But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom.

    She knows the upcoming semester at school is going to be great with her best friend Delia at her side. Then Delia dumps her for a new girl with more money, and Adele is forced to share a room with Lottie, the school pariah, who doesn't pray and defies teachers' orders. But as they share a copy of Jane Eyre, Lottie's gruff exterior and honesty grow on Adele, and Lottie learns to be a little sweeter. Together, they take on bullies and protect each other from the vindictive and prejudiced teachers. Then a boy goes missing on campus and Adele and Lottie must rely on each other to solve the mystery and maybe learn the true meaning of friendship.

    He's exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth-century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African-American slaves who colonized Liberia almost a century earlier. When Togar's section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they're promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact.In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny.

    But when family secrets spill out and racism at school ramps up, she must decide what she believes in and take a stand.Fifteen-year-old Liliana is fine, thank you very much. It’s fine that her best friend, Jade, is all caught up in her new boyfriend lately. It’s fine that her inner-city high school is disorganized and underfunded. It’s fine that her father took off again—okay, maybe that isn’t fine, but what is Liliana supposed to do? She’s fifteen! Being left with her increasingly crazy mom? Fine. Her heathen little brothers? Fine, fine, fine. But it turns out Dad did leave one thing behind besides her crazy family. Before he left, he signed Liliana up for a school desegregation program called METCO. And she’s been accepted. Being accepted into METCO, however, isn’t the same as being accepted at her new school. In her old school, Liliana—half-Guatemalan and half-Salvadorian—was part of the majority where almost everyone was a person of color. But now at Westburg, where almost everyone is white, the struggles of being a minority are unavoidable. It becomes clear that the only way to survive is to lighten up—whiten up. And if Dad signed her up for this program, he wouldn’t have just wanted Liliana to survive, he would have wanted her to thrive. So what if Liliana is now going by Lili? So what if she’s acting like she thinks she’s better than her old friends? It’s not a big deal. It’s fine. But then she discovers the gutting truth about her father: He’s not on one of his side trips. And it isn’t that he doesn’t want to come home…he can’t. He’s undocumented and he’s been deported back to Guatemala. Soon, nothing is fine, and Lili has to make a choice: She’s done trying to make her white classmates and teachers feel more comfortable. Done changing who she is, denying her culture and where she came from. They want to know where she’s from, what she’s about? Liliana is ready to tell them.

    With graduation behind her, she’s more than ready for a break from her family—and from Mamma’s inexplicable obsession with her finding the “Ideal Indian Husband.” Ugh. Dimple knows they must respect her principles on some level, though. If they truly believed she needed a husband right now, they wouldn’t have paid for her to attend a summer program for aspiring web developers…right?Rishi Patel is a hopeless romantic. So when his parents tell him that his future wife will be attending the same summer program—wherein he’ll have to woo her—he’s totally on board. Because as silly as it sounds to most people in his life, Rishi wants to be arranged, believes in the power of tradition, stability, and being a part of something much bigger than himself.The Shahs and Patels didn’t mean to start turning the wheels on this “suggested arrangement” so early in their children’s lives, but when they noticed them both gravitating toward the same summer program, they figured, Why not?Dimple and Rishi may think they have each other figured out. But when opposites clash, love works hard to prove itself in the most unexpected ways.

    . . in words and illustrations, Ingrid left behind a painful farewell in her journal for Caitlin. Now Caitlin is left alone, by loss and by choice, struggling to find renewed hope in the wake of her best friend’s suicide. With the help of family and newfound friends, Caitlin will encounter first love, broaden her horizons, and start to realize that true friendship didn’t die with Ingrid. And the journal which once seemed only to chronicle Ingrid’s descent into depression, becomes the tool by which Caitlin once again reaches out to all those who loved Ingrid—and Caitlin herself.

    Powerful. Privileged. This is Fullbrook Academy, an elite prep school where history looms in the leafy branches over its brick walkways. But some traditions upheld in its hallowed halls are profoundly dangerous.Jules Devereux just wants to keep her head down, avoid distractions, and get into the right college, so she can leave Fullbrook and its old-boy social codes behind. She wants freedom, but ex-boyfriends and ex-best friends are determined to keep her in place.Jamie Baxter feels like an imposter at Fullbrook, but the hockey scholarship that got him in has given him a chance to escape his past and fulfill the dreams of his parents and coaches, whose mantra rings in his ears: Don’t disappoint us.When Jamie and Jules meet, they recognize in each other a similar instinct for survival, but at a school where girls in the student handbook are rated by their looks, athletes stack hockey pucks in dorm room windows like notches on a bedpost, and school-sponsored dances push first year girls out into the night with senior boys, the stakes for safe sex, real love, and true friendship couldn’t be higher.As Jules and Jamie’s lives intertwine, and the pressures to play by the rules and remain silent about the school’s secrets intensify, they see Fullbrook for what it really is. That tradition, a word Fullbrook hides behind, can be ugly, even violent. Ultimately, Jules and Jamie are faced with the difficult question: can they stand together against classmates—and an institution—who believe they can do no wrong?

