Their subject is Baseball.During eight months of the year, it is played professionally every day; all year round, amateurs play it, watch it, and dream about it. Baseball produces remarkable Americans: it seizes hold of ordinary people and shapes them into something we must regard with awe. Babe Ruth, Jackie Robinson, Joe DiMaggio . . . truly gifted human beings acting out universal fantasies that, for whatever reason, are most perfectly expressed on a baseball field.All this and more rings through Ward and Burns's moving, crowded, fascinating history of the game - a history that goes beyond stolen bases, triple plays, and home runs to demonstrate how baseball has been influenced by, and has in turn influenced our national life: politics, race, labor, big business, advertising, and social custom. The audio covers every milestone of the game: from the rules drawn up in 1845 by Alexander Cartwright to the founding of the Brotherhood of Professional Base Ball Players in 1885, from the 1924 Negro World Series through Jack Roosevelt Robinson's major-league debut in 1947, and Nolan Ryan's seventh and last no-hitter in 1991.Monumental, affecting, informative, and entertaining - Baseball is an audio that speaks to all Americans.

    They were pure ballplayers, sluggers and sweet fielders who played with unbridled joy and breathtaking skill. The national press converged on Crenshaw. So many scouts gravitated to their games that they took up most of the seats in the bleachers. Even the Crenshaw ballfield was a sight to behold -- groomed by the players themselves, picked clean of every pebble, it was the finest diamond in all of inner-city Los Angeles. On the outfield fences, the gates to the outside stayed locked against the danger and distraction of the streets. Baseball, for these boys, was hope itself. They had grown up with the notion that it could somehow set things right -- a vague, unexpressed, but persistent hope that even if life was rigged, baseball might be fair. And for a while it seemed they were right. Incredibly, most of of this team -- even several of the boys who sat on the bench -- were drafted into professional baseball. Two of them, Darryl Strawberry and Chris Brown, would reunite as teammates on a National League All-Star roster. But Michael Sokolove's The Ticket Out is more a story of promise denied than of dreams fulfilled. Because in Sokolove's brilliantly reported poignant and powerful tale, the lives of these gifted athletes intersect with the realities of being poor, urban, and black in America. What happened to these young men is a harsh reminder of the ways inspiration turns to frustration when the bats and balls are stowed and the crowd's applause dies down.

    But far from becoming obsolete in this environment⁠—as Michael Lewis' Moneyball once forecast⁠—the role of the scout in today's game has evolved and even expanded. Rather than being the antithesis of a data-driven approach, scouting now represents an essential analytical component in a team's arsenal.Future Value is a thorough dive into the world of the contemporary scout—a world with its own language, methods, metrics, and madness. From rural high schools to elite amateur showcases; from the back fields of spring training to major league draft rooms, FanGraphs' Eric Longenhagen and Kiley McDaniel break down the key systems and techniques used to assess talent. It's a process that has moved beyond the quintessential stopwatches and radar guns to include statistical models, countless measurable indicators, and a broader international reach. Practical and probing, discussing wide-ranging topics from tool grades to front office politics, this is an illuminating exploration of what it means to watch baseball like it's your job.

    Eric, his best friend, hates it. But when Ben writes an algorithm for the optimal baseball road trip, an impossible dream of every pitch of 30 games in 30 stadiums in 30 days, who will he call on to take shifts behind the wheel, especially when those shifts will include nineteen hours straight from Phoenix to Kansas City? Eric, of course. Will Eric regret it? You might ask, Are Dodger Dogs the same thing as Fenway Franks? As Ben and Eric can now attest, most definitely.On June 1, 2013, Ben and Eric set out to see America through the bleachers and concession stands of America’s favorite pastime. Along the way, human error and Mother Nature throw their mathematically optimized schedule a few curveballs. A mix-up in Denver turns a planned day off in Las Vegas into a twenty-hour drive. And a summer storm of biblical proportions threatens to make the whole thing logistically impossible, and that’s if they don’t kill each other first.Charming, insightful, and hilarious, I Don’t Care If We Never Get Back is a book about the love of the game, the limits of fandom, and the limitlessness of friendship.

