing event turn his entire world into a living nightmare?Juicy is one bad chick. She has the body of a goddess and has enough street smarts to run an entire Drug Empire on her own. She also loves playing Black’s loyal ride-or-die. But when she has had enough what outs does she take to let go before her past shows up and shows out?Tiffany is young and the streets arouses her. She love everything about them, plus she loves being the chosen and known girlfriend of Black. But she quickly learns how hard the street life can be and has to make fast decision, either jump aboard or die. Which will she make?

    The scene is Mrs. Orcutt's boarding house, where the hopes and ambitions of sixteen young women are revealed in scenes of entertaining comedy. Contrasted with this are the cases of the girl without talent and the elderly actress whose days are over. The central plot has to do with courageous Terry Randall, who fights against discouragement to a position in the theater where we are sure she will conquer. One of her fellow aspirants gives up in despair, one gets married, and one goes into pictures, but Terry, with the help of idealistic David Kingsley, sticks to her guns.

    She just didn't expect to feel that way, only three months into her perfect marriage. Ayden Stone is a man who has everything, except the one thing he needs most-the only woman he has ever loved. Fearing for her and their unborn twins, he has to send her away, knowing he has the fight of his life on his hands to save himself and, more importantly, his family. He must do things he knows will jeopardize his marriage and bring him close to breaking point, but with his back against the wall, he has no choice. He must do ... whatever it takes. The French connection deepens, opening old wounds, revealing secrets and emotional scars which Ayden must endure alone. New enemies from their past close in, threatening their relationship and their very existence. With everything to fight for, they must make a stand to safeguard their lives and their love ... or risk losing it all.

    A farce with a hilarious drunk scene for two stylish comediennes.