    This unforgettable novel tells a universal coming-of-age story about Taja Brown, a young African American girl growing up in Houston, Texas, and deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose.Told in fifty-three short, episodic, moving, and iridescent chapters, Calling My Name follows Taja on her journey from middle school to high school.

    Then Graham finds out that Ellie's Maine hometown is the perfect location for his latest film, and he decides to take their relationship from online to in-person. But can a star as famous as Graham really start a relationship with an ordinary girl like Ellie? And why does Ellie want to avoid the media's spotlight at all costs?

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    At the end of that first day, they make a promise to reunite after graduation. But so much can happen in those in-between years. . . .Zoe fears she will always be in her famous mother’s shadow. Jake struggles to find the right connections in friendship and in love. Mia keeps trying on new identities, looking for one that actually fits. Gregor thought he wanted to be more than just a band geek. And Whitney seems to have it all, until it’s all falling apart around her.Carolyn Mackler skillfully brings the stories of these five disparate teens together to create a distinct and cohesive whole—a novel about how we can all affect one another’s lives in the most unexpected and amazing ways.Infinite in Between received four starred reviews, was listed on several best books of the year lists, and is perfect for fans of books by Jandy Nelson, Sara Zarr, and E. Lockhart.

    . . until the bombs strike. His city is in ruins. His life is destroyed. And those who have survived are left to figure out their uncertain future.In the wake of destruction, he's threatened by Daesh fighters and witnesses a public beheading. Tareq's family knows that to continue to stay alive, they must leave. As they travel as refugees from Syria to Turkey to Greece, facing danger at every turn, Tareq must find the resilience and courage to complete his harrowing journey.But while this is one family's story, it is also the timeless tale of all wars, of all tragedy, and of all strife. When you are a refugee, success is outliving your loss.

    Morris Award finalist Jessie Ann Foley comes the story of one girl’s battle to define herself as something other than her reputation.Mia is officially a Troubled Teen—she gets bad grades, drinks too much, and has probably gone too far with too many guys. But she doesn’t realize how out of control her parents think she is until they send her away to Red Oak Academy, a therapeutic boarding school in rural Minnesota.While there, Mia starts confronting her painful past, and questions the purpose of Red Oak. After all, if the Red Oak girls were boys, they never would have been treated the way that they are. Amidst the revelations that cause her to question the way that society treats young women, circumstances outside of her control force Mia to discover what happens when she makes herself vulnerable enough to be truly seen by the rest of the world.

    When Stacey levels charges against four of Kate’s classmates, the whole town erupts into controversy. Facts that can’t be ignored begin to surface, and every answer Kate finds leads back to the same question: Where was Ben when a terrible crime was committed?This story—inspired by real events—from debut novelist Aaron Hartzler takes an unflinching look at silence as a form of complicity. It’s a book about the high stakes of speaking up, and the razor thin line between guilt and innocence that so often gets blurred, one hundred and forty characters at a time.

    I tell him stories. About the Jellicoe School and the Townies and the Cadets from a school in Sydney. I tell him about the war between us for territory. And I tell him about Hannah, who lives in the unfinished house by the river. Hannah, who is too young to be hiding away from the world. Hannah, who found me on the Jellicoe Road six years ago.Taylor is leader of the boarders at the Jellicoe School. She has to keep the upper hand in the territory wars and deal with Jonah Griggs—the enigmatic leader of the cadets, and someone she thought she would never see again.And now Hannah, the person Taylor had come to rely on, has disappeared. Taylor's only clue is a manuscript about five kids who lived in Jellicoe eighteen years ago. She needs to find out more, but this means confronting her own story, making sense of her strange, recurring dream, and finding her mother—who abandoned her on the Jellicoe Road.The moving, joyous and brilliantly compelling new novel from the best-selling, multi-award-winning author of Looking for Alibrandi and Saving Francesca.