Then she gets put in charge of walking her elderly neighbor’s dog. But Clarence won’t budge without Miss Millie, so Alice and Miss Millie walk him together. Strolling with Miss Millie quickly becomes the highlight of Alice’s day, as she learns about the town’s past and meets a mix of its catty and kind residents. As the two become confidantes, Alice is finally able to express her heartache over her father’s desertion; and when Miss Millie tells her family story, Alice begins to understand the shameful history of Segregation, and recognize the racism they need to fight against. Navigating the neighborhood with Miss Millie gives Alice new perspective, the wisdom to move on from her anger, and even enables her to laugh again. Tamara Bundy’s beautifully written story reminds readers that there is nothing like friendship to lighten one’s load, and make anyplace a home.

    

    Perhaps no other writer is as synonymous with Harlem as James Baldwin (1924-1987). The events there that shaped his youth greatly influenced Baldwin's work, much of which focused on his experiences as a black man in white America. Go Tell It on the Mountain, The Fire Next Time, Notes of a Native Son, and Giovanni's Room are just a few of his classic fiction and nonfiction books that remain an essential part of the American canon. In Baldwin's Harlem, award-winning journalist Herb Boyd combines impeccable biographical research with astute literary criticism, and reveals to readers Baldwin's association with Harlem on both metaphorical and realistic levels. For example, Boyd describes Baldwin's relationship with Harlem Renaissance poet laureate Countee Cullen, who taught Baldwin French in the ninth grade. Packed with telling anecdotes, Baldwin's Harlem illuminates the writer's diverse views and impressions of the community that would remain a consistent presence in virtually all of his writing. Baldwin's Harlem provides an intelligent and enlightening look at one of America's most important literary enclaves.

    It presents the important traditional content of mineralogy including crystallography, chemical bonding, controls on mineral structure, mineral stability, and crystal growth to provide a foundation that enables students to understand the nature and occurrence of minerals. Physical, optical, and X-ray powder diffraction techniques of mineral study are described in detail, and common chemical analytical methods are outlined as well. Detailed descriptions of over 100 common minerals are provided, and the geologic context within which these minerals occur is emphasized. Appendices provide tables and diagrams to help students with mineral identification, using both physical and optical properties. Numerous line drawings, photographs, and photomicrographs help make complex concepts understandable. Introduction to Mineralogy not only provides specific knowledge about minerals but also helps students develop the intellectual tools essential for a solid, scientific education. This comprehensive text is useful for undergraduate students in a wide range of mineralogy courses.

    Focusing each chapter on the culinary and social history of one dish--such as fried chicken, chitlins, yams, greens, and red drinks--Miller uncovers how it got on the soul food plate and what it means for African American culture and identity.Miller argues that the story is more complex and surprising than commonly thought. Four centuries in the making, and fusing European, Native American, and West African cuisines, soul food--in all its fried, pork-infused, and sugary glory--is but one aspect of African American culinary heritage. Miller discusses how soul food has become incorporated into American culture and explores its connections to identity politics, bad health raps, and healthier alternatives. This refreshing look at one of America's most celebrated, mythologized, and maligned cuisines is enriched by spirited sidebars, photographs, and twenty-two recipes.

    What they don t expect is to hear Mr. Tom Bee, an elderly black man, daring to call the white storekeeper by his first name. The year is 1933, the place is Mississippi, and any child knows that some things just aren t done. A powerful story. Readers will be haunted by its drama and emotion long after they have closed the book.Booklist

    Susie King Taylor's recollections are invaluable for those who wish to understand the Civil War from the black woman's point of view. ... A treasure in the light of today's feminist movement." (from the Introduction by Willie Lee Rose)

    Through its unparalleled research, exploration, publications, and photography, the organization and its magazine have, in many ways, defined how we see the world. Now Robert Poole's Explorers House gives a vibrant, behind-the-scenes look at National Geographic, from its start in 1888 to its evolution into one of the most esteemed and iconic American institutions. The story of the National Geographic is a family story of a media dynasty to rival the Sulzbergers or Luces. The Grosvenors, along with Alexander Graham Bell, who was linked to the family by marriage, created the institution's photography-based monthly, and the family has been on the masthead since the McKinley administration. Content to stay in the shadows, however, they have remained modestly obscured from public view while their media empire has grown to reach some forty million readers and viewers each month. The Grosvenor and Bell family history is not merely the story of the National Geographic; it is a captivating view of the sweep of American scientific, geographic, and political history since the late nineteenth century, rendered in fascinating human terms by Poole. Moreover, Explorers House shows the inside workings of the magazine's editorial process, providing an unprecedented look behind some of National Geographic's ground-breaking articles and explorations-from Cousteau's famous Calypso voyages to the origins of Jane Goodall's research on chimpanzees to the institution's 1963 Mt. Everest expedition, the first to place an American on the summit. We also hear of the writers and photographers who are larger than life figures themselves, such as Luis Marden, the writer-photographer who unearthed the remains of the H.M.S. Bounty off Pitcairn Island, among many other feats. Explorers House presents the National Geographic from the inside out-from its remarkable founding family to the very ends of the earth it investigates.

