This volume brings together the collections Flowering Judas; Pale Horse, Pale Rider; and The Leaning Tower as well as four stories not available elsewhere in book form.Go little book... --Flowering Judas and other stories: María Concepción ; Virgin Violeta ; The martyr ; Magic ; Rope ; He ; Theft ; That tree ; The jilting of Granny Weatherall ; Flowering Judas ; The cracked looking-glass ; Hacienda --Pale horse, pale rider: Old mortality ; Noon wine ; Pale horse, pale rider --The leaning tower and other stories: The old order : The source ; The journey ; The Witness ; The circus ; The last leaf ; The fig tree ; The grave. The downward path to wisdom ; A day's work ; Holiday ; The leaning tower

    They have mortgaged, sold, borrowed, left friends and country, to settle in this remote spot; their plan is to live out their lives here, connected to the place and to each other. The two Americans, the only foreigners in Ibarra, live among people who both respect and misunderstand them. And gradually the villagers--at first enigmas to the Evertons--come to teach them much about life and the relentless tide of fate.There is an alternate cover edition of this book with the same ISBN here.

    Propped up in his living room and surrounded by his children and grandchildren, George Washington Crosby drifts in and out of consciousness, back to the wonder and pain of his impoverished childhood in Maine. As the clock repairer’s time winds down, his memories intertwine with those of his father, an epileptic, itinerant peddler and his grandfather, a Methodist preacher beset by madness. At once heartbreaking and life affirming, Tinkers is an elegiac meditation on love, loss, illness, faith, and the fierce beauty of nature.

    The Indians are indifferent to Western notions of time and industry. The French, on the other hand, are sufficiently meticulous to import 2,348 pieces of cast iron to the desolate mining town of Santa Sofia, there to be assembled into a church under the supervision of a disciple of the renowned Gustave Eiffel.

    The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.

    A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt, while brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that comprise the novel's framework yield to the final day and Hurricane Katrina, the unforgettable family at the novel's heart—motherless children sacrificing for each other as they can, protecting and nurturing where love is scarce—pulls itself up to struggle for another day. A wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, "Salvage the Bones" is muscled with poetry, revelatory, and real.

    With a failed marriage behind her and an eighteen year old daughter to present to society, everyone is surprised to find that Sabine has returned, not as the pitiable and broken creature they expected, but as a strong and assured individual with an uncanny ability to see through the postures and pretenses of the society that oppressed her as a girl. With her bold independence and forthright nature, Sabine challenges the social order and becomes a catalyst for changes in the lives of the people around her.Bromfield's startling depth of insight into the characters of this novel and his brilliant portrayal of the challenges to old New England society earned him national recognition. Bromfield was awarded the Pulitzer Prize for Early Autumn.

    But as soon becomes clear, this is no ordinary dancing bear. "I mean, dance is all right, even street dance. It's the poetry of the body, flesh aspiring to grace or inviting the spirit in to visit," he muses, but before all else, the Bear's heart belongs to jazz. This is, in fact, one alto-sax-playing, Shakespeare-allusion-dropping, mystically inclined Bear, and he's finally fed up with passing the hat. One night he sneaks out to a jazz club and joins a jam session. On the strength of the next day's write-up in the Village Voice, the Bear begins to play around town and hobnob with some of jazz's real-life greats. A live album, a police raid, a jailbreak, a cross-country tour, and no small amount of fame later, Bear finds himself in love with a human woman -- and staring down the greatest improbability of all.Admittedly, a novel about a talking, sax-blowing bear may not initially seem everyone's cup of tea, but Zabor's Bear is no cuddly anthropomorph: "I may be wearing a hat and a raincoat, thought the Bear, but no one's gonna mistake me for Paddington." He lives, he suffers, he loves--in fact, the love scenes come as something of a shock, and not just for the usual interspecies reasons. Who knew that the description of a bear's reproductive mechanisms could be so tender or so unabashedly erotic? Most of all, though, The Bear Comes Home evokes the world of improvisational jazz with consummate skill; Zabor, a longtime jazz journalist and drummer, writes about music with a passion and inspiration seldom found on the printed page. A wistful fable about an artist's coming of age, a brilliantly satiric send-up of the music business and jazz criticism, The Bear Comes Home is a debut much like that of the Bear himself: transcendent, unexpected, wise.

    After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

    New Directions is excited to reissue the Gardner classics, beginning with October Light, a complex relationship rendered in a down-to-earth narrative.October Light is one of John Gardner's masterworks. The penniless widow of a once-wealthy dentist, Sally Abbot now lives in the Vermont farmhouse of her older brother, 72-year-old James Page. Polar opposites in nearly every way, their clash of values turns a bitter corner when the exacting and resolute James takes a shotgun to his sister's color television set. After he locks Sally up in her room with the trashy "blockbuster" novel that has consumed her (and only apples to eat), the novel-within-the-novel becomes an echo chamber providing glimpses into the history of the family that spawned these bizarre, sad, and stubborn people. Gardner uses the turbulent siblings as a stepping-off point from which he expands upon the lives of their extended families, and the rural community that surrounds them. He also engages larger issues of how liberals and conservatives define themselves, and considers those moments when life transcends all their arguments.

    Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

    Over the course of a weekend, the men reveal their secret hopes, fears, and passions as they choose roles, spend a long night of the soul preparing for the play, and finally enact their bizarre ritual for what may be the last time. Along the way, mishaps, misunderstandings, and grievances pile up, and the comforting traditions holding the group together threaten to give way.The Throwback Special is a moving and comic tale filled with pitch-perfect observations about manhood, marriage, middle age, and the rituals we all enact as part of being alive."

    The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.

    Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building.While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog's care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them.Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion.

    But instead of the abstract canvases of the Pollocks and Rothkos, he stubbornly hewed to painting one subject the female nude. When he died in 2001, he left behind a wife, Abigail, an autistic son, and a sister, Maxine, herself a notable abstract painter all duly noted in the New York Times obituary.What no one knows is that Oscar Feldman led an entirely separate life in Brooklyn with his longtime mistress, Teddy St. Cloud, and their twin daughters. As the incorrigibly bohemian Teddy puts it, "He couldn't live without a woman around. It was like water to a plant for him." Now two rival biographers, book contracts in hand, are circling around Feldman's life story, and each of these three women, Abigail, Maxine, and Teddy, will have a chance to tell the truth as they experienced it.The Great Man is a scintillating comedy of life among the avant-garde of the untidy truths, needy egos, and jostlings for position behind the glossy facade of artistic greatness. Not a pretty picture but a provocative and entertaining one that incarnates the take-no-prisoners satirical spirit of Dawn Powell and Mary McCarthy.