It is a compilation of episodes approaching racism as a psychological reality.Everyday racism, argues Grada Kilomba, is experienced as a violent shock which suddenly places the Black subject in a colonial scene – depriving one’s link with society. Unexpectedly, the past comes to coincide with the present and the present is experienced as if one were in that agonizing past, as the title Plantation Memories announces.Linking postcolonial theory, psychoanalysis and poetic narrative, she provides a new and inspiring interpretation of everyday racism, memory, trauma and decolonization in the form of short stories.From the question “Where do you come from?” to the N-Word or Hair politics, the book is essential to anyone studying African studies, postcolonialism, critical whiteness and psychoanalysis.Grada Kilomba is a writer and psychologist, lecturing Frantz Fanon, Colonialism, Psychoanalysis and Decolonization at the Free University of Berlin. She is the Co-Editor of the book Mythen, Masken, Subjekte

    Widowed at 19 and, after losing her child from the marriage, she faces the war grieving and lonely. Then one night during the Blitz, an infant mysteriously abandoned during the bombing is handed into her care...Ruby, meanwhile, doesn't want to be left behind in the wedding stakes and settles for marriage with Frank.Finally there's Janet, kind-hearted and susceptible to male charm, who is hurt desperately by an affair with a married man.David, the child who steals Edie's heart as she brings him up through a time none of them will ever forget, is the love of all their lives. And when David is old enough to wonder who he really is, he leads Edie through struggle and heartache to a life and love she would never have dreamed of...

    Backgrounded by these wars, the story follows the history of the Terra-Cambaras, during 150 years, in the southern part of Brazil. The men ... Mais were lusty fighters and lovers; the women pulled the strings and ran their men's lives behind the scenes. They bore them children, legitimate and illegitimate, and buried them when need came. Bandits became respectable. Foreigners, Germans chiefly, made and kept their places in the community. And certain symbols stood, through successive generations, for the family:- the silver dagger, brought by a missionary priest, and kept in site as a reminder of a sin almost committed; old pruning shears, which had cut the umbilical cords of successive new born babies; the wind, destined to herald events in the family history, and the Sobrado, the great castle like mansion, which tempted and betrayed them, and housed them all, though the Cambaras had come by it through intermarriage with the Amarals, titular owners. There's a kind of authenticity in the feel and mood of story and setting, in the characteristic blend of realism, superstition, violence and poetry, but the story itself seems to ride off in all directions, and the thread loses itself again and again. Possibly, the shift back and forth in time, from 1745 to 1895, makes it not wholly successful in what the author aims to do, but at its close, the scattered pieces seem to fit into a whole. Not always easy reading, there are moments when it recalls the traditional novels of the picaresque pattern. The publishers have perhaps more confidence in its sales potentials than we have, so watch it.

    

    In this remarkable blend of history and imagination, Paltiel Kossover meets the same fate but, unlike his real-life counterparts, he is permitted to leave a written testament. From a Jewish boyhood in pre-revolutionary Russia, Paltiel traveled down a road that embraced Communism, only to return to Russia and discover a Communist Party that had become his mortal enemy. Two decades later, Paltiel's son, Grisha, reads this precious record of his father's life and finds that it illuminates the shadowed planes of his own. Passionate and fierce, this story of a father's legacy to his son revisits some of the most dramatic events of our century, and confirms yet again Elie Wiesel's stature as "a writer of the highest moral imagination" ("San Francisco Chronicle").

    He is the one who sent her on the mission that led to her death, and before morning, he must ultimately decide how many others to send to a similar fate.

    Because Posy hasn’t just inherited an ailing business, but also the attentions of Lavinia’s grandson, Sebastian, AKA The Rudest Man In London™.Posy has six months to transform Bookends into the shop of her dreams but as Posy and her friends fight to save the bookshop, she’s drawn into a battle of wills with Sebastian, about whom she’s started to have some rather feverish fantasies…

    She pedals off into the storm and delivers a baby girl in a filthy slum dwelling, just as the mother dies. The drunk and violent father tells Patty to get rid of it, so she takes the child away, meaning to deliver it to the nearest orphanage. But Patty had spent her entire childhood in an institution, except for the frequent occasions when she ran away, and cannot bear to hand the baby over. She has no idea how the baby will affect the attitude of those around her…nor how her life will change as a result…