    One Night Only brings you the stories of 39 men who lived the dream — only to see it fade away almost as quickly as it arrived. Ken Reid talks to players who had one game, and one game only, in the National Hockey League — including the most famous single-gamer of them all: the coach himself, Don Cherry.Was it a dream come true or was it heartbreak? What did they learn from their hockey journey and how does it define them today? From the satisfied to the bitter, Ken Reid unearths the stories from hockey’s equivalent to one-hit wonders in the follow-up to his bestselling Hockey Card Stories.

    (The title of the book is a quote from Casey Stengel, their manager at the time.) Breslin casts the Mets, who lost 120 games out of a possible 162 that year, as a lovable bunch of losers. And, he argues, they were good for baseball, coming as a welcome antidote to "the era of the businessman in sports...as dry and agonizing a time as you would want to see." Although they were written forty years ago, many of Breslin's comments will strike a chord with today's sports fan, fed up with the growing commercialism of the games. Against this trend Breslin sets the exploits of "Marvelous" Marv Throneberry, Stengel, and the rest of the hapless Mets. "Wonderful."--Charles Salzberg, New York Times. "A touching, enjoyable, and interesting addition to anybody's sports reading list."--Patrick Conway

    Told for the first time, this is his remarkable story.  Born to a small-town California ranching family, the youngest of eight, Vernon “Lefty” Gomez rode his powerful arm and jocular personality right across America to the dugout of the New York Yankees. Lefty baffled hitters with his blazing fastball, establishing himself as the team’s ace. He vacationed with Babe Ruth, served as Joe DiMaggio’s confidant, and consoled Lou Gehrig the day the “Iron Horse” removed himself from the lineup. He started and won the first-ever All-Star Game, was the first pitcher to make the cover of Time magazine, and barnstormed Japan as part of Major League Baseball’s grand ambassadorial tour in 1934. Away from the diamond, Lefty played the big-city bon vivant, marrying Broadway star June O’Dea and hobnobbing with a who’s who of celebrities, including George Gershwin, Jack Dempsey, Ernest Hemingway, Marilyn Monroe, George M. Cohan, and James Michener. He even scored a private audience with the pope.   And even when his pro ball career was done, Lefty wasn’t. He became a national representative for Wilson Sporting Goods, logging over 100,000 miles a year, spreading the word about America’s favorite game, and touching thousands of lives. In 1972 he was inducted into the National Baseball Hall of Fame. Three baseball fields are named for him, and to this day the top honor bestowed each year by the American Baseball Coaches Association is the Lefty Gomez Award.   Now, drawing on countless conversations with Lefty, interweaving more than three hundred interviews conducted with his family, friends, competitors, and teammates over the course of a decade, and revealing candid photos, documents, and film clips—many never shown publicly—his daughter Vernona Gomez and her award-winning co-author Lawrence Goldstone vividly re-create the life and adventures of the irreverent southpaw fondly dubbed “El Señor Goofy.”   “I’d rather be lucky than good,” Lefty Gomez once quipped—one of many classic one-liners documented here. In the end he was both. A star-studded romp through baseball’s most glorious seasons and America’s most glamorous years, Lefty is at once a long-overdue reminder of a pitcher’s greatness and a heartwarming celebration of a life well-lived.

    In that year—the same in which the US Supreme Court unanimously ruled, in the case of Brown vs. Board of Education, that segregation of the races be outlawed in America's public schools—Larry Doby's Indians won an American League record 111 games, dethroned the five-straight World Series champion Yankees, and went on to play Willie Mays's Giants in the first World Series that featured players of color on both teams.   Seven years after Jackie Robinson had broken the baseball color line, 1954 was a triumphant watershed season for black players—and, in a larger sense, for baseball and the country as a whole. While Doby was the dominant player in the American League, Mays emerged as the preeminent player in the National League, with a flair and boyish innocence that all fans, black and white, quickly came to embrace. Mays was almost instantly beloved in 1954, much of that due to how seemingly easy it was for him to live up to the effusive buildup from his Giants manager, Leo Durocher, a man more widely known for his ferocious "nice guys finish last" attitude.   Award-winning, New York Times bestselling author Bill Madden delivers the first major book to fully examine the 1954 baseball season, drawn largely from exclusive recent interviews with the major players themselves, including Mays and Doby as well as New York baseball legends from that era: Yogi Berra and Whitey Ford of the Yankees, Monte Irvin of the Giants, and Carl Erskine of the Dodgers. 1954 transports readers across the baseball landscape of the time—from the spring training camps in Florida and Arizona to baseball cities including New York, Baltimore, Chicago, and Cleveland—as future superstars such as Hank Aaron, Ernie Banks, and others entered the leagues and continued to integrate the sport. Weaving together the narrative of one of baseball's greatest seasons with the racially charged events of that year, 1954 demonstrates how our national pastime—with the notable exception of the Yankees, who represented "white supremacy" in the game—was actually ahead of the curve in terms of the acceptance of black Americans, while the nation at large continued to struggle with tolerance.