    But soon after he arrives, he crosses paths with Emmett Till, a black teenager from Chicago who is also visiting for the summer, and Hiram sees firsthand how the local whites mistreat blacks who refuse to "know their place." When Emmett's tortured dead body is found floating in a river, Hiram is determined to find out who could do such a thing. But what will it cost him to know? Mississippi Trial, 1955 is a gripping read, based on true events that helped spark the Civil Rights Movement.

    In the summer of 1968, after travelling from Brooklyn to Oakland, California, to spend a month with the mother they barely know, eleven-year-old Delphine and her two younger sisters arrive to a cold welcome as they discover that their mother, a dedicated poet and printer, is resentful of the intrusion of their visit and wants them to attend a nearby Black Panther summer camp.In a humorous and breakout book by Williams-Garcia, the Penderwicks meet the Black Panthers.

    Here, however, Berlin offers a dynamic vision, a major reinterpretation in which slaves and their owners continually renegotiated the terms of captivity. Slavery was thus made and remade by successive generations of Africans and African Americans who lived through settlement and adaptation, plantation life, economic transformations, revolution, forced migration, war, and ultimately, emancipation.Berlin's understanding of the processes that continually transformed the lives of slaves makes Generations of Captivity essential reading for anyone interested in the evolution of antebellum America. Connecting the "Charter Generation" to the development of Atlantic society in the seventeenth century, the "Plantation Generation" to the reconstruction of colonial society in the eighteenth century, the "Revolutionary Generation" to the Age of Revolutions, and the "Migration Generation" to American expansionism in the nineteenth century, Berlin integrates the history of slavery into the larger story of American life. He demonstrates how enslaved black people, by adapting to changing circumstances, prepared for the moment when they could seize liberty and declare themselves the "Freedom Generation."This epic story, told by a master historian, provides a rich understanding of the experience of African-American slaves, an experience that continues to mobilize American thought and passions today.

    It draws on dozens of interviews by the author with people who were immersed in the Memphis events, as well as on recently released documents from archives in Atlanta. The fresh material yields a wealth of illuminating detail, including a lapse, never before reported, by the Memphis Police Department to provide security for King. It unveils the financial and logistical predicament presented by the Poor People's Campaign. It recounts the emotional and marital pressures that were bedeviling King in the spring of 1968. Juxtaposed next to the narrative describing King's hours in Memphis is an account of what his assassin, James Earl Ray, was doing in Memphis during the same time. The book discloses how a series of uncannily lucky breaks enabled Ray, a bumbling convict on the lam, to construct a sniper's nest and shoot King.

    This new edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South — their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

    Yet by the age of fifteen, McCall was packing a gun and embarking on a criminal career that five years later would land him in prison for armed robbery.In these pages, McCall chronicles his passage from the street to the prison yard--and, later, to the newsrooms of The Washington Post and ultimately to the faculty of Emory University. His story is at once devastating and inspiring, at once an indictment and an elegy. Makes Me Wanna Holler became an instant classic when it was first published in 1994 and it continues to bear witness to the great troubles--and the great hopes--of our nation. With a new afterword by the author

    Eleven-year-old Ella McGee sits on a bus bound for her Southern hometown. Behind her in Washington, D.C., lie the broken pieces of her parents’ love story—a black father drafted, an activist mother an activist mother of Scotch-Irish and Cherokee descent confronting racist thugs. But Ella’s journey is just beginning when she reaches Hopewell County, and her disappearance into the Georgia mountains will unfurl a rich tapestry of family secrets spanning a century. Told in five unforgettable voices, Glow reaches back through the generations, from the red-clay dust of the Great Depression to the Blue Ridge frontier of 1836, where slave plantations adjoin the haunted glades of a razed Cherokee Nation. Out of these characters’ lives evolves a drama that is at once intimately human and majestic in its power to call upon the great themes of our time—race, identity, and the bonds of family and community.Lushly conceived, cinematically detailed, and epic in historical scope, Glow announces an extraordinary new voice in Southern fiction.