The Christian Science-Monitor praised his "engaging blend of deadpan humor and genuine empathy"; "Thankfully," said The Philadelphia Inquirer, "Kirn never abandons his theme of uncertainty when observing modern angst." Now Walter Kirn has fashioned She Needed Me, a moving, surprising, and darkly comic novel whose sympathetic portrait of a disillusioned generation is mercifully uncynical. Weaver Walquist and Kim Lindgren first meet outside a St. Paul, Minnesota, abortion clinic. Kim - twenty-three, pregnant, with no money to finish junior college - is about to walk inside. Weaver is lying in front of the door. At twenty-six, he is a Bible-carrying member of the Conscience Squad, a fanatical right-wing protest group...yet readers of all minds will be drawn to this gentle, questing soul as he struggles with his feelings for Kim and his subsequent sexual desire for her; his crumbling devotion to the church; and his waning loyalty to his employer, Sanipure, a Christian soap and cosmetics company that calls sales "fellowship moments." But Weaver was not always devout. The only child of a widowed, highly successful Wisconsin liquor store owner, he tried to ward off teenage isolation with a mixture of pot and pills, vodka, sex and heavy metal music, until born-again Christian Lucas Boone found him half dead on the floor of a Greyhound station men's room. As Weaver tries to persuade Kim to have her baby, they embark upon a journey that brings them into contact with a cast of keenly drawn characters: Chuck and Dixie Lindgren, Kim's parents, who made more money in one hot Las Vegas weekend than they ever earned from their North Dakota farm; charismatic, paranoid Lucas Boone, popping anti-depressant pills like candy; Kim's disaffected brother, Ricky, who makes a modest living burglarizing his relatives' homes; and fin

    Emily Delahunty-a mysterious and not entirely trustworthy former madam-quietly runs a pensione in the Italian countryside and writes romance novels while she muses on her checkered past. Then one day her world is changed forever as the train she is riding in is blown up by terrorists. Taken to a local hospital to recuperate, she befriends the other survivors-an elderly English general, an American child, and a German boy-and takes them all to convalesce at her villa, with unforeseen results.

    THE DEATH BLEAK - For centuries he has haunted the nations, taking the blood gain further than any before himTHE PYRE - His storied stronghold deep in the Forrest of Naeethe, its glory forgotten, its ancient purposes abandonedAND I, EMBER - Sent by the Lights to stop him from becoming the one thing that all nations fear the most.

    Derived from the ancient art of henna body painting, 31 striking patterns are based on authentic Indian, African, and Middle Eastern sources. Pages are perforated and printed on one side only for easy removal and display. Specially designed for experienced colorists, Mehndi Designs and other Creative Haven® adult coloring books offer an escape to a world of inspiration and artistic fulfillment. Each title is also an effective and fun-filled way to relax and reduce stress.

    Jessica Treadway flawlessly portrays the complexity of human experience in the face of incomprehensible loss, revealing yet again why the New York Times Book Review has called her "a writer with an unsparing bent for the truth."

    Clemmie stayed behind to begin a new life in the Mali desert, but now Emily fears for her cousin's safety. Returning to Africa with her new husband and two friends, she is determined to find out why Clemmie seems so desperately to need her help. Divinity is travelling to Mali to satisfy her curiosity about the land her father came from, and to source new materials for her design company. She doesn't expect the chaos and adventure she finds - nor the danger that seems to grow as her little group begin to make its way across the desert towards Clemmie...

    A delightful facsimile of a volume published by two of Dickinson's close friends shortly after her death.

    On the surface it could be just one of hundreds in which some students will succeed and some will fall along the way. the hopes and dreams of so many people are tied up in the twice weekly lessons. they are ready to set off on the promised trip to Italy at the end of the year, everyone's destiny has changed utterly.

    

    The last of Italo Calvino's works to appear during the author's lifetime, Collection of Sand is a group of essays never before published in English, discussing subjects ranging from cuneiform and antique maps to Mexican temples and Japanese gardens.

    Comparing Vittorini's work to Picasso's, Italo Calvino described Conversations as "the book-Guernica."The novel begins at a time in the narrator's life when nothing seems to matter; whether he is reading newspaper posters blaring of wartime massacres, lying in bed with his wife or girlfriend, or flipping through the pages of a dictionary it is all the same to him—until he embarks on a journey back to Sicily, the home he has not seen in some fifteen years. In traveling through the Sicilian countryside and in variously hilarious and tragic conversations with its people—his indomitable mother in particular—he reconnects with his roots and rediscovers some basic human values.In the introduction Hemingway wrote for the American debut of Conversations (published as In Sicily by New Directions in 1949) he remarked: "I care very much about Vittorini's ability to bring rain with him when he comes, if the earth is dry and that is what you need." More recently, American critic Donald Heiney wrote that in this one book, Vittorini "like Rabelais and Cervantes...adds a new artistic dimension to the history of literature."

    He argues that there is a substantial link between the history of Christian revelation and the history of nihilism, in particular as the latter appears in the work of Nietzsche and Heidegger, Vattimo’s philosophical specialty. Tracing the relation between his response to these two thinkers and his own life as a devout Catholic, Vattimo shows how his interpretation of Heidegger’s work and his conceptions of “weak thought” and “weak ontology” can be seen as closely linked to a rediscovery of Christianity.Vattimo speaks here in the first person—a risk that results in a disarmingly open exploration of the themes of charity, truth, dogmatism, morality, and sin, viewed through the lens of his own life and his own return to Christianity. While deeply critical of institutionalized religion and the Church, Vattimo discovers in the Christian tradition a voice (not a distinct message) whose interpretation is still being played out around us. Shaped by his readings of Nietzsche and Heidegger, Vattimo’s decision to affirm his formation within the Christian tradition provides an original and engaging contribution to the contemporary debate on religion.At the center of this book is the enigma of belief. Freed by modernity from its Platonic subordination to knowledge, belief is recovered as a crucial and inevitable feature of our cultural and personal lives. “Do you believe?” Vattimo is asked. “I believe so,” he replies.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    He alone can penetrate appearances and grasp the iron laws determining the lives of all those who live in this place—this valley where nature is miserly and leaves little room for poetic contemplation or an excess of feelings. He alone remembers his protégé, Ramón, a shepherd, who, no more than a child, fell in love with Alba, the only daughter of the region’s most powerful and influential landowner. The rich and powerful conspire to thwart the love between Ramón and Alba, and in doing so they incite a feud that will extend beyond all reason. Thus begins a vigorous, dramatic story of rebellion and a heroic quest for freedom.

    In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.