    During that time, every home game was a sellout. Every play, call, word, gesture—on the field and off—was analyzed by thousands. And every decision was either genius, or disastrous. In those eight years, the Red Sox were transformed from a cursed franchise to one of the most successful and profitable in baseball history—only to fall back to last place as soon as Francona was gone. Now, in Francona: The Red Sox Years, the decorated manager opens up for the first time about his tenure in Boston, unspooling the narrative of how this world-class organization reached such incredible highs and dipped to equally incredible lows. But through it all, there was always baseball, that beautiful game of which Francona never lost sight. As no book has ever quite done before, Francona escorts readers into the rarefied world of a twenty-first-century clubhouse, revealing the mercurial dynamic of the national pastime from the inside out. From his unique vantage point, Francona chronicles an epic era, from 2004, his first year as the Sox skipper, when they won their first championship in 86 years, through another win in 2007, to the controversial September collapse just four years later. He recounts the tightrope walk of managing unpredictable personalities such as Pedro Martinez and Manny Ramirez and working with Theo Epstein, the general managing phenom, and his statistics-driven executives. It was a job that meant balancing their voluminous data with the emotions of a 25-man roster. It was a job that also meant trying to meet the expectations of three owners with often wildly differing opinions. Along the way, readers are treated to never-before-told stories about their favorite players, moments, losses, and wins. Ultimately, when for the Red Sox it became less about winning and more about making money, Francona contends they lost their way. But it was an unforgettable, endlessly entertaining, and instructive time in baseball history, one that is documented and celebrated in Francona, a book that examines like no other the art of managing in today’s game.

    This was no ordinary streak. Along with their ridiculous mascot and uniforms, which were known as “the Creamsicles,” the Yucks were a national punch line and personnel purgatory. Owned by the miserly and bulbous-nosed Hugh Culverhouse, the team was the end of the line for Heisman Trophy winner and University of Florida hero Steve Spurrier, and a banishment for former Cowboy defensive end Pat Toomay after he wrote a tell-all book about his time on “America’s Team.” Many players on the Bucs had been out of football for years, and it wasn’t uncommon for them to have to introduce themselves in the huddle. They were coached by the ever-quotable college great John McKay. “We can’t win at home and we can’t win on the road,” he said. “What we need is a neutral site.” But the Bucs were a part of something bigger, too. They were a gambit by promoters, journalists, and civic boosters to create a shared identity for a region that didn’t exist—Tampa Bay. Before the Yucks, “the Bay” was a body of water, and even the worst team in memory transformed Florida’s Gulf communities into a single region with a common cause. The Yucks is “a funny, endearing look at how the Bucs lost their way to success, cementing a region through creamsicle unis and John McKay one-liners” (Sports Illustrated).

    They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan's notes for the ages.

