But Abby struggles to connect with Olivia and she soon finds guardianship of a headstrong teenager daunting beyond her wildest misgivings. Despite her best efforts, and the help of friends old and new, she is unable to keep Olivia from self-destruction. As Abby’s journey unfolds, she grapples with raising a grieving teenager, realizes she didn’t know Stella as well as she thought, and discovers just how far she will go to save the most precious thing in her life.

    But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth. Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live - one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

    . . Meet Rachel Grossman.She’ll stop at nothing to protect her daughter, Aviva, even if it ends up costing her everything. Meet Jane Young.She’s disrupting a quiet life with her daughter, Ruby, to seek political office for the first time. Meet Ruby Young.She thinks her mom has a secret. She’s right. Meet Embeth Levin.She’s made a career of cleaning up her congressman husband’s messes. Meet Aviva Grossman.The Internet won’t let her or anyone else forget her past transgressions. This is the story of five women . . .. . . and the sex sexist scandal that binds them together. From Gabrielle Zevin, the bestselling author of The Storied Life of A. J. Fikry, comes another story with unforgettable characters that is particularly suited to the times we live in now . . .

    She’s even more shocked at what’s behind it—a hoarder’s mess of her father’s paintings, mounds of discarded papers and miscellaneous junk in the otherwise fastidiously tidy house.As she picks through the clutter, she finds a loose journal entry in what appears to be her late mother’s handwriting. Beth and her siblings grew up believing their mother died in a car accident when they were little more than toddlers, but this note suggests something much darker. Beth soon pieces together a disturbing portrait of a woman suffering from postpartum depression and a husband who bears little resemblance to the loving father Beth and her siblings know. With a newborn of her own and struggling with motherhood, Beth finds there may be more tying her and her mother together than she ever suspected.Exploring the expectations society places on women of every generation, Kelly Rimmer explores the profound struggles two women unwittingly share across the decades set within an engrossing family mystery that may unravel everything they believed to be true.

    Behind Edith Wharton, there was Anna Bahlmann—her governess turned literary secretary, and her mothering, nurturing friend. When at the age of forty-five, Edith falls passionately in love with a dashing younger journalist, Morton Fullerton, and is at last opened to the world of the sensual, it threatens everything certain in her life but especially her abiding friendship with Anna. As Edith’s marriage crumbles and Anna’s disapproval threatens to shatter their lifelong bond, the women must face the fragility at the heart of all friendships. Told through the points of view of both women, The Age of Desire takes us on a vivid journey through Wharton’s early Gilded Age world: Paris with its glamorous literary salons and dark secret cafés, the Whartons’ elegant house in Lenox, Massachusetts, and Henry James’s manse in Rye, England. Edith’s real letters and intimate diary entries are woven throughout the book. The Age of Desire brings to life one of literature’s most beloved writers, whose own story was as complex and nuanced as that of any of the heroines she created.

    Kate Riordan’s novel is a beautifully dark and beguiling tale which will sweep you away. It will appeal to fans of Kate Morton and Daphne Du Maurier's Rebecca.In the summer of 1933, Alice Eveleigh has arrived at Fiercombe Manor in disgrace. The beautiful house becomes her sanctuary, a place to hide her shame from society in the care of the housekeeper, Mrs Jelphs. But the manor also becomes a place of suspicion, one of secrecy.Something isn't right.Someone is watching.There are secrets that the manor house seems determined to keep. Tragedy haunts the empty rooms and foreboding hangs heavy in the stifling heat. Traces of the previous occupant, Elizabeth Stanton, are everywhere and soon Alice discovers Elizabeth's life eerily mirrors the path she herself is on.(

    She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.

    But Sanctuary Ranch offers a different kind of experience: a refuge for people--and animals--desperate for a new beginning . . . Haylee Hansen has made a career out of caring for and training the dogs and horses on her aunt's ranch. Part halfway house, part work camp, it also gives troubled kids and adults the tough love they so desperately need. Haylee should know. She was her aunt's first success story. But now her turbulent past is about to show up on her doorstep . . After thirteen years running a level one emergency room in Portland, Aiden McCall arrives in Sunset Bay a broken man. Anger and anxiety have nearly taken over his life--and could sabotage his new job at the local hospital. Until someone proposes an unconventional solution: a therapy dog. Haylee has seen her share of damaged people, but no one like Aiden. As she tries to match him with the perfect dog, he'll help her to see that no one has a perfect life. And that opening yourself up to love is the only way to heal your soul . . .

