Expensive things in shops. Jelly that is not ready to eat yet. Cigarette lighters. Necks. Dead Things. Dogs. Piercings. Toddlers' cheeks. Each other's knees. People also like to touch death.Jasper wants to get on in the world, but he's got a lot on his plate: A-levels, his mother pushing him to overachieve, weekly visits to his psychologist, comedowns, YouTube suicides and pregnant one-night-stands. Then there's his stepdad - the murderer.Hilarious and heartbreaking by turns, Grow Up is the ultimate twenty-first-century coming-of-age novel. It paints a vivid portrait of the pills and thrills and bellyaches of growing up today. Funny, smart and twisted, it is the story of one young man transformed.

    They never fight. They're preparing for their lavish wedding that's three months away. And she is miserably and utterly sick of him.Naomi wants out, but there's a catch: whoever ends the engagement will have to foot the nonrefundable wedding bill. When Naomi discovers that Nicholas, too, has been feigning contentment, the two of them go head-to-head in a battle of pranks, sabotage, and all-out emotional warfare.But with the countdown looming to the wedding that may or may not come to pass, Naomi finds her resolve slipping. Because now that they have nothing to lose, they're finally being themselves--and having fun with the last person they expect: each other.

    Or April, the Neo-Nazi bringing up her twin daughters Lamb and Lynx (who have just formed a white-power folk group for kids called Prussian Blue), and her youngest daughter, Dresden. For a decade now, Louis Theroux has been making programs about offbeat characters on the fringes of U.S. society. Now he revisits the people who have most intrigued him to try to discover what motivates them, and why they believe the things they believe. From his Las Vegas base (where else?), Theroux calls on these assorted dreamers, schemers, and outlaws--and in the process finds out a little about the workings of his own mind. What does it mean, after all, to be weird, or "to be yourself"? Do we choose our beliefs or do our beliefs choose us? And is there something particularly weird about Americans? America, prepare yourself for a hilarious look in the mirror that has already taken the rest of the English-speaking world by storm: "Paul Theroux's son writes with just as clear an eye for character and place as his father.... And he's funny.... Theroux's final analysis of American weirdness is true and new." -- Literary Review (England)

    The two hit it off: the Devil talks about his home, where he employs Dante as a gardener; Savage lends him a volume of Tennyson. But when the party's over and Vivien has disappeared, the poet concludes in horror that he must have inadvertently sold his wife to the dark lord. Newly in love with Vivien,  Savage plans a rescue mission to Hell that includes Simmons, the butler; Tompkins, the bookseller; Ashley Lancaster, swashbuckling Buddhist; Will Kensington, inventor of a flying machine; and Savage's spirited kid sister, Lizzie, freshly booted from boarding school for a "dalliance." Throughout, his cousin's quibbling footnotes to the text push the story into comedy nirvana.Lionel and his friends encounter trapdoors, duels, anarchist-fearing bobbies, the social pressure of not knowing enough about art history, and the poisonous wit of his poetical archenemy. Fresh, action-packed and very, very funny, The Gentleman is a giddy farce that recalls the masterful confections of P.G. Wodehouse and Hergé's beautifully detailed Tintin adventures.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    A vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfilment of their desires. Evelyn Waugh’s acidly funny and experimental satire shows a new generation emerging in the years after the First World War, revealing the darkness and vulnerability beneath the glittering surface of the high life.

    Plump cheeks, dilated pupils, and a heightened sense of pleasure are the first signs that they have been drinking a potent new beauty tonic, Viper Wine, distilled and discreetly dispensed by the physician Lancelot Choice.Famed beauty Venetia Stanley is so extravagantly dazzling she has inspired Ben Jonson to poetry and Van Dyck to painting, provoking adoration and emulation from the masses. But now she is married and her “mid-climacteric” approaches, all that adoration has curdled to scrutiny, and she fears her powers are waning. Her devoted husband, Sir Kenelm Digby – alchemist, explorer, philosopher, courtier, and time-traveller – believes he has the means to cure wounds from a distance, but he so loves his wife that he will not make her a beauty tonic, convinced she has no need of it. From the whispering court at Whitehall, to the charlatan physicians of Eastcheap, here is a marriage in crisis, and a country on the brink of civil war. The novel takes us backstage at a glittering Inigo Jones court masque, inside a dour Puritan community, and into the Countess of Arundel's snail closet. We see a lost Rubens altarpiece and peer into Venetia’s black-wet obsidian scrying mirror. Based on real events, Viper Wine is 1632 rendered in Pop Art prose; a place to find alchemy, David Bowie, recipes for seventeenth-century beauty potions, a Borgesian unfinished library and a submarine that sails beneath the Thames.

