He spends just as much time scraping the bottom as he does being high as a kite and can’t seem to find middle ground. A hopelessly self-destructive and at times unforgivably brutal young man, Clayton is a sometimes bartender at the Awl and Hatchet with a bad attitude that elicits love and loathing in equal measure. Over the course of a write-off year, Clayton wrestles with the conflicting desires of wanting to matter to somebody and to care for no one, wanting to prove he’s different from the so-called wasters around him but not enough to say no to a pint. In the filthy bars, cold back alleys and soiled bedrooms of downtown St. John’s that Clayton inhabits, we spend a debauched year with him as he drinks and dreams, fights and fails, screws and screws up. He lives his life as an eternal weekend, sure he can stop any time and accomplish great things. But then Clayton meets Isadora, who stirs something real and achingly human underneath the swagger, sending him on the bender of his life.Right Away Monday is a stormy novel of unlikely beauty, peopled by unforgettable characters—including one Valentine Reid, Clayton’s burnt-out and battered rocker uncle; the lovely though world-weary Monica; and the shrewd Mike Quinn, slum landlord and owner of the Awl and Hatchet. Unnervingly authentic, these are the constituents of a world grown weary and wasted, with a new generation stumbling blindly behind. But oblivion is only skin deep. Beneath the wreckage of youthful distraction lie the vast and abiding questions that haunt our quietest moments—questions of destiny, fate, mortality and of our connections to one another. Ushering the chaos and uncertainty of this dark bar-room universe into the bright intensity of Hynes’ unflinching gaze, Right Away Monday will grab you by the throat and not let you go.

    Nikolai ran aground off the Olympic Peninsula; this novel is based on this astounding historical event and the lives of the people affected. In 1808, eighteen-year-old Anna Petrovna Bulygina is aboard the Russian ship St. Nikolai when it runs aground off on the west coast of Washington State on the Olympic Peninsula. The crew, tasked with trading for sea otter pelts and exploring the coast, are forced to shore into Indigenous territory, where they are captured, enslaved, and then traded among three different Indigenous communities. Terrified at first, Anna soon discovers that nothing—including slavery—is what she expected. She begins to question Russian imperialist aspirations, the conduct of the crew, and her own beliefs and values as she experiences a way of life she never could have imagined.Based on historical record, Anna, Like Thunder blends fact and fiction to explore the early days of contact between Indigenous people and Europeans off the west coast of North America and offers a fresh interpretation of history.

    Macdonald’s “National Dream.”It was a dream that came at great expense: the present disparity in health and economic well-being between First Nations and non-Native populations, and the lingering racism and misunderstanding that permeates the national consciousness to this day.

    It can often seem like there's no way things will ever get better. I wrote this book to remind you that it will, and to give you some comfort and hope along the way. May you find the healing and love your heart deserves. -Illiana Cenjur

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    To seventeen-year-old Lavinia, uprooted from everything familiar, it seems a fate worse than the one they left behind. Driven by loneliness she begins a journal. Random Passage satisfies the craving for those details that headstones and history books can never give: the real story of our Newfoundland ancestors, of how time and chance brought them to the forbidding shores of a new found land. It is a saga of families and of individuals; of acquisitive Mary Bundle; of charming Ned Andrews, whose thievery has turned his family into exiles; of mad Ida; of Thomas Hutchings, who might be an aristocrat, a holy man, or a murderer; and of Lavinia - who wrote down the truth and lies about them all. Random Passage has been adapted into a CBC miniseries and is now a national bestseller.

    The town where roses are difficult is Shelby, in the Alberta foothills, and the time is the 1950s. Matt Stanley, the editor of the local paper, relishes the range of people he meets, from Willie MacCrimmon, the local shoemaker and demon curler, to the oldest resident, Daddy Sherry, all the way to the disreputable Rory Napoleon and his wife, Mame, who once conceived at the top of a ferris wheel “because there was nothing else to do.” But when a sociologist arrives to study the town, Matt takes her under his wing, which produces unexpected results. From scenes of high comedy (as when Santa comes to Shelby, or when Rory Napoleon’s goats invade the town) to gentle sadness, this 1990 novel shows W.O Mitchell at his traditional best.

    Here she turns them to opportunities: in a voice that is fierce, direct, and true, she explores and transcends the multiple boundaries imposed by society on the self. She mocks, with exasperation and sly humour, the banal exploitation of Indianness, more-Indian-than-thou oneupmanship, and white condescension and ignorance. She celebrates the person, clearly observing, who defines her own life. These are Indian poems; Canadian poems: human poems.

    With Every Mistake is not only a collection of the very best of Dyer’s recent work, but an examination of how, time and again, the media skews fact and opinion, wielding formidable influence on how we all shape our own thoughts. And why is so much of the information wrong? Is it herd instinct, official manipulation, robber-baron owners with ideological obsessions — or just the conflict between the inherently bitty, short-term nature of news reporting and analysis and the longer perspectives needed to understand what is actually going on? How much misinformation stems from simple ignorance and laziness?

