Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written.

    For the Twelve Days of Christmas—a time of celebration, sharing, and giving—she offers these twelve plus one: a personal story of her own Christmas memories. These tales give the reader a portal into the spirit of the season, where time slows down and magic starts to happen. From trees with mysterious powers to a tinsel baby that talks, philosophical fairies to flying dogs, a haunted house and a disappearing train, Winterson's innovative stories encompass the childlike and spooky wonder of Christmas. Perfect for reading by the fire with loved ones, or while traveling home for the holidays. Enjoy the season of peace and goodwill, mystery, and a little bit of magic courtesy of one of our most fearless and accomplished writers.

    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

    He was my first crush before everything came crashing down, and now he wants more, but it's more than I can give him. Things are different now. I wish I could tell him why, but I can't. I haven’t told anyone.I never knew how much I really needed him until the day he left for college, and I was completely alone.Then one day, Asher Hunt rides into town with his dark, captivating eyes and cocky grin. He doesn't care who I used to be, he's simply breathing life into what’s left. People warn me to stay away from him, but he helps me forget the pain that has held me hostage for so long; something I thought was impossible before he walked into my life.I’ve been hurt. I’ve been saved. And I’ve found hope. I thought my story was written that night, but now I know it was only a new beginning. Until one secret turns my world upside down…Again.

    She carries parts of them with her, even though their hearts are no longer hers.

    Perfect for fans of Rupi Kaur and Elizabeth Acevedo, Jasmin Kaur’s stunning debut novel is a collection of poetry, illustrations, and prose.screamso that one daya hundred years from nowanother sister will not have todry her tears wonderingwhere in historyshe lost her voiceThe six sections of the book explore what it means to be a young woman living in a world that doesn’t always hear her and tell the story of Kiran as she flees a history of trauma and raises her daughter, Sahaara, while living undocumented in North America.Delving into current cultural conversations including sexual assault, mental health, feminism, and immigration, this narrative of resilience, healing, empowerment, and love will galvanize readers to fight for what is right in their world.

    She's also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her "the Duff," she throws her Coke in his face. But things aren't so great at home right now, and Bianca is desperate for a distraction. She ends up kissing Wesley. Worse, she likes it. Eager for escape, Bianca throws herself into a closeted enemies-with-benefits relationship with him. Until it all goes horribly awry. It turns out Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she’s falling for the guy she thought she hated more than anyone.

    "there are so many words I've left unsaidso instead of going another year or five or tenin brutal, crushing silencedon't waste this opportunitydon't be scared when the full weight of my hearttests the strength of your handsI'm trusting you with something I barely trust myself withthis knowingthis tellingthis momentous uprootingI'm hereI amI am right here in these words"A debut poetry collection about love, heartbreak, body image, how absolutely breathtaking girls are, flower blooms and starlight.

    Everyone has one. Some are bigger than others. And when secrets are revealed, Some will heal you ... And some will end you. Kate Sedgwick’s life has been anything but typical. She’s endured hardship and tragedy, but throughout it all she remains happy and optimistic (there’s a reason her best friend Gus calls her Bright Side). Kate is strong-willed, funny, smart, and musically gifted. She’s also never believed in love. So when Kate leaves San Diego to attend college in the small town of Grant, Minnesota, the last thing she expects is to fall in love with Keller Banks. They both feel it. But they each have a reason to fight it. They each have a secret. And when secrets are revealed, Some will heal you … And some will end you.

    But he's never seemed to notice that Reena even exists until one day, impossibly, he does. Reena and Sawyer fall in messy, complicated love. But then Sawyer disappears from their humid Florida town without a word, leaving a devastated—and pregnant—Reena behind. After: Almost three years have passed, and there's a new love in Reena's life: her daughter, Hannah. Reena's gotten used to being without Sawyer, and she's finally getting the hang of this strange, unexpected life. But just as swiftly and suddenly as he disappeared, Sawyer turns up again. Reena doesn't want anything to do with him, though she'd be lying if she said Sawyer's being back wasn't stirring something in her. After everything that's happened, can Reena really let herself love Sawyer LeGrande again?In this breathtaking debut, Katie Cotugno weaves together the story of one couple falling in love—twice.

    Now, The Lost Spells, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.The Lost Spells evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read The Lost Spells is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.

    Three seasons. One chance to find the life that fits.Cassie settled down too young, marrying her first serious boyfriend. Now, ten years later, she is betrayed and broken. With her marriage in tatters and no career or home of her own, she needs to work out where she belongs in the world and who she really is.So begins a year-long trial as Cassie leaves her sheltered life in rural Scotland to stay with each of her best friends in the most glamorous cities in the world: New York, Paris and London. Exchanging grouse moor and mousy hair for low-carb diets and high-end highlights, Cassie tries on each city for size as she attempts to track down the life she was supposed to have been leading, and with it, the man who was supposed to love her all along.

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    Then a chance meeting sends Blythe crashing into something she doesn’t expect—an undeniable attraction to a dark-haired senior named Chris Shepherd, whose past may be even more complicated than her own. As their relationship deepens, Chris pulls Blythe out of the stupor she’s been in since the night a fire took half her family. She begins to heal, and even, haltingly, to love this guy who helps her find new paths to pleasure and self-discovery. But as Blythe moves into calmer waters, she realizes Chris is the one still strangled by his family’s traumatic history. As dark currents threaten to pull him under, Blythe may be the only person who can keep him from drowning. *This book is intended for mature audiences due to strong language and sexual content.Note: due to mature content recommended for Ages 17+

    She has lived in six different cities and held countless meaningless jobs since graduating college. On the heels of leaving yet another city, Hannah moves back to her hometown of Los Angeles and takes up residence in her best friend Gabby’s guestroom. Shortly after getting back to town, Hannah goes out to a bar one night with Gabby and meets up with her high school boyfriend, Ethan.Just after midnight, Gabby asks Hannah if she’s ready to go. A moment later, Ethan offers to give her a ride later if she wants to stay. Hannah hesitates. What happens if she leaves with Gabby? What happens if she leaves with Ethan?In concurrent storylines, Hannah lives out the effects of each decision. Quickly, these parallel universes develop into radically different stories with large-scale consequences for Hannah, as well as the people around her. As the two alternate realities run their course, Maybe in Another Life raises questions about fate and true love: Is anything meant to be? How much in our life is determined by chance? And perhaps, most compellingly: Is there such a thing as a soul mate?Hannah believes there is. And, in both worlds, she believes she’s found him.