    First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection--Micromegas, Zadig, The Ingenu, and The White Bull--do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. The most extensive one-volume selection currently available, this new edition includes a new verse translation of the story Voltaire based on Chaucer's The Wife of Bath's Tale: What Pleases the Ladies and opens with a revised introduction that reflects recent critical debates, including a new section on Candide.

    in the epic tale of your life, you are the most important character while everyone is but a forgotten footnote. even the prince.

    From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one.In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history.West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.”We cannot understand how we got here-how the land of the free became Trump’s America—without examining the chasm between who we are and who we think we are, without fact—checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

    . .London, 1754. Six years after leaving her newborn, Clara, at London't Foundling Hospital, young Bess Bright returns to reclaim the illegitimate daughter she has never really known. Dreading the worst - that Clara has died in care - the last thing she expects to hear is that her daughter has already been reclaimed. Her life is turned upside down as she tries to find out who has taken her little girl - and why.Les than a mile from Bess' lodgings in a quiet town house, a wealthy widow barely ventures outside. When her close friend - an ambitious doctor at the Foundling Hospital - persuades her to hire a nursemaid for her young daughter, she is hesitant to welcome someone new into her home and her life. But her past is threatening to catch up with her - and will soon tear her carefully constructed world apart.Set against the vibrant backdrop of Georgian London, 'THE LOST ORPHAN' explores families and secrets, class and power, and how the pull of motherhood cuts across them all.©2020 Stacey Halls (P)2020 Harlequin Audio

    Actress Libby Lomax has retreated into the world of classic movies, where the immortal lives of her favourite screen goddesses seem to offer so much more in the romance department than her own life.After a terrible day on set where she embarrasses herself in front of the entire cast and worst of all, it’s sexy bad-boy star, Dillon O’Hara, she plonks herself down on her battered couch to watch Breakfast at Tiffany’s for the trillionth time.Suddenly, Libby is astonished to find screen icon Audrey Hepburn, complete with little black dress, trademark sunglasses and vintage cigarette holder, sitting beside her and proffering advice.Has Libby got what it takes to turn her life from a Turkey to a Blockbuster? Perhaps with a little bit of Audrey Hepburn magic, she might just pull it off…A night in with Audrey Hepburn is the first in a series of three books following the life and loves of Libby Lomax as she blossoms from Z-lister to A-lister and all of the stages in between with a little bit of help from some very special friends.

    the phenomenon of false entries within dictionaries and works of reference. Often used as a safeguard against copyright infringement.Peter Winceworth, Victorian lexicographer, is toiling away at the letter S for Swansby's multivolume Encyclopaedic Dictionary. His disaffection compels him to insert unauthorized fictitious entries into the dictionary in an attempt to assert some sense of individual purpose and artistic freedom.In the present day, Mallory, a young intern employed by the publisher, is tasked with uncovering these mountweazels before the work is digitized. She also has to contend with threatening phone calls from an anonymous caller. Is the change in the definition of marriage really that upsetting? And does the caller really intend for the Swansby's staff to 'burn in hell'?As these two narratives combine, both Winceworth and Mallory discover how they might negotiate the complexities of the often nonsensical, relentless, untrustworthy, hoax-strewn, and undefinable path we call life. An exhilarating debut novel from a formidably brilliant young writer, The Liar's Dictionary celebrates the rigidity, fragility, absurdity, and joy of language.

    At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens...After Margherita's father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does.Award-winning author Kate Forsyth braids together the stories of Margherita, Selena, and Charlotte-Rose, the woman who penned Rapunzel as we now know it, to create what is a sumptuous historical novel, an enchanting fairy tale retelling, and a loving tribute to the imagination of one remarkable woman.

    Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking. To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they’ll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination. A traditional haunted house story in a thoroughly contemporary setting, Horrorstör is designed to retain its luster and natural appearance for a lifetime of use. Pleasingly proportioned with generous French flaps and a softcover binding, Horrorstör delivers the psychological terror you need in the elegant package you deserve.Designed by Andie Reid, cover photography by Christine Ferrara.