Because of that, she finds out that the mind of the popular Toda-kun is full of wild fantasies about her!

    But when she finds among his belongings evidence that there had been another woman in his life, Hattie is unable to mourn Ben as she thinks she should. In an attempt to make peace with her discovery, and against the advice of her friends, Hattie decides to find the other woman and confront her. At the heart of this unusual book is the unexpected intertwining of the lives of the two women.

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

    Written in the tone of the quixotic lieutenants who populate its pages, this novel vividly illustrates the pressures on the new generation of war fighters. Along the way the book introduces an engaging cast of characters: a self-centered squadron commander hell-bent on fixing his tainted professional reputation; a reluctant air-wing commander more suited for life within the walls of the Pentagon than on a flight deck at sea; a battle-group commander trained in the art of driving ships, now thrust into the snap-decision matrix of supersonic jets; and a host of junior officers. Seeking only the ideals they were promised, these technology-savvy aviators are products of pop culture, unimpressed by rank for its own sake and unresponsive to petitions in the name of the profession's lofty mottoes. But for all of its irreverance, Punk's War is a loving tribute to those called to service during an unsteady peace and a definitive statement about why flying fighters for a living remains among the most noble of professions.

    Civil war, political assassinations, internally displaced communities, industrial-scale corruption. All are Sri Lanka. As are smug bureaucrats, nosy neighbours, and stray dogs with serious axes to grind. Through the eyes of Andrew Fidel Fernando, cricket writer par excellence, both a local and a tourist in his home country, Sri Lanka comes alive as he hurtles down hills in Kandy, breathes in the history at the rock fortress of Sigiriya, grapples with the aftermath of war in Jaffna, and has himself evicted from restaurants near Galle. Weaving through all manner of villages, paddy fields, mountains, jungles and marshlands, and pausing for the pests at grimy guesthouses and the vacationers of luxury hotels, Fernando has the time for every genre of person and wildlife in this chaotic, exquisite, frustrating, bewitching, tumultuous and intoxicating land. Hilariously witty yet wistfully sombre, Upon a Sleepless Isle is the story of a country and a people caught between long historical traditions and global capitalism, resulting in this ingenious paradise.