    A recently divorced, early retiree accidentally burns down his house on the day he pays off the mortgage, only to discover that for the first time in his life he’s forgotten to pay a bill: his insurance premium. An old friend of his, a middle-aged musician, prepares for her suicide to end the pain of esophageal cancer. Her father, who left his family to study Buddhism in Nepal, ends his days in a Toronto facility for Alzheimer’s patients. The three are tied together not only by their bonds of affection, but by a book called The World, written by the old man in his youth. The book, possibly biographical, tells the story of a historian who unearths a cache of letters, written in Chinese, in an abandoned leper colony off the coast of Victoria. He and the young Chinese translator fall in love, only to betray each other in the cruellest way possible, each violating what the other reveres most.

    The novel begins with Seraphina fleeing her wedding and taking refuge in one of her father’s antique outhouses where she finally confronts the secrets and lies buried in her past.Seraphina sweeps us into her exhilarating, poignant and often hilarious journey as she rebels and flees from rural Nova Scotia to London bars, to strip clubs on the docks, through mental hospital wards and rehab centres, back to pie factories, country roads, sweeping verandahs and row boats in serene Lupin Cove. Told with wry humour, Heave pulls us into the lives of obscure people and elevates the majesty of their struggles and triumphs.Seraphina’s first person narrative is both propulsive and lyrical, shifting effortlessly between the present and past, evoking an array of off-beat characters. Serrie's best friends, Dearie and Elizabeth, are both dreamers living lives dictated by generations of expectation and oppression. Dearie, the anglicized Acadian who wants to go to New Orleans to find her Cajun relatives, Elizabeth, who, like Seraphina, fears adulthood with its scarcity of opportunity. There is Chester, who Seraphina meets in a psychiatric hospital, a man who believes he is a lobster. Seraphina’s brother Percy, is a concert violinist who hides in music. Martha, Seraphina’s bitter and exhausted mother, must come up with a scheme to make money to save the family from being homeless. She coerces Seraphina into a complicated scheme which ends in disaster. Seraphina’s growing despair and sense of disillusionment spiral her towards a climax that is at once unexpected and yet inevitable. Heave explores what one generation inherits from the next and bursts with relentless hope for the sweet losers who need it most of all.

    She can’t do anything right, except draw, but she draws the wrong pictures. When her father moves the family to a small prairie city, Raphaelle wants to leave behind the misfit rebel, the outcast, the vengeful trouble-maker she was. Reborn as “Ella,” she plans fit in at her new school, while her perfect younger sister goes to the Catholic girls’ school and her emotionally fragile mother looks for a job. But Ella might just be a different kind of misfit. She’s drawn to a brooding boy in her art class, Samir, and expresses her confused feelings in an explicit artwork. When a classmate texts a photo of Ella’s art to a younger friend, the horrendous fallout spreads though Ella’s life like an uncontrollable disease. Ella is expelled from school and faces pornography charges, her mother is hospitalized, her sister fails all her classes, and her distant father finally notices something is wrong.

    The Horrors is presented abecedarian-style, despoiling a beloved children's book tradition in order to explore personal hangups that range from the slightly awkward to the down-right terrible.Beginning with ‘A’ for ‘Adolescence,’ Demers recalls his sexless teenage years spent in a Trotskyist sect, and ‘B’ for‘Bombing’ offers a first-person account of the agonies of stand- up comedy gone wrong. ‘E’ for ‘End of the World’ exploresthe wacky world of Preppers (YouTube how-to-prepare-for- the-apocalypse experts), while ‘F’ for ‘Fat’ explains what life is like for those with both testicles and breasts. Other essays creep toward the pain side of the hilarity/agony line: ‘D’ for‘Depression’ and ‘M’ for ‘Motherlessness’ traverse topics that more balanced minds might hesitate to make light of.Fortunately, Demers does not let tact or sensibility deter him from pushing humour to its hysterical limit in orderto examine our deepest fears. With artful insight, he never minimizes the very real pain inherent in some topics and uses comedy as a catharsis rather than a numbing agent. Dark, smart and funny, in the sunny world of The Book of Awesome and The Happiness Project, The Horrors will be a shadow...or at least a shadow puppet.

    Her little sister, Angela, was brutally murdered and Savage has been searching for the strength to write her grief down ever since. Finally, just shy of six years later, and one year after justice finally rained down upon the man to blame, Savage found the courage to try. This collection is an 18-poem narrative of the very real and raw emotions felt by the author over the years since the tragedy. Here, she pays homage to her baby sister and bleeds her own pain onto paper for anyone who might need help finding their own strength.