She quickly latches on to the lonely tavern-keeper, West, who informs her that her family was run out of town. Tabby heads out to nearby Jubilant to find the fragments of her family: her addict sister, Poppy, and her two young kids; her brothers, Bird and Jackie, one crippled by a vicious attack and the other holding a dangerous grudge against the men responsible; a threadbare version of the bulletproof mother she remembers; and an ailing father, a man so vile he is unworthy of forgiveness even on his deathbed. Irreverent and mouthy as they ever were, the Saints are still a lightning rod for trouble. When a new storm arises, Tabby must choose whether to stay or run back the way she came.Original, gut-wrenching and incessantly hilarious, When the Saints is the story of a family of outsiders whose redemption might be found in what they longed to escape: each other.

    Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd’s alcoholism, under the pain and isolation of the play’s main character?Loring’s title was inspired by the mistranslation of the N’lakap’mux (Thompson) place name Kumsheen. For years, it was believed to mean “the place where the rivers meet”—the confluence of the muddy Fraser and the brilliant blue Thompson Rivers. A more accurate translation is: “the place inside the heart where the blood mixes.” But Kumsheen also refers to a story: Coyote was disemboweled there, along a great cliff in an epic battle with a giant shape-shifting being that could transform the world with its powers—to this day his intestines can still be seen strewn along the granite walls. In his rage the transformer tore Coyote apart and scattered his body across the nation, his heart landing in the place where the rivers meet.Floyd is a man who has lost everyone he holds most dear. Now after more than two decades, his daughter Christine returns home to confront her father. Set during the salmon run, Where the Blood Mixes takes us to the bottom of the river, to the heart of a People.In 2009 Where the Blood Mixes won the Jessie Richardson Award for Outstanding Original Script; the Sydney J. Risk Prize for Outstanding Original Script by an Emerging Playwright; and most recently the Governor General’s Literary Award for Drama.

    Vassanji. That fateful evening in Kenya becomes “the obsessive and dark centre” of the young man’s existence and leads him, years later in Toronto, to unearth an even darker family secret.In “The Girl With The Bicycle,” a man witnesses a woman from his hometown of Dar es Salaam spit at a corpse as it lies in state at a Toronto mosque. As he struggles to fathom her strange behaviour, he finds himself prey to memories and images from the past–and to perilous yearnings that could jeopardize his comfortable, middle-aged life.Still reeling from the impact of his wife’s betrayal, a man decides to stop in on an old college friend in “Elvis, Raja.” But he soon realizes that it’s not always wise to visit the past as he finds himself trapped in a most curious household, where Elvis Presley has replaced the traditional Hindu gods. The other stories in the collection also feature exceptional lives transplanted. A young man returns to his roots in India, hoping to find his uncle and, perhaps, a bride. Instead, he becomes a reluctant guru to the residents of his ancestral village. A mukhi must choose between granting the final sacrilegious wish of a dying man and abiding by religious custom in a community that considers him a representative of God. A woman is torn between the voice of her dead husband–a cold and grim-natured atheist–and her new, kind and loving husband whose faith nevertheless places constraints on her as a woman. On Halloween night, a scientist lays bare his horrifying plan to seek vengeance on the man who thwarted his career. Set variously in Kenya, Canada, India, Pakistan, and the American Midwest, these poignant and evocative stories portray migrants negotiating the in-between worlds of east and west, past and present, secular and religious. Richly detailed and full of vivid characters, the stories are worlds unto themselves, just as a dusty African street full of bustling shops is a world, and so is the small matrix of lives enclosed by an intimate Toronto neighbourhood. It is the smells and sentiments and small gestures that constitute life, and of these Vassanji is a master.Vassanji’s seventh book and his second collection of short stories, When She Was Queen was shortlisted for the 2006 Toronto Book Award. The jury said: "Vassanji's Naipaulian language is like a sharp short knife that cuts through the superficial and gets to the heart and soul of the narrative.”From the Hardcover edition.

    

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

                Two empty suitcases sit in the corner, if that’s any kind of clue.                                —from “Almost Sixty” Brief, jagged, haiku-like, Jim Moore’s poems in Invisible Strings observe time moving past us moment by moment. In that accrual, line by line, is the anxiety and acceptance of aging, the mounting losses of friends to death or divorce, the accounting of frequent flyer miles and cups of coffee, and the poet’s own process of writing. It is a world of both diminishment and triumphs. Moore has assembled his most emotionally direct and lyrically spare collection, one that amounts to his book of days, seasons, and stark realizations.

