Calling poets away from civilization, back towards the wilderness, Lasky brazenly urges artists away from conceptual programs, resurrecting imagination and faith-in-the-uncertain as saviors from mediocrity.

    He sets his eyes upon the people, the beautiful places and the spectacular wildlife. He captures the adventure and joy filled in the way of life in the hills vividly. This collection of fiction and non-fiction works is a must-read for ardent Ruskin Bond fans.

     Nico goes silent, and the group at the table looks at him. “I am,” he says, “but I was planning on sending her into a school that has hidden supers, not on a drug bust. She has a very specific goal in mind, you know.” “Yes, I am aware,” Mastermental says. “And if you really wish to ignore this—” “I didn’t say that,” Nico says, as Morgan jerks in silent protest. “But it’s not what she’s planning on going into.” “Yes, but she is the perfect person to infiltrate a track and field group, as well as see who else is affected. There is a possibility that it goes much higher than that, Lauren has fractured memories of even teachers acting strangely, as well,” Mastermental says. “But as much as I dislike stereotyping—” “I look like a normal, high school jock, right?” Morgan offers.

    It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors who compete for Penelope's hand in marriage. In this Book you will also find 7 Bonus works for your enjoymentThe complete interactive table of content includes:THE ODYSSEYBonus book: THE ILIAD OF HOMERMore free Bonuses PARADISE LOST-by John MiltonTHE GOLDEN ASS-by Lucius Apuleius "Africanus"PLAYS OF SOPHOCLES•OEDIPUS THE KING • OEDIPUS AT COLONUS • ANTIGONETHE AENEID-by VirgilAll in one book elegantly formatted for ease of use and enjoyment on your Kindle device. Enjoy!

    In this international classic, Paz has written one of the most enduring and powerful works ever created on Mexico and its people, character, and culture. Compared to Ortega y Gasset's The Revolt of the Masses for its trenchant analysis, this collection contains his most famous work, "The Labyrinth of Solitude," a beautifully written and deeply felt discourse on Mexico's quest for identity that gives us an unequalled look at the country hidden behind "the mask." Also included are "The Other Mexico," "Return to the Labyrinth of Solitude," "Mexico and the United States," and "The Philanthropic Ogre," all of which develop the themes of the title essay and extend his penetrating commentary to the United States and Latin America.

    This comprehensive and engaging anthology gathers his polymathic achievement, from the extraordinary humanity of The Post Officer to memoirs, letters, essays and conversations, short stories, extracts from the celebrated novel The Home and the World, poems, songs, epigrams, and paintings. This inspired collection of works by one of this century's most profound writers in an essential guide for readers seeking to understand Indian literature, culture, and wisdom, and the perfect reintroduction of Tagore's magnificence to American readers.

    Product DescriptionPublishers Description:A Prohibition-era novel centering around the occurrence of a dust storm in southern Minnesota, Orchard of Dust follows the lives of a boy and his father as their town is invaded by a speakeasy.From the Back Cover:In the quiet born to the soil, the coming of a fresh generation quaked and rumbled as a people, displaced from their land, dreamed of once and tomorrow; they followed promised whispers of abundance through a desolation where men ripped at the land, wrenching what harvest the fields could spit until a protestation came against man, strangling the fields in dust; and this people broke their homes, shattering hearthstones against the collapsed shelter of forgotten desires that had turned to dead leaves.

    Now this complete illustrated collection of the commentaries that have aired on NPR?s Morning Edition presents Black?s latest dose of medicine for animal and human alike. Ranging from a riotous account of two cowboys chasing down a cow in the nude to a very touching piece about a rancher who loses his wife to cancer and finds out the true worth of his friends and neighbors, Cactus Tracks & Cowboy Philosophy brings together Black?s best-known and most adored work.

    The words are redolent with his Cuban heritage: Marina making mole sauce; Tía Ida bitter over the revolution, missing the sisters who fled to Miami; his father, especially, “his hair once as black as the black of his oxfords…” Yet this is a volume for all who have longed for enveloping arms and words, and for that sanctuary called home. “So much of my life spent like this-suspended, moving toward unknown places and names or returning to those I know, corresponding with the paradox of crossing, being nowhere yet here.” Blanco embraces juxtaposition. There is the Cuban Blanco, the American Richard, the engineer by day, the poet by heart, the rhythms of Spanish, the percussion of English, the first-world professional, the immigrant, the gay man, the straight world. There is the ennui behind the question: why cannot I not just live where I live? Too, there is the precious, fleeting relief when he can write "…I am, for a moment, not afraid of being no more than what I hear and see, no more than this:..." It is what we all hope for, too.

