When the FBI takes over the case, Vince agrees to take time off. Traveling to a small upstate New York town, he meets Holly Newman--a fragile woman whose sister was abducted and killed years ago. Convinced that Holly's sister's death is linked to the recent murders, he attempts to unearth clues hidden deep in Holly's mind.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    Desperate to prove his talents have value, he agrees to work for Dr. Foster, a psychologist who secretly hires performers to infiltrate the everyday lives of his patients, and then stage situations which advance their therapy. This part-time job becomes Jordan's toughest role yet as he's assigned to follow an eccentric patient named Julie, lie his way into her life, and help Foster rebuild her trust in men. White Oleander author Janet Fitch raved, “Kevin Alex Baker is a rare find, and Head Games is a sweet discovery, a ripping page-turner.”

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

     This intense novel follows a middle-aged man as he contends with a past he has never much thought about - until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he'd left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he'd understood all along, and to revise his estimation of his own nature and place in the world. A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes's oeuvre.

    Daryl’s girlfriend, Loretta Stevens, knew about his geeky lifestyle when they started dating, but she loves him, quirks and all.Then one day Daryl chooses to buy a particularly tacky piece of memorabilia instead of Loretta’s birthday present. Daryl ends up in the doghouse, not only with Loretta, but with Maxine Marie herself. The legendary blonde returns from the dead to give Daryl a piece of her mind—and a haunting obsession he’ll never forget.

    Despite her successful career, she leads a sheltered life and languishes in the shadow of her twin brother Andy, an accomplished climate scientist stationed on a remote island off Greenland’s barren coast. But Andy is gone: a victim of suicide, having willfully ventured unprotected into 50 degree below zero weather. Val is inconsolable—and disbelieving. She suspects foul play. When Wyatt, Andy’s fellow researcher in the Arctic, discovers a scientific impossibility­—a young girl frozen in the ice who thaws out alive, speaking a language no one understands—Val is his first call. Will she travel to the frozen North and meet this girl, try to comprehend what she is so passionately trying to communicate? Under the auspices of helping Wyatt interpret the girl’s speech, Val musters every ounce of her courage and journeys to the Artic to solve the mystery of her brother’s death. The moment she steps off the plane, her fear threatens to overwhelm her. The landscape is fierce, and Wyatt, brilliant but difficult, is an enigma. But the girl is special, and Val’s connection with her is profound. Only something is terribly wrong; the child is sick, maybe dying, and the key to saving her lies in discovering the truth about Wyatt’s research. Can his data be trusted? And does it have anything to do with how and why Val’s brother died? With time running out, Val embarks on an incredible frozen odyssey—led by the unlikeliest of guides—to rescue the new family she has found in the most unexpected of places.

    Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy's husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage--she will hurt him three times.As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return.Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal.

    But it’s magic and whimsy too. It’s a writer’s lament and a coming-of-age tale (for lack of a better cliché.) It’s experimentation and taking chances. It’s poetry and music. It’s love and art." -LL Book Review "Silly and poignant and real . . . This isn't a love letter to Veronica as much as a love letter to the process of falling in love, and to that of writing a novel. . . delightfully hyper-aware of its own storytelling." -Books I Done Read "A great read indeed . . . Entrekin has really shown himself to be a first rate novelist with Meets Girl. The story crackles with energy as it progresses toward a satisfying conclusion." -The Outer View --- "Once upon a time, I fell in love with a girl who didn't love me in return." New York City, circa 2006. A young man lucking into any temp job he can while following his dream to be a writer. A dream girl and a bad case of unrequited love (is there any other kind?). If the story ended there, it wouldn't be extraordinary. It would be just another tale from the big, bad, glorious city; just another romance that never was; just another friendship that never got the chance to be anything more. But the story doesn't end there. Angus Silver won't let it. Angus Silver knows what people love and whom, and he offers that young writer who fell in love with that girl who didn't love him in return a simple choice. The choice is easy. Making it is not. Making it will break someone's heart.

    It isn’t the pain of him not being there—loneliness is manageable. The worst thing is not knowing why.When Justin walks out on Alice on their honeymoon, with no explanation apart from a cryptic note, Alice is left alone and bewildered, her life in pieces.Then she meets Evelyn, a visitor to the gallery where she works. It’s a seemingly chance encounter, but Alice gradually learns that Evelyn has motives, and a heartbreaking story, of her own. And that story has haunting parallels with Alice’s life.As Alice delves into the mystery of why Justin left her, the questions are obvious. But the answers may lie in the most unlikely of places…

    Her boys have grown and she has finally divorced her bullying husband. This is her time now.Whilst making her new home habitable, Juliet discovers she needs a sturdy helping hand with the unruly and neglected garden. Unwilling to share her newfound independence with anyone, but unable to do all the work by herself, she reluctantly enlists casual labour.Aaman has travelled to Greece from Pakistan illegally. Desperate to find a way out of poverty, his challenge is to find work and raise money for the harvester his village urgently need to survive.What he imagined would be a heroic journey in reality is fraught with danger and corruption. Aaman finds himself in Greece, and with each passing day loses a little more of himself as he survives his new life as an immigrant worker; illegal, displaced, unwanted and with no value. Hungry and stranded, how will he ever make it back home to Pakistan?In what begins as an uncomfortable exchange, Juliet hires Aaman to be her gardener, but resents the intrusion even though she needs the help. Aaman needs the work and money but resents the humiliation.In spite of themselves, as the summer progresses, they get to know one another and discover they have something in common. Pieces of their lives they have kept hidden even from themselves are exposed, with each helping the other to face their painful past.Will Juliet and Amaan finally let each other in? And what will be the outcome of this improbable conjoining of two lost souls?

    What she doesn’t know is that another woman, Lucinda Lacey, a sideshow midget who died on the property in 1924, still inhabits it. And Lucinda has no intention of giving up her home to the new owner. Switching between the carnivals, circuses, and freak shows of the early twentieth century, and the boom-and-bust of today's Florida, Lucinda's life story unfolds as Marisa searches for answers about the strange presence in her new home. The diminutive Lucinda might not be as benign as she first seems. Did Lucinda murder her lover on the day she died? And, if so, is Marisa in danger? THE MIDGET’S HOUSE was inspired by the author's own house in Sarasota, Florida, that, if local legend is to be believed, was built for the little people of the Ringling Bros. Circus, and is haunted to this day by at least one of them.

    They've loved, fought, betrayed, forgiven, consoled, gloried, and grown up together. Now on the eve of London 2012, their last Olympics, both women will be tested to their physical and emotional limits. They must confront each other and their own mortality to decide, when lives are at stake: What would you sacrifice for the people you love, if it meant giving up the thing that was most important to you in the world?

    She knows because she’s been granted the unique gift of finding and caring for those forgotten memories. But now she’s nearing ninety, and Browne women seldom live beyond ninety. Before time runs out Ophelia must find a successor. Someone who can take hold of the gifts and keep the memories from fading. When broken-hearted Annie Cross shows up on the doorstep of The Memory House Bed and Breakfast, Ophelia knows she is the one. The two women forge a bond of friendship as they sip magical dandelion tea and share stories. When Annie starts to sense the memories Ophelia is delighted, but then a thread of violence begins to unravel and Ophelia fears things have gone too far.

    Told in a style that magnificently captures the colloquialisms and clichés of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience.It opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist.For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become a classic.