But then she is told that there was a woman in the car with him, a woman identified as his wife Amelia.Devastated, she flies to Dublin to try to make sense of Jack's secret life. As she grieves, she must learn to survive, and to do that she must find the truth. What else has he been keeping from her and how will she survive this betrayal...? A compelling and emotional novel of families and the secrets we keep... Praise for Ann's writing:'The Ludlow Ladies' Society brought me to a beautiful place and into a circle of friends that I didn't want to leave. Unputdownable' KATE KERRIGAN 'It's a heart-warming story ... but also an addictive page-turner with plenty of unexpected twists and reveals in store' READER'S DIGEST'A moving tale of loss, love and redemption' BELLA MAGAZINE'Deftly written, moving and courageous' THE SUNDAY TIMES'Slow-marching, romantic prose draws us into an old world that is rustic, genteel, quaint...[but] scandals lie in wait' IRISH INDEPENDENT'Highly engaging debut you will want to dive into' SUNDAY INDEPENDENT, IRELAND'A lovely story of two women with the courage to confront the injustices of the past, bringing light to a dark corner of Ireland s recent history' KATHLEEN MACMAHON, BESTSELLING AUTHOR OF THIS IS HOW IT ENDS

    A Catholic schoolboy playing football has a theological debate with a Protestant policeman; a chess game in Spain is a catalyst for grief and redemption; in the haunting title story a Belfast man out walking his dog is kidnapped at gunpoint.As always, MacLaverty's writing is vivid, exact, and pellucid, his characters perfectly observed, the surface of the prose deceptively still. It is only after we enter the world of the stories that we begin to make out the huge shapes that move there: loss, love, disappointment, fierce joy. This is a powerful, honest, and moving book by one of the great storytellers of our age.

    The events of the next few days will lead both of them to reassess the shape of their lives.

    It tells of Violet Farr and her loveless marriage, her wild, unfathomable son and his illegitimate son, all of them bound together in a repeating pattern of exile and homecoming, rejection and, finally, acknowledgement and love. As Elizabeth Buchan wrote in the London Times, "Jennifer Lash is a Lawrentian in so far as she mines her material for the blood and thunder roaring between spouses, and between parents and children."

    When their mother dies in childbirth, Moira and Julia O'Leary are left to rear their infant sister, Ann, while their father, a sheep farmer, despairs. After Ann dies, Moira and Julia depart Cork for Boston, but the painful secret behind Ann's death haunts their new lives and presages the confusion that will come to trouble the next generation. Moira and Julia have always been strikingly different, but theirs is a mercilessly dependable relationship -- Moira's boldness is fortified by Julia's quiet inner purpose, and Julia lives vicariously through her sister's impulsive actions. Moira's Crossing charts their shared journey through marriage, children, and life on the coast of Maine. At once an examination of the troubled intimacy of sisterhood and an inquiry into the meaning of faith, Moira's Crossing is also a story of what we leave behind and who we become because of it.

    It was the first of fifteen dismembered body parts belonging to retired hospital worker Patricia O'Connor.Kieran Greene, the father of three of Patricia's grandchildren, later handed himself in, confessing to beating her to death in the home they shared in what he said was an act of self-defense. He also confessed to dismembering her and disposing of her remains but later changed his story, implicating several members of Patricia's household, including her husband and daughter.In this nuanced and meticulous account of a deeply disturbing crime, journalist Frank Greaney, who covered every day of the shocking trial and conducted exclusive follow-up interviews with other members of Patricia's family, uncovers the story behind the gruesome murder of Patricia O'Connor, and looks at who Patricia really was.

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

    Here are sad-hearted priests, old friends, young lovers, rockers and rebels, husbands and runaway wives, punks and poets. They all are clinging desperately to some kind of faith in a mutable and dangerous world.