    This is not the City of Palaces of yesteryear, but the vibrant, chaotic, anarchic city of the 1980s and 1990s - the city of garbage mafias, corrupt ex-presidents, and spectacular crime. Taken together in all their variety, these texts form a mosiac of life in Mexico City. Like the visitor wandering through the city streets, the reader should expect to be constantly surprised. vibrant urban spaces in the world. Like the streets of the city, The Mexico City Reader is brimming with life, crowded with flaneurs, flirtatious students, Indian dancers, food vendors, fortune tellers, political activists, and peasant protesters. The writers include expert theorists - a panoply of writers from Carlos Monsivais and Jorge Ibaguengoitia to Fabrizio Mejia Madrid and Juieta Garcia Gonzalez - brought together precisely because they are experienced practitioners of the city.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    But when news of a horrifying murder shocks her sleepy fishing community, she’s compelled by a deep sense of justice to help track down the killer. And when an old friend offers her a chance to do it from behind a badge, she goes all in. Ellie’s investigation gets off to a rapid start, leading her into a hidden underworld of drugs, murder, and lies, where she quickly discovers that some of the locals may not have the cleanest of hands. Meanwhile, as deep pain continues to linger from the recent death of her father and a gaping hole left by a previous mission gone terribly wrong, Ellie discovers that it’s not so easy to outrun your past. SHALLOW BREEZE When a plane loaded with illegal drugs crashes into an iconic pier, the locals begin to wonder if any other secrets are about to fall out of the sky. After going to Tampa to search out a possible link between Hawkwing Enterprises and the dead body of a young boy, Ellie suddenly becomes entangled with an elusive drug lord and the former Navy SEAL working with him. On Pine Island, a local and beloved business owner is blackmailed into moving cargo that goes against everything he believes in, bringing his world crashing down around him as he begins to live a sinister lie. BITTER TIDE When local Matlacha artist Jean Oglesby confides to Ellie that her son may be in some trouble, Ellie steps in to help and is sent down a winding trail that leads her into deep and unexpected waters. A Category 4 hurricane has Pine Island in its crosshairs, and as the winds whip the mainland, it forces Ellie to make a choice: flee for safety or stay and hunt down the weapons smugglers that have kidnapped and tortured an innocent man. And when a friend from the past suddenly appears with unexpected news, she begins to wonder if the truth is even out there and if she will be forced to finally bend the rules. VACANT SHORE Ellie has encountered setback after setback, and this time is no different. When a former adversary comes back for revenge, Ellie discovers the crosshairs cover more than she ever could have imagined and locks her into a deadly battle that has already claimed far too many innocent lives. As she gets ever closer to unmasking the lies running rampant over her community, Ellie finds corruption at the highest levels of government, forcing her to reexamine everything she knew to be true. In this nail-biting conclusion to an investigation that began in Broken Stern, Ellie’s pursuit of justice takes her to the very threshold of death’s door, and what she finds leading up to it is nothing short of terrifying.

    

    Fusing family memoir with a meditation on creative block, depression, solitude, class, place and the intractable politics of our present moment, Dan Fox draws upon his experiences as a writer to consider the role that fallow periods and states of impasse play in art and life. LIMBO is an essay about getting by when you can't get along, employing a cast of artists, exiles, ghosts, hermits and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and how these are also crucial to our understanding of inspiration, flow and productivity. From Thomas Aquinas to radical behavioural experiments, from creative constraints to the social horrors of THE TWILIGHT ZONE and Get Out's SUNKEN PLACE, LIMBO argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal.

    But that’s what happens when medical technology goes awry. Doctors said they could train her brain to interpret digital signals from the camera in her artificial eye. The module even has wi-fi so they can monitor signal traffic across her optic nerve. What they didn’t anticipate was that her brain would figure out how to use the wi-fi connection both ways. Asha can now see the Internet. ASHA'S INTELLIGENCE IS NOT ARTIFICIAL As her digital brain develops, she creates an online AI by copying part of her mind to the cloud. The AI she calls Abbot becomes her right hand as she goes to work for the FBI tracking down international terrorists. Unfortunately, she is so effective, the government believes she may be a co-conspirator. When they refuse to pay her, she walks out. IT'S NOT JUST THE FBI WHO SUSPECT HER When Asha crosses paths with Chinese military hackers, she stops them by taking out Shanghai’s electrical grid. Now the communist government wants to know who did it and how. Things go downhill after Asha gives a copy of Abbot to her husband’s company. When the Chinese military steals a copy of it, they immediately recognize its military significance. Their top priority, however, is to take out the woman who came up with it in the first place. CHINA FLEXES ITS NEW CYBER WARFARE TOOL Using her own technology against her, the Chinese suddenly become a serious threat to the US. The FBI calls Asha back and ask one last favor: stop the Chinese attack. She agrees, but this time there are conditions. Either they pay upfront, or she will take care of the Asian threat in her own way, and knowing Asha, that could mean World War Three.