Chronicles of her strategies for surviving civilization's decline -- herbal remedies, macrobiotics, a bit of Xanax -- have established her as one of the most captivating and eagerly read voices in modern literature. In this new collection of stories, Julie Hecht reclaims the darkly funny, existential territory for which she is known: "People say 'Good morning,' but don't believe them. It's just something to say." The uniquely eccentric narrator reappears in Happy Trails to You and recounts her perplexed engagements with our society and the larger world -- whether she's attempting to withdraw money from a bank machine, worrying about Paul McCartney, or seeking a nonexistent place of calm on Nantucket, where nail guns and chain saws have replaced the sounds of birds singing. Appalled by life in our times, the narrator recounts innumerable artifacts from a now vanished America (civility, idealism, Elvis Presley, well-made appliances). She is also exquisitely attuned to the absurdities of our culture; her acute observations illuminate every subject, from the dangers of microwave ovens to the disappearing ozone layer. With deadpan wit, the author reveals the truths of a new century. Happy Trails to You is a radically distinctive work of American fiction.

    Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    Two grown sisters struggle with old assumptions about each other as they stumble to build a new relationship in A Map of Modern Palm Springs. Rome is the setting of Puttanesca, as two young widows move tentatively forward, still surrounded by ghosts and disappointments from the past.These twelve stories, filled with the sharp humor, emotional acuity, and joyful language that are sure to become Straub’s hallmarks, announce the arrival of a major new talent.

    Sudden Fiction brilliantly captures the tremendous popularity of this new and distinctly American form.

    'Where I'm Calling From', his last collection, encompasses classic stories from 'Cathedral', 'What We Talk About When We Talk About Love' and earlier Carver volumes, along with seven new works previosly unpublished in book form. Together, these 37 stories give us a superb overview of Carver's life work and show us why he was so widely imitated but never equaled.

    Stories were to be about 250 words long; first prize was a check and a crate of oranges.Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page.Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements.How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.Includes:Poet's husband by M. GilesCough by Harry HumesDaydream by R. AllenWrong channel by R. FernandezHarmony by J. Williams20by20 by L. BrewerYour fears are justified by R. DeMarinisAt the point by B. McCaddonHalo by M. McFeeMockingbird by L. BerryChanging the channel by E.E. MillerWanting to fly by S. DunningEclipsed by R. ShusterNew Year by P. PainterSurvivors by K. AddonizioAnti-Cain by V. SuarezPainted devils by F. ChappellHoneycomb by N.R. SingerBaby, baby, baby by F. CamoinAn old story by J. KelmanConception by T. FlemingAll this by J. AvallonStone belly girl by J. Granger Worry by R. WallaceYou can't see dogs on the radio by L. WendlingTrue story of Mr. and Mrs. Wong by M. ChinFlu by S. DybekThe bridge by R. EdsonKennedy in the barrio by J.O. CoferGrief by R. CarlsonMount Olive by M.A. LoveHurray for Hollywood by G. GarrettThis is how I remember it by Betsy KemperNovember by U. HegiCarpathia by J.L. KerchevalChickens by E. MagarrellMayor of the sister city speaks to the chamber of commerce in Klamath Falls, Oregon, on a night in December in 1976 by M. MartoneConfirmation names by M. LippoHostess ; Housewife by A. HempelLand's end by A. NelsonLast supper in the Cabinet Mountains by D. BottomsStrongman by W. White-RingDiverging paths and all that by M. O'HaraA gentleman's C by P. PowellOf exposure by J. HolmanTea leaves by J. BurrowayWe eat our peas for the souls in Purgatory by A. McPetersWaiting by P. McNallyBut what was her name? by D. RaffelGuadalupe in the Promised Land by Sam ShepardMorning news by J. SternMolibi by L. HancockWallet by A. Woodman

    These short shorts, usually no more than 750 words, range from linear narratives to the more unusual: stories based on mathematical forms, a paragraph-length novel, a scientific report on volcanic fireflies that proliferate in nightclubs. Flash has always—and everywhere—been a form of experiment, of possibility. A new entry in the lauded Flash and Sudden Fiction anthologies, this collection includes 86 of the most beautiful, provocative, and moving narratives by authors from six continents, including best-selling writer Etgar Keret, Zimbabwean writer Petina Gappah, Korean screenwriter Kim Young-ha, Nobel Prize winner Czeslaw Milosz, and Argentinian “Queen of the Microstory” Ana María Shua, among many others. These brilliantly chosen stories challenge readers to widen their vision and celebrate both the local and the universal.

    “As soon as you complete a description of what a good story must be, a new example flutters through an open window, lands on your sleeve, and proves your description wrong,” writes Anthony Doerr about the task of selecting The Best American Short Stories 2019. The year’s best stories are a diverse, addictive group exploring everything from America’s rich rural culture to its online teen culture to the fragile nature of the therapist-client relationship. This astonishing collection brings together the realistic and dystopic, humor and terror. For Doerr, “with every new artist, we simultaneously refine and expand our understanding of what the form can be.”  The Best American Short Stories 2019 includes Nana Kwame Adjei-Brenyah, Jamel Brinkley, Jeffrey Eugenides, Ursula K. Le Guin, Manuel Muñoz, Sigrid Nunez, Saïd Sayrafiezadeh, Jim Shepherd, Weike Wang, and others.

    A debate over Young Elvis versus Vegas Elvis turns existential. Detoxing junkies use a live lobster to spice up their love life. Students on summer break struggle to escape the orbit of a seemingly utopic communal house.And in the title story, selected for The Best American Short Stories, two film school buddies working on a doomed project are left sizing up their own talent, hoping to come out on top—but fearing they won't.In What's Important Is Feeling, Adam Wilson follows the through-line of contemporary coming-of-age from the ravings of teenage lust to the staggering loneliness of proto-adulthood. He navigates the tough terrain of American life with a delicate balance of comedy and compassion, lyricism and unsparing straightforwardness. Wilson's characters wander through a purgatory of yearning, hope, and grief. No one emerges unscathed.

    While the bricks with which Chinquee constructs her fictions - failed or failing relationships, childhood friendships, and the intricacies of family life - are not uncommon, the architecture she creates with them is rare indeed: stories now full of light, now somber, now opening the reader's eyes to an utterly new space.

    Brief dreamlike sketches deal with a safari in the suburbs, a mother struck by lightning, a cow wearing lingerie, and a visit from dead parents.

    If you enjoy small 'bite-size' stories, or are a fan of micro-fiction and flash fiction, you'll appreciate these sharply written, miniature creations from a "masterful wordsmith."

    Each story goes off like a tiny depth charge in the mind, leaving you with the trace memory of some new urban myth - comic, absurd and disturbingly true.

    The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.Complainers --Air mail --Baster --Early music --Timeshare --Find the bad guy --The oracular vulva --Capricious gardens --Great experiment --Fresh complaint

    It follows the groundbreaking, highly acclaimed Jesus’ Son. Written in the same luminous prose, this collection finds Johnson in new territory, contemplating old age, mortality, the ghosts of the past, and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death in May 2017, this collection is the last word from a writer whose work will live on for many years to come.