Sitting alone in the local coffee place. He’s been set up by his friend Tim on a blind date with someone named Natalie, and now he’s just feeling set up. She’s nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem­ployed, with next to no prospects, Marshall isn’t ex­actly what you’d call a catch. Twenty minutes pass.A half hour. Marshall orders a scotch. (He wasn’t going to drink!) Forty minutes.Then, after nearly an hour, when he’s long since given up hope, Natalie appears — breathless, apologiz­ing profusely that she went to the wrong place. She takes a seat, to Marshall’s utter amazement. She’s too good to be true: attractive, young, intel­ligent, and she seems to be seriously engaged with what Marshall has to say. There has to be a catch. And, of course, there is.During the extremely long night that follows, Marshall and Natalie are emotionally tested in ways that two people who just met really should not be. Not, at least, if they want the prospect of a second date.A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name.

    After a decade of work and groundbreaking anthologies, "Everything Together" collects his short-story comics, which condense vast amounts of emotion and information into nuanced cartoon narratives. Harkham's classic style is both articulate and expedient. At the center of the book are two vastly different tales: "Poor Sailor," a sea-faring myth of a man gone to find wealth for his love; and "Somersaulting," a kind of fever dream of teenagers in love, wiling away the summer. Alongside these stories are shorter comic strips tackling everything from Napoleon as a tortured artist to touching examinations of Jewish mysticism and life in a shtetl, to satires on contemporary university life. Throughout these tales, Harkham maintains a light touch and emotive wit. The works in this book confirm his place among the best storytellers of his generation.Sammy Harkham was born in Los Angeles in 1980, moving to Sydney, Australia, at the age of 14. He soon started making his own comics and a zine, "Kramers Ergot," which has evolved into one of the most influential comics anthologies published today. His comic strip "Poor Sailor," originally published in "Kramers Ergot" 4, was subsequently included in "Best American Nonrequired Reading of 2004 "and has been published in French, Korean and Italian. "Kramers Ergot" has been on numerous "best of the year" lists including the "LA Weekly," "Time," "The New York Times," "Dazed and Confused," "The Comics Journal" and "Publishers Weekly." In 2006 Harkham started the ongoing comic series, "Crickets," and edited "The Simpsons' Treehouse of Horror," and most recently the eighth volume of "Kramers Ergot." A partner in both the renowned bookstore Family, and the movie theater, Cinefamily, Harkham lives in Los Angeles with his wife and three children.

    Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.

    After the sci-fi trappings of his earliest stories (as seenin Maggie the Mechanic, the first volume in this series),Hernandez refined his approach, settling on the more naturalisticenvironment of the fictional Los Angeles barrio, Hoppers, and the livesof the young Mexican-Americans and punk rockers who live there. Acentral story and one of Jaime's absolute peaks is "The Death ofSpeedy." Such is Jaime's mastery that even though the end of the storyis telegraphed from the very title, the downhill spiral of Speedy, thelocal heartthrob, is utterly compelling and ultimately quitesurprising. Also in this volume, Maggie begins her on-again off-againromance with Ray D., leading to friction and an eventual separationfrom Hopey.(Note: A number of these stories, including a whole cycleof wrestling stories starring or co-starring Rena Titañon, were notcollected in the hardcover Locas.)

    He's skeptical it will work, but is stunned to find that when he emerges from his trance, he's fifteen years old - and it's 1985! Is he doomed to relive the worst four years of his life or will this second go-round finally give him the answers he's been missing all his life? If nothing else he'll finally get to ask out Marie Simone from history class...

    The characters here appear to be well-adjusted on the surface, but Tomine takes us deeper into their lives, subtly examining their struggle to connect with friends and lovers.

    Part quasi-autobiography, part dream diary, part strange descriptions of "Jimland Novelties," this book is a "brilliant pastiche of crazed emotions, wonderfully textured with lush, attentive artwork [and] oddly haunting," says Hugh Bonar in a Comics Journal review. There is nothing like Jim Woodring. Period.

    Saint Cole depicts four days in the life of a twenty-eight-year-old suburbanite named Joe, who works at a pizzeria to support his girlfriend Nicole and their infant child and then Nicole invites her troubled mother to move into their two-bedroom apartment until she lands on her feet again. Joe reacts by retreating into alcohol: he wants out, and he's angry. He s in a position to act rashly and he does.