    The bride recounts, vividly and hilariously, her and her Mother’s plans for an English country wedding, how they dealt with Uncle George (The Head Of The Family), and their success in making sure that on her wedding day the church was filled with music and flowers (both officially banned due to the “mixed” marriage of a Catholic bridegroom and a Church of England bride). She subsequently finds herself living on a horse-rearing estate in a rural part of Portugal, coping with a truculent cook, a primitive kitchen (no electricity, no gas, no fly screens, no taps — unlike the stables, which were far more up-to-date) and watching a husband gradually turning into a horse before her eyes…. In Lisbon, a four-hour drive away, lived her husband’s parents, his nine brothers and sisters, an unending procession of aunts, uncles and cousins, and a large number of family servants. She recounts the ups and downs of the early months of her married life at Reinaldo, the family property which she struggles to make her own. Iron bedsteads, straw mattresses and numerous pictures of the Holy Family gradually make way for chintz, bookshelves, and comfortable veranda furniture; chicken-with-rice-and-peppers are replaced by duck and lemon meringue, though a new young cook is swiftly appropriated by her mother-in-law, which could be thought of (but not by the writer) as a compliment. Friends and neighbours are also keenly observed in this light-hearted, observant and humorous account of a girl’s path from an English country cottage and a London flat, to love, marriage and motherhood on a traditional country estate in Portugal.

    Rubem Fonseca's Rio is a city at war, a city whose vast disparities- in wealth, social standing, and prestige- are untenable. In the stories of The Taker, rich and poor live in an uneasy equilibrium, where only overwhelming force can maintain order, and violence and deception are essential tools of survival.

    Desperately in love, the two envision a life together and plan to tell Amelia’s parents only after she turns eighteen and is legally an adult. Anthony’s mother, Kim, who teaches at their school, knows—and keeps—their secret. But the couple’s passion is exposed sooner than planned: Amelia’s father, Harlan, is shocked and infuriated to find naked pictures of Anthony on his daughter’s computer. Just hours later, Anthony is arrested.Despite Amelia’s frantic protests, Harlan uses his wealth and influence with local law enforcement and the media to label Anthony a deviant who preyed on his innocent daughter. Spearheaded by a zealous prosecutor anxious to turn the case into a public crusade against “sexting,” the investigation soon takes an even more disturbing and destructive turn.As events spiral wildly out of control and the scandalous story makes national news, Amelia and Anthony risk everything in a bold and dangerous attempt to clear their names and end the madness once and for all.   A captivating page-turner, Therese Fowler’s Exposure is also a deftly crafted, provocative, and timely novel that serves as a haunting reminder of the consequences of love in the modern age.

    About to face another winter in New York, without work and facing a divorce, welcomes an invitation from his great-aunt to visit Haiti. It is with real astonishment that perceives to be the descendant of a rich woman, whose property serves as a backdrop to the filming of an exciting epic. In the romantic setting of the island, a willful Mardee native lion, becomes involved with three very different men: Sebastian Wright, the filmmaker and passionate Scorpio, the handsome actor Kip Tybalt, a native of twins who seem to embody the whole mystery and Haiti's own ambivalence and Brian Dawes, a beautiful journalist and pragmatic, native rock, which seems to be the only anchor that secures it to reality. But the tropical splendor in suspense becomes deadly when a sinister voodoo ritual corners Mardee a frenzy of supernatural horror from which escape might not ever.

    But this particular obstacle—huge, hard-muscled, unashamedly masculine—is impossible to ignore. Stuck in a cramped car with Brodie Crews for hours en route to their new assignment, Mary feels her carefully crafted persona—and her trademark self-control—is slipping, and she won’t allow it.Brodie can’t imagine what secret in Mary’s past has left her so buttoned-up, though he’d dearly love to find out. Maybe then she’d trust him enough to explore their explosive chemistry. But he needs this job, so he’ll play by her rules and bide his time…until an enemy determined to outwit them strikes and he needs to get close—in every way—to protect her. Otherwise they could lose much more than a precious collectible. They could lose it all.

    Life is good.There is only one problem … she’s madly in love with her boss.She knows nothing will ever happen between them. They live in completely different worlds. It could never happen, right?Carlos Eduardo is established, confident, and doing well for himself in life. He never felt lacking until one day he realizes his assistant is gorgeous. She is smart, sexy, and suddenly everything he ever wanted in a woman.The love between the two is overwhelming. Just as they come to terms with the feelings they have, things start to fall apart.He isn’t ready to trust. She doesn’t feel safe to share her all. To love, to have, to hold, they will have to face their differences and their attraction head on.

    He’s her new bodyguard. He didn't plan for her to offer no-strings attached sex with his employment. Business has officially mixed with pleasure. StellaAfter going through a messy public breakup, I've sworn off dating. That pact changes when my new bodyguard walks through the front door. Hudson is nothing like the men in the industry.He's callous, cold, and doesn't want to spend a second longer with me than he has to.All that changes when I start to defrost his iciness and find the real man hidden inside.HudsonI want nothing to do with the Hollywood life. Having my face plastered on magazine covers does not sound like a good time. This job is temporary and was taken as a favor to my brother taking care of his sick wife. My problem? I get to know the real Stella, not the woman seen on TV. I try to fight my attraction and keep our relationship professional until she lays an offer on the table: sex while I'm here and then we go our separate ways.How can I say no to that?(Just Her Bodyguard was previously titled as Make Me Yours.)