The novel’s frank portrayal of a woman’s emotional, intellectual, and sexual awakening shocked the sensibilities of the time and destroyed the author’s reputation and career. Many years passed before this short, pioneering work was recognized as a major achievement in American literature.Set in and around New Orleans, The Awakening tells the story of Edna Pontellier, a young wife and mother who, determined to control her own life, flouts convention by moving out of her husband’s house, having an adulterous affair, and becoming an artist.Beautifully written, with sensuous imagery and vivid local descriptions, The Awakening has lost none of its power to provoke and inspire. Additionally, this edition includes thirteen of Kate Chopin’s magnificent short stories.--back coverStories Included in the Volume:The AwakeningEmancipation: A Life FableA Shameful AffairAt the ‘Cadian BallDésirée’s BabyA Gentleman of Bayou TêcheA Respectable WomanThe Story of an HourAthénaïseA Pair of Silk StockingsElizabeth Stock’s One StoryThe StormThe GodmotherA Little Country Girl

    Featuring: Jack Kerouac, Allen Ginsberg, William Burroughs, Gary Snyder, Neal Cassady, Gregory Corso, Diane Di Prima, Bob Dylan, Ken Kesey, Charles Bukowski, Michael McClure, and more.

    W. Norton proudly announces the Seagull Readers, a new collection of the most frequently taught poems. Ideal for genre or introductory literature courses, the Seagull Readers offer a compact and affordable alternative to larger anthologies. Each volume includes a wide selection of both classic and contemporary works, as well as a thorough introduction to each genre and biographies of the authors. An inexpensive and portable alternative to bulky anthologies, The Seagull Reader: Poems offers 154 poems, from time-honored classics such as T. S. Eliot's "The Love Song of J. Alfred Prufrock" and John Keats's "La Belle Dame sans Merci" to contemporary classics by Rita Dove, Billy Collins, Seamus Heaney, Sharon Olds, and Li-Young Lee, among others. The Seagull Reader: Poems is lightly supplemented by editorial apparatus, including an introduction to the major concepts of the genre, brief headnotes, annotations where necessary, a glossary of terms, and biographical sketches of each author.

    This critically acclaimed sonnet sequence is the passionately intense story of a love affair between two women, from the electricity of their first acquaintance to the experience of their parting.

    Yeats laid the foundations for an Irish literary revival, drawing inspiration from his country's folklore, the occult, and Celtic philosophy. A writer of both poems and plays, he helped found Dublin's famed Abbey Theatre. The poems here provide an example of his life's work and artistry, beginning with verses such as "The Stolen Child" from his debut collection "Crossways "(written when he was 24) through "Why Should Not Old Men Be Mad?" from "On the Boiler," published a year prior to his death.

    There was a need for a book that, eschewing sensationalism and simplistic answers, would examine the holes in the fabric of women’s talk of the last thirty or forty years. The contributors, a cross-section of women, would be asked to explore defining moments in their lives rarely aired in common discourse: truths they had never shared, subjects they hadn’t written about before or otherwise found a place for. What Carol Shields and Marjorie Anderson wanted to hear about were the experiences that had brought unexpected pleasure or disappointment, that somehow had caught each woman unawares. The pieces, woven together, would be a tapestry of stories about what women experience but don’t talk about. The resulting book became an instant #1 bestseller.“Our feeling was that women are so busy protecting themselves and other people that they still feel they have to keep quiet about some subjects,” Carol Shields explained in an interview. Dropped Threads takes as its model the kind of informal discussions women have every day – over coffee, over lunch, over work, over the Internet – and pushes them further, sometimes even into painful territory. Subjects include work, menopause, childbirth, a husband’s terminal illness, the loss of a child, getting old, the substance of women’s friendships, the power of sexual feelings, the power of power, and that nagging question, “How do I look?” Some of the experiences are instantly recognizable; others are bound to provoke debate or inspire readers to examine their own lives more closely.The book is a collection of short, engaging pieces by more than thirty women, from Newfoundland to Vancouver Island. Many are mothers, some are grandmothers, and many are professionals, including journalists, professors, lawyers, musicians, a corporate events planner and a senator. Readers will find the personal revelations of some of their favourite authors here, such as Margaret Atwood, Bonnie Burnard, Sharon Butala, Joan Barfoot, Joan Clark and Katherine Govier. Other contributors include:• Eleanor Wachtel, CBC radio host, talks about her early fears of speaking in public.• June Callwood, journalist, social activist and a Companion of the Order of Canada, at the age of seventy-six is surprised at her failure to find answers to the imponderable dilemmas surrounding human life, and of her lack of connection to the “apparition” in the mirror.• Isabel Huggan, short story writer, muses on what she considers the impossibility of mothers passing on knowledge to their daughters, and on her own feeling that “we are girls dressed up in ladies’ clothing, pretending.”With writing that is reflective, often amusing, poignant, emotional and profound, Dropped Threads is the first book to tackle the lesser-discussed issues of middle age and is the first anthology the editors have compiled together.

    She kept extensive diaries of her life and loves, written partly in code. Made up of Greek letters mingled with other symbols of her own devising, Anne referred to the code as her "crypthand," and the use of it allowed her the freedom to describe her intimate life in great detail. Her diaries have been edited by Helena Whitbread, who spent years decoding and transcribing them.

    The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.

    In A Room of One's Own (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.