    Only one small thing keeps him going: his conviction that he has a final case to solve, centred around the disappearance years ago of a young boy placed in foster care in Saint John, New Brunswick. Following the delicate and convoluted thread of that case takes John to unexpected places: dangerously close to powerful civil servants hoarding damning secrets; to a Canadian humanitarian mission in Rwanda before and during the genocide; to New York and the compromised corridors of the United Nations; and deep into his own haunted past.     With this new masterwork, David Adams Richards continues to astonish us, weaving familiar themes in fresh new ways. His people are still rooted in his beloved Miramichi region of New Brunswick, but his storytelling--as always, displaying his genius for plot and his extraordinary empathy for his flawed characters--has expanded to encompass the much wider world that his people traverse: the politically charged, intricately connected modern universe in all its richness, contradiction, devastation and little points of hope. In the end, what ties John Delano to every other unforgettable character in this compelling work is the shared search for principles to live by: as each person decides what those principles shall be, their fates inevitably and heartbreakingly intertwine.

    And this tree, so complete in itself, Is only part of the mountain. And the mountain runs down to the sea. And the sea, so complete in itself, Rests like a raindrop On the hand of God. Ruskin Bond's Book of Verse brings together the poetry of one of India's best-loved writers. This charming collector's edition is a treasury of poems on love and nature, travel, humour and childhood, and will be a lasting source of delight to readers.

    Morbidly amused by the decadent decay of his surroundings, he watches the patrons fall into their nightly oblivion, making notes for his novel. In the hope of uncovering their secrets and motives, he establishes tentative friendships with the cast of variously pathological regulars. But as his tenure at the bar continues, he begins to serve himself more often than his customers, and the moments he lives outside the bar become more and more painful: he loses his wife, his way, himself. Trapped by his habits and his loneliness, he realizes he will not survive if he doesn't break free. And so he hatches a terrible, but necessary plan of escape and his only chance for redemption. Step into Ablutions and step behind the bar, below rock bottom, and beyond the everyday take on storytelling for a brilliant, new twist on the classic tale of addiction and its consequences.

    The thief then leaves, and the patrons all survive, but strange things soon begin to happen to them: One survivor’s tattoo jumps off her ankle and chases her around; another wakes up to find that she’s made of candy; and Stacey Hinterland discovers that she’s shrinking, incrementally, a little every day, and nothing that her husband or son do can reverse the process. The Tiny Wife is a fable about losing yourself in circumstances and finding yourself in the the love of another.

    Now Aunt Becky, the eccentric old matriarch of the clan, has bequeathed her prized possession: a legendary heirloom jug. But the name of the jug's new owner will not be revealed for one year. In the next twelve months beautiful Gay Penhallow's handsome fiancé Noel Gibson leaves her for sly and seductive Nan Penhallow; reckless Peter Penhallow and lovely Donna Dark, who have hated each other since childhood, are inexplicably brought together by the jug; Hugh and Joscelyn Dark, separated on their wedding night ten years ago for reasons never revealed, find a second chance—all watched over by the mysterious Moon Man, who has the gift of second sight. Then comes the night when Aunt Becky's wishes will be revealed...and the family is in for the biggest surprise of all.

    The banal finality of this event triggers an introspective voyage through the events of her life and how she became who she is: wife of business executive Rick, citizen of the suburb of Rowanwood, mother to two accomplished daughters in university. Before Betty Friedan coined the term feminine mystique, The Torontonians told a classic feminist story of suburban ennui and existential self-discovery, tracing a detailed portrait of femininity in the 1950s through the eyes of its perceptive and thoughtful heroine. The book is also a unique contemporary meditation on community and social ties from a time when Canada's major cities were just beginning to spread out into suburban sprawl.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    Acknowledged since the 1930s as a major figure in Modernist poetry, first by Pound and Zukofsky and later by younger writers, the Northumbrian master poet had to wait over 30 years before his genius was finally recognised in Britain - in 1966, with the publication of "BRIGGFLATTS", which Cyril Connolly called 'the finest long poem to have been published in England since T.S. Eliot's "Four Quartets". Bunting called "BRIGGFLATTS" his 'autobiography'. It is a complex work, drawing on many elements of his life, experience and knowledge, and features the saint Cuthbert and the warrior king Eric Bloodaxe as two opposing aspects of the Northumbrian - and his - character. Its structural models include the sonata form (and Scarlatti's music in particular) and the latticework of the Lindisfarne Gospels, while thematically it recalls Wordsworth's "Prelude". Bunting wrote that 'Poetry, like music, is to be heard.' His own readings of his own work are essential listening for a full appreciation of his highly musical poetry. This new edition includes a CD with an audio recording Bunting made of "BRIGGFLATTS" in 1967 and a DVD of Peter Bell's 1982 film portrait of Bunting. As well as his own notes to the poem, the book includes his seminal essay on sound and meaning in poetry, "The Poet's Point of View" (1966). All his poetry is available in "Complet Poems" (Bloodaxe Books, 2000).