Ava Lee is a young Chinese-Canadian forensic accountant who works for an elderly Hong Kong–based “Uncle,” who may or may not have ties to the Triads. At 115 lbs., she hardly seems a threat. But her razor sharp intellect and resourcefulness allows her to succeed where traditional methods have failed.In The Water Rat of Wanchai, Ava travels across continents to track $5 million owed by a seafood company. But it’s in Guyana where she meets her match: Captain Robbins, a huge hulk of a man and godfather-like figure who controls the police, politicians, and criminals alike. In exchange for his help, he decides he wants a piece of Ava’s $5 million action and will do whatever it takes to get his fair share . . .Featuring the Prequel: The Dragon Head of Hong Kong:Young Ava Lee is a forensic accounting who has just opened her own private firm. One of her clients, Hedrick Lo, has been swindled of more than a million dollars by a Chinese importer named Johnny Kung. Desperate, Lo persuades Ava to find and retrieve the monies owed. Ava goes to Hong Kong, where she plunges into the dangerous underground collection business and meets a man who will forever change her life . . .

    The girls are nineteen, on holiday and staying with a young medical student, James. The events of that summer cast a long shadow over their careers, marriages and motherhood. When they meet again 25 years later, the baby in the phone box returns to haunt them, and they are forced to confront the truth that has remained silent all this time. The Partridge and the Pelican explores motherhood, secrets and the enduring ties of friendship.

    

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.

    With compassionate wit and insight, Campbell McGrath transports us on a journey through contemporary society, transforming the commonplace into scenes of profound revelation. From late-night bars to early-morning diners, suburban malls to the Mojave Desert, McGrath's meticulously detailed vision defines singular moments of joy and melancholy.

    Ranging from an island holiday gone wrong to a dive bar on the upswing to a yuppie mother in a pricey subdivision seeing her worst fears come true, these deftly written stories are populated by barkeeps, good men down on their luck, rebellious teens, lonely immigrants, dreamers and realists, fools and quiet heroes. In author Kerry-Lee Powell’s skillful hands, each character, no matter what their choices, is deeply human in their search for connection. Powell holds us in her grasp, exploring with a black humour themes of belonging, the simmering potential for violence and the meaning of art no matter where it is found, and revealing with each story something essential about the way we see the world.A selection of these stories have won significant awards including the Boston Review fiction contest and The Malahat Review’s Far Horizons award for short fiction. For readers of Lorrie Moore, Denis Johnson and Michael Christie.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    These are stories about women who built time machines when they were nine, or who predict cataclysm, or who think their dreams are reality. They include police horses with talons and giant eagles and weredeer. At the center of it all is love. And if love is the problem, what is the solution? Being closer? Or being alone?

    Stardust is Rania Attafi's debut full length collection of poetry.Charged with themes of feminism, existentialism, love, loss and uncertainties, it will take you on a rollercoaster ride where you will glimpse lives of different people with each poem.Stardust is a book about a constellation of homo-sapiens written for all Booklovers regardless of their planet of origin.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Jerry Simpson. Simpson brought the girl, who may be autistic, back to Canada as an act of mercy and to attempt to treat her obvious trauma. Cailin desperately needs to find out why this terrible incident occurred so she can find the strength to forgive and move on with her life.Inez, whose sense of wonder and innocence touches all who meet her, becomes a focal point for many of the Canadians who encounter her. As Caitlin struggles to uncover the truth about Inez's relationship with Jerry, Inez struggles to break free of the projections of others. Each must confront her own anger and despair. The doctors in the north have an iciness that matches their surroundings, a kind of clinical armour that Caitlin must penetrate if she is to reach Inez.The Girl in the Box is a psychological drama of the highest order and a gripping tale of intrigue and passion.

    Susan Juby started out as a bright and creative student with an innate ability to write incredible stories. At the age of thirteen her life began to unravel, and like many teens, she turned to alcohol to get her through the awkward stages of trying to find her own unique identity and fit in with her peers at school. In this revealing memoir, she details the painful and sometimes funny experiences of trying to be clean and sober at a time when most young adults are just starting their drinking careers. Juby also looks into how the situation has changed for young people washing up on the shores of addiction today through a series of interviews with recovering addicts and alcoholics. Told with honesty and Juby’s wry wit, Nice Recovery is a candid memoir from one of Canada’s most beloved writers.

    Sorry. Yours, Sheb Woolly Ledoux. Asshole.” Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he’ll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata.After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way.Stunt is the first novel by one of Canada’s most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey’s words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.

    She remembers him only in fragments, as an injured artist from whom she and her mother were separated during the war. In her journey, Maggie finds herself at a makeshift pho stall, where the rich aroma of beef noodle soup lures people off Hanoi's busy streets and into a quiet morning ritual. Old Man Hung, the enlightened proprietor of the beloved pho stall, has survived decades of poverty and political upheaval. Hung once had a shop that served as a meeting place for dissident artists. As Maggie discovers, this old man may hold the key to both her past and her future. Among Hung's most faithful customers is Tu', a dynamic young tour guide who works for a company called New Dawn. Tu' leads tourists through the city, including American vets on war tours, but he has begun to wonder what it is they are seeing of Vietnam-and what they miss entirely. In Maggie, he finds a young Americanized woman in search of something quite different, leading him beyond his realm of expertise. In sensual, interwoven narratives, Maggie, Hung, and Tu' come together in a highly charged season that will mark all of them forever. The Beauty of Humanity Movement is a skillfully wrought novel about the reverberation of conflict through generations, the enduring legacy of art, and the redemption and renewal of love. The story of these characters is tinged with longing for worlds and loved ones lost but also filled with the hope that faith can heal the pain of their shared country's turbulent past. This is the distinct and complex story of contemporary Vietnam, a country undergoing momentous change, and a story of how family is defined-not always by bloodlines, but by heart.