Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

    This monumental biography--eight years in the research and writing--treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how Du Bois changed forever the way Americans think about themselves.

    Among Japanese readers both young and old it has enjoyed a timeless popularity, making it, according to Donald Keene, "probably the most widely read novel in modern Japan."The setting is Japan's deep south, where the author himself spent some time teaching English in a boys' school. Into this conservative world, with its social proprieties and established pecking order, breezes Botchan, down from the big city, with scant respect for either his elders or his noisy young charges; and the result is a chain of collisions large and small.Much of the story seems to occur in summer, against the drone of cicadas, and in many ways this is a summer book light, funny, never slow-moving. Here, in a lively new translation much better suited to Western tastes than any of its forebears, Botchan's homespun appeal is all the more apparent, and even those who have never been near the sunlit island on which these calamitous episodes take place should find in it uninterrupted entertainment.

    Believing in the supreme Ismaili motto “Nothing is true, everything is permitted,” Sabbah wanted to “experiment” with how far he could manipulate religious devotion for his own political gain through appealing to what he called the stupidity and gullibility of people and their passion for pleasure and selfish desires. The novel focuses on Sabbah as he unveils his plan to his inner circle, and on two of his young followers — the beautiful slave girl Halima, who has come to Alamut to join Sabbah's paradise on earth, and young ibn Tahir, Sabbah's most gifted fighter. As both Halima and ibn Tahir become disillusioned with Sabbah's vision, their lives take unexpected turns. Alamut was originally written in 1938 as an allegory to Mussolini's fascist state. In the 1960's it became a cult favorite throughout Tito's Yugoslavia, and in the 1990s, during the Balkan's War, it was read as an allegory of the region's strife and became a bestseller in Germany, France and Spain.

    The place is Cannes, the setting, a film festival, and the hero is Jesse Craig, whose survival is at stake.

    Despite the overall happiness of their marriage, it is not without its conflicts. Edward has to learn to balance his dedication to his work with his dedication to his marriage. Edward and Margaret also have to deal with the disparity in their backgrounds: he has the temperament of his strict New England forebears, who never rose far in the world, while she is the child of a sophisticated and unconventional family.

    Enchanting comedy ensues as Steinbeck creates the most hilarious royal court ever around the brief, bold reign of the corduroy-clad Pippin, his social-climbing wife Maria, his star-struck daughter Clotilde and her Californian beau, Todd.

    Lockwood, the U.S. Navy commander of the Pacific submarine fleet during World War II. Lockwood, in his leadership role, knew the skippers and crews of the submarines, and retells their wartime successes and tragedies with an intimacy and realism often missing in second-hand accounts. Lockwood also recounts his efforts to improve the provisions and after-patrol accomodations of the submariners, and of his on-going struggle to improve the effectiveness of torpedoes and other tools vital to the war effort. 'It is a balanced and surprisingly objective account adequately supported by statistics and containing some interesting conclusions.' The Naval Review Charles Andrews Lockwood (May 6, 1890 – June 7, 1967) was a vice-admiral and flag officer of the United States Navy. He is known in submarine history as the commander of Submarine Force Pacific Fleet during World War II. He devised tactics for the effective use of submarines, making the members and elements of "silent service" key players in the Pacific victory.

    The book contains Churchill's letters written as a child, as a boy at Harrow, as a cadet at Sandhurst, and later as a subaltern in India.

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

     Playing with Fire What do you get when you mix gorgons, an incubus, and the Calamity Queen? Trouble, and lots of it.  For Bailey, catering to the magical is a tough gig on a good day, but she has few other options. She can either keep spiking drinks with pixie dust to keep the locals happy, or spend the rest of her life cleaning up some of the world’s nastiest magical substances.  Years after helping Police Chief Samuel Quinn escape an unhappy marriage, Bailey is once again entangled in his personal affairs. To make matters worse, Quinn’s ex-wife is angling for revenge, tossing Bailey into the deep end along with her sexiest enemy. Hoofin' It All Shane wanted was to get away from the wreckage of his career for a while. He picked New York City to provide him with a distraction from his early, unwanted retirement from the police force. New York City delivered, distracting him with three corpses and a miniature llama with a spitting problem and an attitude. If he wants to return to a normal life, he’ll have to face off against a sex trafficking ring targeting the woman of his dreams, ancient vampires, murderous criminals, his parents, and an FBI agent with a hidden agenda. Some days, it isn’t easy being an ex-cop. Serial Killer Princess Why would anyone put a mermaid and a gorgon in the same room together? While Tulip enjoys being alive, her lineage brings her nothing but trouble. Snakes eat fish, and the mer love tearing apart their serpentine nemeses with their hands and teeth. As for the gorgons… she’d rather not think about them at all. The last thing Tulip wants is to rule the mer kingdom. First, she can barely swim. Second, she’s packing more than her fair share of her father’s genes. Third, what is a landlocked princess supposed to do with an aquatic kingdom? If she gets her way, nothing. Add in her dirty little serial killing secret, and she’s an international disaster waiting to happen. Whatever for Hire Fetching a cat out of a tree should’ve been a quick, easy fifty bucks in Kanika’s pocket. Instead, following one stray thought, the devil pays her a visit and leaves her with a debt to repay.  Hearth, Home, and Havoc Dakota never intended to become the single mother of a goddess. To make matters worse, her daughter hadn’t quite figured out her role in the grand scheme of things. Havoc isn’t supposed to be part of Hestia’s portfolio, but where the young goddess of the hearth and home goes, trouble surely follows. When Dakota’s ex-husband barrels his way back into her life, a heavy dose of havoc is just what the doctor ordered. She just never expected to find love in the midst of murder. Owl Be Yours After a wildfire took everything from her, Emily Hall made do surviving as a homeless human by day and as an owl at night. When one of the men responsible for infecting her with lycanthropy comes winging his way back into her life, she must choose between revenge or resuming a normal life. Until Daniel’s return, she never dreamed she might be able to have both. Fowl Play Instead of a quiet dance retreat where she could escape the insanity of being the daughter of an angel, a succubus, and a lycanthrope, Emma Sansaul plummets into t

    The central character, Bimala, is torn between the duties owed to her husband, Nikhil, and the demands made on her by the radical leader, Sandip. Her attempts to resolve the irreconciliable pressures of the home and world reflect the conflict in India itself, and the tragic outcome foreshadows the unrest that accompanied Partition in 1947. This edition includes an introduction by Anita Desai.

    At its center is the “bastard” of the title, Asya, a nineteen-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul: Zehila, the zestful, headstrong youngest sister who runs a tattoo parlor and is Asya’s mother; Banu, who has newly discovered herself as a clairvoyant; Cevriye, a widowed high school teacher; and Feride, a hypochondriac obsessed with impending disaster. Their one estranged brother lives in Arizona with his wife and her Armenian daughter, Armanoush. When Armanoush secretly flies to Istanbul in search of her identity, she finds the Kazanci sisters and becomes fast friends with Asya. A secret is uncovered that links the two families and ties them to the 1915 Armenian deportations and massacres. Full of vigorous, unforgettable female characters, The Bastard of Istanbul is a bold, powerful tale that will confirm Shafak as a rising star of international fiction.

    Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

    Miraculously saved yet hideously scarred, tormented at school and at work, Matty becomes a wanderer, a seeker after some unknown redemption. Two more lost children await him: twins as exquisite as they are loveless. Toni dabbles in political violence, Sophy in sexual tyranny. As Golding weaves their destinies together, as he draws them toward a final conflagration, his book lights up both the inner and outer darknesses of our time.