    In October 1908, though, no one would have laughed: The Cubs were, without doubt, baseball's greatest team—the first dynasty of the 20th century.Crazy '08 recounts the 1908 season—the year when Peerless Leader Frank Chance's men went toe to toe to toe with John McGraw and Christy Mathewson's New York Giants and Honus Wagner's Pittsburgh Pirates in the greatest pennant race the National League has ever seen. The American League has its own three-cornered pennant fight, and players like Cy Young, Ty Cobb, Walter Johnson, and the egregiously crooked Hal Chase ensured that the junior circuit had its moments. But it was the National League's—and the Cubs'—year.Crazy '08, however, is not just the exciting story of a great season. It is also about the forces that created modern baseball, and the America that produced it. In 1908, crooked pols run Chicago's First Ward, and gambling magnates control the Yankees. Fans regularly invade the field to do handstands or argue with the umps; others shoot guns from rickety grandstands prone to burning. There are anarchists on the loose and racial killings in the town that made Lincoln. On the flimsiest of pretexts, General Abner Doubleday becomes a symbol of Americanism, and baseball's own anthem, "Take Me Out to the Ballgame," is a hit.Picaresque and dramatic, 1908 is a season in which so many weird and wonderful things happen that it is somehow unsurprising that a hairpiece, a swarm of gnats, a sudden bout of lumbago, and a disaster down in the mines all play a role in its outcome. And sometimes the events are not so wonderful at all. There are several deaths by baseball, and the shadow of corruption creeps closer to the heart of baseball—the honesty of the game itself. Simply put, 1908 is the year that baseball grew up.Oh, and it was the last time the Cubs won the World Series.Destined to be as memorable as the season it documents, Crazy '08 sets a new standard for what a book about baseball can be.

    His classic autobiography, written with the talented sportswriter Ed Linn, is an uproarious book packed with information about the history of baseball and tales of players and owners, including some of the most entertaining stories in all of sports literature.

    Heavily favored, Chicago lost the Series five games to three. Although rumors of a fix flew while the series was being played, they were largely disregarded by players and the public at large. It wasn't until a year later that a general investigation into baseball gambling reopened the case, an a nationwide scandal emerged. In this book, Charles Fountain offers a full and engaging history of one of baseball's true moments of crisis and hand-wringing, and shows how the scandal changed the way American baseball was both managed and perceived. After an extensive investigation and a trial that became a national morality play, the jury returned not-guilty verdicts for all of the White Sox players in August of 1921. The following day, Judge Kennesaw Mountain Landis, baseball's new commissioner, "regardless of the verdicts of juries," banned the eight players for life. And thus the Black Sox entered into American mythology. Guilty or innocent? Guilty and innocent? The country wasn't sure in 1921, and as Fountain shows, we still aren't sure today. But we are continually pulled to the story, because so much of modern sport, and our attitude towards it, springs from the scandal. Fountain traces the Black Sox story from its roots in the gambling culture that pervaded the game in the years surrounding World War I, through the confusing events of the 1919 World Series itself, to the noisy aftermath and trial, and illuminates the moment as baseball's tipping point. Despite the clumsy unfolding of the scandal and trial and the callous treatment of the players involved, the Black Sox saga was a cleansing moment for the sport. It launched the age of the baseball commissioner, as baseball owners hired Landis and surrendered to him the control of their game. Fountain shows how sweeping changes in 1920s triggered by the scandal moved baseball away from its association with gamblers and fixers, and details how American's attitude toward the pastime shifted as they entered into "The Golden Age of Sport." Situating the Black Sox events in the context of later scandals, including those involving Reds manager and player Pete Rose, and the ongoing use of steroids in the game up through the present, Fountain illuminates America's near century-long fascination with the story, and its continuing relevance today.

    By investigating previously unknown sources, the book uncovers the real story of how baseball evolved from a gentleman's amateur sport of well-bred play followed by well-laden banquet tables into a professional sport where big leagues operate under their own laws. Offering countless anecdotes and a wealth of new information, the authors explode many cherished myths, including the one which claims that Abner Doubleday invented baseball in 1839. They describe the influence of baseball on American business, manners, morals, social institutions, and even show business, as well as depicting the types of men who became the first professional ball players, club owners, and managers, including Spalding, McGraw, Comiskey, and Connie Mack.Note: On August 2, 2010, Oxford University Press made public that it would credit Dorothy Seymour Mills as co-author of the three baseball histories previously authored solely by her late husband, Harold Seymour. The Seymours collaborated on Baseball: The Early Years (1960), Baseball: The Golden Age (1971) and Baseball: The People's Game (1991).