But when her aunt decides to do some remodeling on the old house, Jessica is dismayed to discover that the contractor is her ex-fiancé, a man who dumped her several years before. Helping distract her from her troubles are mysterious fifty-year-old letters she finds in her aunt's attic. The contents of the letters spur Jessica to do some digging, but as the truth of the past begins to be revealed, Jessica regrets ever finding the letters. Over You does not contain any profanity or sexual content.

    Knowing her own involvement in his misdeeds decades earlier, Gloria realizes she could be the next arrest and must flee. But first, she needs to make sure her nieces are protected from any fallout.The sisters, though in their thirties, are still constantly at odds with each other. Willow, struggling to live up to their mother’s fame as a singer-songwriter, is recovering from a failed album and yet another heartbreak, while Sam is desperate to revive her floundering video game company.When circumstances out of their control bring the three women back together, they will each have to reckon with and reconcile their interwoven traumas, past loves, and the looming consequences that could either destroy their futures or bring them closer than ever.

    But he needed one…Emily and her husband Sandy Portman seemed to live a gracious if busy life in an old-world, Upper West Side apartment in the famous Dakota building.  But one night on the way to meet Emily, Sandy dies in a tragic accident.  The funeral isn't even over before Emily learns she is on the verge of being evicted from their apartment.  But worse than the possibility of losing her home, Emily is stunned when she discovers that her marriage was made up of lies.  Suddenly Emily is forced on a journey to find out who her husband really was . . . all the while feeling that somehow he isn't really gone.  Angry, hurt, and sometimes betrayed by loving memories of the man she lost, Emily finds comfort in a scruffy dog named Einstein.  But is Einstein's seemingly odd determination that she save herself enough to make Emily confront her own past?  Can he help her find a future—even after she meets a new man?

    Yet Evan belongs at the Crystal Ball and Fran is a gatecrasher. They may be soulmates, but their homes are an ocean apart, and their lives a world apart. They’ll never meet again – unless, on a night like this, everything can change forever…____________________Don’t miss the most romantic story of 2022!

    He had a solid job. He ran 5Ks for charity. He was living a nice, safe Midwestern existence. And then his wife left him for a handsome paramedic down the street.We’re All Damaged begins after Andy has lost his job, ruined his best friend’s wedding, and moved to New York City, where he lives in a tiny apartment with an angry cat named Jeter that isn’t technically his. But before long he needs to go back to Omaha to say good-bye to his dying grandfather.Back home, Andy is confronted with his past, which includes his ex, his ex’s new boyfriend, his right-wing talk-radio-host mother, his parents’ crumbling marriage, and his still-angry best friend.As if these old problems weren’t enough, Andy encounters an entirely new complication: Daisy. She has fifteen tattoos, no job, and her own difficult past. But she claims she is the only person who can help Andy be happy again, if only she weren’t hiding a huge secret that will mess things up even more. Andy Carter needs a second chance at life, and Daisy—and the person Daisy pushes Andy to become—may be his last chance to set things right.

    Go to rehab 2. Befriend/spy on "It Girl" 3. Write killer expose 4. Land dream job Piece of cake! When Kate Sandford lands an interview at her favorite music magazine, The Line, it's the chance of a lifetime. So Kate goes out to celebrate—and shows up still drunk to the interview the next morning. It's no surprise that she doesn't get the job, but her performance has convinced the editors that she'd be perfect for an undercover assignment for their gossip rag. All Kate has to do is follow "It Girl" Amber Sheppard into rehab. If she can get the inside scoop—and complete the thirty-day program—they'll reconsider her for the position at The Line. Kate takes the assignment, but when real friendships start to develop, she has to decide if what she has to gain is worth the price she'll have to pay.

    When Emerson tragically passes away, she leaves one final wish for her best friends: to conquer the fears they still carry as adults.For each of them, that means something different. For Marley, it's coming to terms with the survivor's guilt she's carried around since her twin sister's death, which has left her blind to the real chance for romance in her life. For Georgia, it's about learning to stop trying to live up to her mother's and brother's ridiculous standards, and learning to accept the love her ex-husband has tried to give her.But as Marley and Georgia grow stronger, the real meaning of Emerson's dying wish becomes truly clear: more than anything, she wanted her friends to love themselves.