    When he gets shanghaied aboard a clipper bound for Hong Kong, he finds the sailor’s life a bit rougher than his romantic nautical fantasies. He helps rebuff a pirate assault, survives a gunshot to the eye, and learns to live—and love—a Conradian life on the sea, all the while writing poetry about pirates, bad food, unceremonial funerals, foreign ports, and unexpected epiphanies. By the end of his life, he’s found satisfaction in living a life of adventure and finding a receptive and appreciative readership. What more could one ask for?This is Drew Weing’s debut graphic novel, after honing his craft with numerous, lovingly produced self-published comic stories. Drawn in an elaborate crosshatched style that falls somewhere between Gustave Doré engravings and E. C. Segar’s Popeye, Set to Sea is part rollicking adventure, part maritime ballad told in visual rhyme. Every page is a single panel, every panel is a stunning illustration, every illustration a part of a larger whole that tells a story in the deft language of cartooning.

    It was winnning a Harvey Award, no less. It documentates the once upon a time in our fishing village town and a short turtle lad name of Chunky, last name Rice.Mister Chunky Rice be living in the same rooming house likewise myself, only that boy be restless. Looking for something. And he puts hisself on my brother Chuck's ship and boats out to sea to find it. Only he be departin' from his bestest of all friends, his deer mouse, I mean, mouse deer chum Dandel.Now why in a whirl would someone leave beyond a buddy? Just what be that turtle lad searchings for? I said you best read the book to find out. Merle said, "Doot doot."

    Now, he takes the role of the eminent icon of caffeine culture in his new book; Too Much Coffee Man's Parade of Tirade. Fill your cup with dark satire and drink deep from these thoughtful, award-winning comics. Witness TMCM's secret origin! Marvel as our hero battles corporate oppression! Experience the anxiety of the author as he claws his way to the top! Gawk at Joel as he throws up on his girlfriend's door step! And revel in Too Much Coffee Man's wisdom; If you can't be happy naturally, be unnaturally happy.This book collects eight Too Much Coffee Man comic books and many newspaper strips, as well as new material. It's a complete book. All the characters are motivated. All the cliffhangers are resolved. All the plot threads are tied up. And all the jokes have punchlines.

    This is the inaugural volume in an annual showcase of new talent, complimenting our annual flagship anthology. This is comics pushing all the boundaries; surreal, edgy stories of wonder that shimmer with visual style and emotional power. They are presented here in a deluxe package to introduce them to new fans of illustrated fiction.

    Studying English literature in college, she imagined writing a successful novel and leading the idealized life of an author. But she’s been working at the same advertising agency for the past five years and the only thing she’s written is . . . copy. Corrina knows there must be more to life, but and she faces the same question as does everyone in her generation: how to find it? Here is the brilliant debut graphic novel about a young woman’s search for happiness and self-fulfillment in the big city.(With two-color illustrations throughout.)

    In Jaime s stories, Maggie and Hopey take a much-needed break from their humdrum domestic lives and go on a road trip to visit a sick friend. And, when the cat s away, Ray visits some old, sick friends of his own. Plus Tonta s nutty family! Gilbert offers a suite of stories, including The Magic Voyage of Aladdin, a sweeping epic of derring-do in which Morgan Le Fey (Fritz) teams up with Aladdin to stop the evil Circle from obtaining the magic lamp; The Golem Suit, a WWII sci-fi thriller starring Killer; and Daughters and Mothers and Daughters, in which flashbacks to Luba s mother Maria reveal how ugly secrets of the past affect their family today."

    Connected by a series of gossipy teens, the modern lost souls of Beverly struggle with sexual anxieties that are just barely repressed and social insecurities that undermine every word they speak.A group of teenagers pick up trash on the side of the highway--flirting, preening, and ignoring a potentially violent loner in their midst. A college student brings her sort-of boyfriend to a disastrous house party with her high-school acquaintances. A young woman experiences a traumatic incident at the pizza shop where she works and the fallout reveals the racial tensions simmering below the surface. Again and again, the civilized façade of Drnaso's pitch-perfect surburban sprawl and pasty Midwestern protagonists cracks in the face of violence and quiet brutality.Drnaso's bleak social satire in Beverly reveals a brilliant command of the social milieu of twenty-first-century existence, echoing the black comic work of Todd Solondz, Sam Lipsyte, and Daniel Clowes. Precisely and hauntingly recounted, each chapter of Beverly reveals something new--and yet familiar--about the world in which we live.