    They chew the fat, set the world to rights, curse the ref, say a last farewell… In this second collection of comic dialogues Doyle’s drinkers ponder:- a topless Kate Middleton- Barack and Michelle Obama (‘fuckin’ gorgeous’)- David Beckham (‘Would you tattoo your kids’ names on the back of your neck?’ ‘They wouldn’t fit’)- Jimmy Savile (‘a gobshite’)- the financial crisis (again)- abortion (again) - and horsemeat in your burger… Once again, those we have lost troop through their thoughts - Lou Reed, Seamus Heaney, Reg Presley, Nelson Mandela (‘he should never have left the Four Tops’), Phil Everly, Margaret Thatcher, Shirley Temple - and they still have that unerring ability to ask the really fundamental questions like ‘Would you take penalty points for your missis?’

    One Irish family – One hundred turbulent years: 1916 to 2016 Betty O’Fogarty is proud and clever. Spurred on by her belief in her husband Seamus’s talent as a violin-maker and her desire to escape rural life, they elope to Dublin. She expects life there to fulfil all her dreams. To her horror, she discovers that they can only afford to live in the notorious poverty-stricken tenements. Seamus becomes obsessed with republican politics, neglecting his lucrative craft. And, as Dublin is plunged into chaos and turmoil at Easter 1916, Betty gives birth to her first child to the sound of gunfire and shelling. But Betty vows that she will survive war and want, and move her little family out of the tenements.Nothing will stand in her way. One hundred years later, secrets churn their way to the surface and Betty’s grandchildren and great-grandchildren uncover both Betty’s ruthlessness and her unique brand of heroism.

    The one catch is she has to masquerade as a member of a cookery course and the only piece of culinary equipment Leo can handle is a tin opener - Weekend Entertaining Part 1 is daunting to say the least. As she strips away layers of marital infidelity - not to mention several other scandalous secrets - she battles with bread-making and brulee. But where will it all end - in triumph or tragedy?

    Perhaps she’ll find adventure during a visit to Galway. Her idea of excitement consists of exploring Ireland for yarn to feature in her shop back home, but the adventure awaiting her includes an edgy stranger who disrupts her tea time, challenges her belief system, and stirs up feelings she thought she’d buried with her husband. After years of ignoring God, nursing anger, and stifling his grief, Payne Anderson isn’t ready for the feelings a chance encounter with an enchanting stranger evokes. Though avoiding women and small talk has been his pattern, something about Ellen makes him want to seek her—and God again.Can Ellen accept a new life different than the one she planned? Can Payne release his guilt and accept the peace he’s longed for? Can they surrender their past pain and embrace healing together, or will fear and doubt ruin their second chance at happiness?

    They are 300 times more effective than an ordinary patrol... If we are going to have murderers and terrorists roaming the towns, then we have to have somebody who is able to go out and find them.” Contemporary press report Some think it stood for ‘Military Reconnaissance Force’, others ‘Mobile Reconnaissance Force’. Many people thought it didn’t exist at all and was made up, a figment of the press’s imagination. To the members of the group that was just fine. It added to the illusion, and the speculation about the unit’s name and mission only added to the uncertainty amongst their targets — terrorists — members of the Provisional Irish Republican Army, the IRA, the provos. For decades there has been argument in the media and amongst politicians about the possible existence and extent of a shoot-to-kill policy in Northern Ireland. MRF Shadow Troop confirms there was such an agenda in the early, chaotic days of British military intervention across the Irish Sea. Amongst the mountain of speculation there is little of any accuracy or authority relating to this period. Simon Cursey was recruited into the Military Reaction Force — the unit’s true name — in 1972. This book is his personal account of his time with the group and in it he reveals the truth about their operations — the briefings, missions, political wrangling, and government-sanctioned law-bending. With documents and photographs to corroborate all his revelations, MRF Shadow Troop is a fascinating, exciting but above all accurate historical text about the pioneers of counter-terrorism.

    This book portrays the relationship between a quiet young shop assistant from Ulster and her wealthy employers.

    Nine-year-old Megan lives in a redbrick house in Dublin with her mother, a beautiful and lonely artist, and her grandmother; her father's whereabouts are a mystery that she often thinks about.When an American family moves in downstairs and Megan's mother begins a tentative affair with the father, everything that Megan is sure of starts to unravel.  From her friendship with the boy next door to the strange food that the new family cooks, from her relationship with the impossibly sophisticated Beth to the possibilities opened up by the temptation of swimming at night, it is a summer that will impact Megan in ways she could never predict.