    Katie’s life fell apart almost a decade earlier, during an idyllic summer at her family’s cabin on Eagle Lake when her best friend accused her father of sexual assault. Throughout his trial and imprisonment, Katie insisted on his innocence, dodging reporters and clinging to memories of the man she adores.Now he’s getting out. Yet when Katie returns to the shuttered lakeside cabin, details of that fateful night resurface: the chill of the lake, the heat of first love, the terrible sting of jealousy. And as old memories collide with new realities, they call into question everything she thinks she knows about family, friends, and, ultimately, herself. Now, Katie’s choices will be put to the test with life-altering consequences.

    Only one problem: Jack cannot write a single word. Devastatingly depressed and hopelessly blocked Jack embarks on a personal journey back to the summer of 1961 when three childhood events created a psychological time-bomb that, thirty-five years later, threatened to destroy his marriage and end his writing career. Vibrant characters, settings like Charleston, Savannah and Key West and a tightly wound plot make this novel a “must read.” The Song of the Mockingbird is Bill Cronin’s second novel following five-star reviews for his first novel “Dial Tone.”

    She’d confess her situation to her friends—if it wasn’t for those dreadful words of warning in his goodbye note: “I’ll tell them what you did.”Instead, she does her best to keep up appearances, even as months pass and she can barely put food on the table—much less replace a light bulb. While she looks for a job, she lives in fear that someone will see her stuffing toilet paper into her handbag or pinching basil from a neighbor’s window box.Soon, blindsided by catastrophe, surprised by romance, and stunned by the kindness of a stranger, Tabitha realizes she can’t keep her secrets forever. Sooner or later, someone is bound to figure out that her life is far from perfect.

    I am a child killer. That is a reference to me that is true and unchanging. I don’t even know who I am. I know that I am a part of your society and I am a product of my circumstances and surroundings, but I am socially invisible, even though I am infamous. People become lost under their labels; wife, mother, father, sister… I am entrenched under mine.''I suppose I should have started by saying that as you read this I have no care whether you like me or not. I’m not telling you this story for any other reason than I want to expel it from myself. I am undecided about what I think of most of it and I have no regard for what you or anyone thinks of me either way. My name is Harry Rochester. My arrogance, when I began writing this, caused me to assume you knew who I was, seeing as you are, after all, reading it.'Two separate diaries of two separate lives, both having experienced years filled with guilt, loneliness and isolation. Harry Rochester, an eighty-year-old retired Barrister, begins a diary about his life, in an attempt to make sense of his regrets and the abandonment of his daughter over forty years ago. As their lives run in parallel, Gabrielle also begins a diary about her own life, in order to make sense of her catastrophic actions and the bridges that were broken with her family many years ago. They make contact with one another, and try to entwine their stories in order to put the past behind them. But the unravelling of their separate lives reveals events and misunderstandings unknown to either of them.Harry and Gabrielle desperately try and make up for all the lost years, with the threat of time running out on them both. Gayle Curtis, in a novel reminiscent of the great Thomas H. Cook, gives us two psychological portraits of a father and daughter caught up in their own guilt and emotional pain, trying to make sense of the actions and the circumstances that led to their lonely separation

    There's just one problem – it's not déjà vu. This discovery leads to tragic consequences and Mackenzie's once-perfect life falls apart, until he encounters a mysterious woman with a secret of her own. From glittering Hong Kong to outback Australia and the underbelly of Tokyo, Mackenzie finds himself caught up in a world of conspiracies and organized crime, and an unrelenting pursuit where fate is always one step ahead. "A fantastic, stylish, fast-paced read" "Hooked since the first chapter" "Something at the turn of every page or around every corner. Highly recommend this book, do yourself a favor and get lost in it for a while"

    Not a perfect trip.Daniel Stafford wants to visit his family in Tuscany—after his girlfriend dumps him for their Italian driver, he botches a work presentation in Rome, and an assertive American falls in front of his car.When their two disastrous lives collide, they end up sleeping on the side of the road. Falling in love with Italy—and each other—is the least of their concerns.

    Though her new life as a wedding photographer provides a semblance of purpose, it’s also a distraction from her profound pain.When asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant. Hoping to open Woodmont to the public, Elaine has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process. Libby is immediately drawn to the old greenhouse shrouded in honeysuckle vines.As Libby forms relationships and explores the overgrown—yet hauntingly beautiful—Woodmont estate, she finds the emotional courage to sort through her father’s office. There she discovers a letter that changes everything she knows about her parents, herself, and the estate. Beneath the vines of the old greenhouse lie generations of secrets, and it’s up to Libby to tend to the fruits born of long-buried seeds.

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.