    To Maddie’s horror, Ellis decides that the only way to regain his father’s favor is to succeed in a venture his father attempted and very publicly failed at: he will hunt the famous Loch Ness monster and when he finds it he will restore his father’s name and return to his father’s good graces (and pocketbook). Joined by their friend Hank, a wealthy socialite, the three make their way to Scotland in the midst of war. Each day the two men go off to hunt the monster, while another monster, Hitler, is devastating Europe. And Maddie, now alone in a foreign country, must begin to figure out who she is and what she wants. The novel tells of Maddie’s social awakening: to the harsh realities of life, to the beauties of nature, to a connection with forces larger than herself, to female friendship, and finally, to love.

    Five years ago Harlan headed up the investigation of an identical murder in the same woods; a mishandled investigation that effectively destroyed his credibility as a detective. The new case immediately takes a bizarre twist when the body is identified as the same girl found hanging in the woods five years ago. The following day a local man commits suicide and the police find more dead girls hidden in his basement. The case seems open and closed. Until the killing spree begins. Harlan finds himself drawn into a dark world where murder is a form of self-expression and human life treated as one more commodity to be used and discarded. The only clue that links everything is a large oil painting of ‘Sagittarius A’ – a massive black hole at the centre of the galaxy orbited by thirteen stars daubed in blood with the words – Heart SwarmThis edition is no longer available.

    Their reasons are not theirs alone; they are the last in a long line of Alters who have killed themselves, beginning with their great-grandmother, the wife of a Jewish Nobel Prize-winning chemist who developed the first poison gas used in World War I and the lethal agent used in Third Reich gas chambers. The chemist himself, their son Richard, and Richard’s children all followed suit.The childless sisters also define themselves by their own bad luck. Lady, the oldest, never really resumed living after her divorce. Vee is facing cancer’s return. And Delph, the youngest, is resigned to a spinster’s life of stifled dreams. But despite their pain they love each other fiercely, and share a darkly brilliant sense of humor.As they gather in the ancestral Upper West Side apartment to close the circle of the Alter curse, an epic story about four generations of one family—inspired in part by the troubled life of German-Jewish Fritz Haber, Nobel Prize winner and inventor of chlorine gas—unfolds. A Reunion of Ghosts is a tale of fate and blood, sin and absolution; partly a memoir of sisters unified by a singular burden, partly an unflinching eulogy of those who have gone before, and above all a profound commentary on the events of the 20th century.

    She’d confess her situation to her friends—if it wasn’t for those dreadful words of warning in his goodbye note: “I’ll tell them what you did.”Instead, she does her best to keep up appearances, even as months pass and she can barely put food on the table—much less replace a light bulb. While she looks for a job, she lives in fear that someone will see her stuffing toilet paper into her handbag or pinching basil from a neighbor’s window box.Soon, blindsided by catastrophe, surprised by romance, and stunned by the kindness of a stranger, Tabitha realizes she can’t keep her secrets forever. Sooner or later, someone is bound to figure out that her life is far from perfect.

    His parents are psychologists, his mom a famous author in the field. A renowned debater and orator, an aspiring poet, and - although it requires a lot of posturing and weight lifting - one of the cool kids, he's also one of the seniors who brings the loner Darren Eberheart into the social scene, with disastrous effects.Deftly shifting perspectives and time periods, The Topeka School is a riveting story about the challenges of raising a good son in a culture of toxic masculinity. It is also a startling prehistory of the present: the collapse of public speech, the tyranny of trolls and the new right, and the ongoing crisis of identity among white men.

    Jack thinks it's all Laura's fault.Laura disagrees.Jack writes to Laura, desperate to put across his side of the story.Laura interrupts.Wryly sarcastic and intensely well-observed, What We Didn't Say is about that gap between words and feelings where relationships live - and die.