Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed and experienced.

    After the Jews in their town are rounded up, Roza and her five-year-old daughter, Shira, spend day and night hidden in a farmer's barn. Forbidden from making a sound, only the yellow bird from her mother's stories can sing the melodies Shira composes in her head.Roza does all she can to take care of Shira and shield her from the horrors of the outside world. They play silent games and invent their own sign language. But then the day comes when their haven is no longer safe, and Roza must face an impossible choice: whether to keep her daughter close by her side, or give her the chance to survive by letting her go . . . The Yellow Bird Sings is a powerfully gripping and deeply moving novel about the unbreakable bond between parent and child and the triumph of humanity and hope in even the darkest circumstances.

    A national best-seller in both hardcover and paperback, it introduces the engrossing saga of a Muslim family in Cairo during Egypt's occupation by British forces in the early 1900s.

    Vollmann turns his trenchant eye to the authoritarian cultures of Germany and the USSR in the twentieth century. Assembling a composite portrait of these two warring leviathans and the terrible age they defined, the narrative intertwines experiences both real and fictional—a young German who joins the SS to expose its crimes, two generals who collaborate with the enemy for different reasons, the Soviet composer Dmitri Shostakovich laboring under Stalinist oppression. Through these and other lives, Vollmann offers a daring and mesmerizing perspective on human actions during wartime.

    . . until now.What if there was a town that history missed?For decades, the tiny Jewish shtetl of Kreskol existed in happy isolation, virtually untouched and unchanged. Spared by the Holocaust and the Cold War, its residents enjoyed remarkable peace. It missed out on cars, and electricity, and the internet, and indoor plumbing. But when a marriage dispute spins out of control, the whole town comes crashing into the twenty-first century.Pesha Lindauer, who has just suffered an ugly, acrimonious divorce, suddenly disappears. A day later, her husband goes after her, setting off a panic among the town elders. They send a woefully unprepared outcast named Yankel Lewinkopf out into the wider world to alert the Polish authorities. Venturing beyond the remote safety of Kreskol, Yankel is confronted by the beauty and the ravages of the modern-day outside world – and his reception is met with a confusing mix of disbelief, condescension, and unexpected kindness. When the truth eventually surfaces, his story and the existence of Kreskol make headlines nationwide. Returning Yankel to Kreskol, the Polish government plans to reintegrate the town that time forgot. Yet in doing so, the devious origins of its disappearance come to the light. And what has become of the mystery of Pesha and her former husband? Divided between those embracing change and those clinging to its old world ways, the people of Kreskol will have to find a way to come together . . .  or risk their village disappearing for good.

    Investigating the strange ways in which love, in spite of everything - time, war, betrayal - can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic now shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    She is a romantic idealistic in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct laid bare to experience. For her, this is a time of solitary reading daydreams, dancing -- and the first disturbing encounters with sex. The first of Doris Lessing's timeless Children of Violence novels, Martha Quest is an endearing masterpiece.

    Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

    Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author. Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the lost love who, sixty years ago in Poland, inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives...

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    In months Europe will be Hitler's, and Badenheim, a resort town vaguely in the orbit of Vienna, is preparing for its annual summer season. Soon the vacationers arrive, as they always have, a sample of Jewish middle-class life. The story unfolds as a matter-of-factly as a Chekhov play, its characters so deeply held by their defensive trivia that they manage to misconstrue every signal of their fate, until these signals take on the lineaments of disaster."The writing flows seamlessly...a small masterpiece." Irving Howe, NEW YORK TIMES BOOK REVIEW"As real as Kafka's unnamed Prague...imbued with a Watteau-like melancholy." Gabriel Annan, NEW YORK REVIEW OF BOOKS"Magical...gliding from a kind of romantic realism into universal allegory." Peter Prescott, NEWSWEEK"The sorcery of Badenheim 1939 [lies in] the success with which the author has concocted a drab narrative involving rather ordinary characters and made their experienced profoundly symbolic yet never hollow." Christopher Lehmann-Haupt, NEW YORK TIMES

    First published in 1930, Hesse's novel remains a moving and pointed exploration of the conflict between the life of the spirit and the life of the flesh. It is a theme that transcends all time.

    This new translation—published in two elegant volumes—is the first to present Musil's complete text, including material that remained unpublished during his lifetime.

    Full of seedy noir atmospherics and boasting an air of generalized delirium, the book starts by introducing us to a nameless young German who has just arrived in America, where he hopes to get over the collapse of his marriage. No sooner has he arrived however, than he discovers that his ex-wife is pursuing him. He flees, she follows, and soon the couple is running circles around each other across the length of America—from Philadelphia to St. Louis to the Arizona desert, and from Portland, Oregon, to L.A. Is it love or vengeance that they want from each other? Everything’s spectacularly unclear in a book that is travelogue, suspense story, domestic comedy, and Western showdown, with a totally unexpected Hollywood twist at the end. Above all, Short Letter, Long Farewell is a love letter to America, its landscapes and popular culture, the invitation and the threat of its newness and wildness and emptiness, with the promise of a new life—or the corpse of an old one—lying just around the corner.