But that’s before a shocking phone call — and a horrifying allegation — about her rugby-star brother changes everything. With irreverent humor and surprising gravity, Carolyn Mackler creates an endearingly blunt heroine who speaks to every teen who struggles with family expectations, and proves that the most impressive achievement is to be true to yourself.

    His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment he, his mother, and sister fled Iran in the middle of the night, stretching all the way back to family tales set in the jasmine-scented city of Isfahan, the palaces of semi-ancient kings, and even the land of stories.We bounce between a school bus of kids armed with paper clip missiles and spitballs, to the heroines and heroes of Kosrou's family's past, who ate pastries that made them weep, and touched carpets woven with precious gems.Like Scheherazade in a hostile classroom, author Daniel Nayeri weaves a tale of Khosrou trying to save his own life: to stake his claim to the truth. And it is (a true story).It is Daniel's.

    And all because of the stupid war. But Delderton Hall is a far more" "unusual and " interesting" place than Tally ever imagined, and she soon falls in love with its eccentric staff and pupils. Now she's even organizing an exciting school trip to the kingdom of Bergania . . . although Tally never expected to meet the "prince."Prince Karil hates his life at the palace and he is only truly happy when he escapes to the dragonfly pool, a remote spot in the forests of Bergania. Then Karil meets a feisty English girl who brings the promise of adventure. But his country is under threat, and the prince soon looks to his new friend Tally for survival as well as friendship . . .

    Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day.Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.

    I'm not the only kid who lives here. There's my sister, Natalie, except she doesn't count. And there are twenty-three other kids who live on the island because their dads work as guards or cook's or doctors or electricians for the prison, like my dad does. Plus, there are a ton of murderers, rapists, hit men, con men, stickup men, embezzlers, connivers, burglars, kidnappers and maybe even an innocent man or two, though I doubt it. The convicts we have are the kind other prisons don't want. I never knew prisons could be picky, but I guess they can. You get to Alcatraz by being the worst of the worst. Unless you're me. I came here because my mother said I had to.

    As it moves from one labor camp to the next, the little family of four grows into ten. Impermanence and poverty define their lives. But with faith, hope, and back-breaking work, the family endures.

    As part of a neo-Nazi gang in her town, she's finally found a sense of belonging. But when she's critically injured in an accident, everything changes.Somehow, in her mind, she has become Chana, a Jewish girl fighting for her own life in the ghettos and concentration camps of World War II.Han Nolan offers powerful insight into one young woman's survival through the Holocaust and another's journey out of hatred and self-loathing.Reader's guide and an interview with the author included.

    But, D. J. can’t help admitting, maybe he’s right. When you don’t talk, there’s a lot of stuff that ends up not getting said.Stuff like why her best friend, Amber, isn’t so friendly anymore. Or why her little brother, Curtis, never opens his mouth. Why her mom has two jobs and a big secret. Why her college-football-star brothers won’t even call home. Why her dad would go ballistic if she tried out for the high school football team herself. And why Brian is so, so out of her league. When you don’t talk, there’s a lot of stuff that ends up not getting said.Welcome to the summer that fifteen-year-old D. J. Schwenk of Red Bend, Wisconsin, learns to talk, and ends up having an awful lot of stuff to say.

    But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a feisty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his Utopian town. As one obituary leads to another, Jack is launched on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

    His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton’s uncle is old, blind, very sick, and very rich. But Alton’s parents aren’t the only ones trying to worm their way into Lester Trapp’s good graces. They’re in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life. Through Alton’s wry observations, Louis Sachar explores the disparity between what you know and what you think you know. With his incomparable flair and inventiveness, he examines the elusive differences between perception and reality—and inspires readers to think and think again.

    His mother refused to look at her son, let alone bring him home. But home he went, to a life that, against the odds, was filled with joy, optimism and boyhood naughtiness.Home for the Hoges was a bayside suburb of Brisbane. Robert's parents, Mary and Vince, knew that his life would be difficult, but they were determined to give him a typical Australian childhood. So along with the regular, gruelling and often dangerous operations that made medical history and gradually improved Robert's life, there were bad haircuts, visits to the local pool, school camps and dreams of summer sports.Ugly is Robert's account of his life, from the time of his birth to the arrival of his own daughter. It is a story of how the love and support of his family helped him to overcome incredible hardships. It is also the story of an extraordinary person living an ordinary life, which is perhaps his greatest achievement of all.(Featured on the ABC's Australian Story program, 16 September 2013. http://www.abc.net.au/austory/content...)

    Full of hope and courage, she leaves home forever. But Koly's story takes a terrible turn when in the wake of the ceremony, she discovers she's been horribly misled about exactly what she is marrying into. Her future, it would seem, is lost. Yet this rare young woman, bewildered and brave, sets out to forge her own exceptional future.

    Besides being homesick for her father and Connecticut, she isn't sophisticated like the other girls, and discussions about boys leave her tongue-tied. Her happiest times are spent apart from the others, sketching or wandering in the mountains.But the day she's out walking alone and meets a French boy, Paul, things change for Flip. As their relationship grows, so does her self-confidence. Despite her newfound happiness, there are times when Paul seems a stranger to her. And since dating is forbidden except to seniors, their romance must remain a secret. With so many new feelings and obstacles to overcome in her present, can Flip help Paul to confront his troubled past and find a future?

    So here's mine: My name is Fiona Loomis. I was born on August 11, 1977. I am recording this message on the morning of October 13, 1989. Today I am thirteen years old. Not a day older. Not a day younger."Fiona Loomis is Alice, back from Wonderland. She is Lucy, returned from Narnia. She is Coraline, home from the Other World. She is the girl we read about in storybooks, but here's the difference: She is real.Twelve-year-old Alistair Cleary is her neighbor in a town where everyone knows each other. One afternoon, Fiona shows up at Alistair's doorstep with a strange proposition. She wants him to write her biography. What begins as an odd vanity project gradually turns into a frightening glimpse into a clearly troubled mind. For Fiona tells Alistair a secret. In her basement there's a gateway and it leads to the magical world of Aquavania, the place where stories are born. In Aquavania, there's a creature called the Riverman and he's stealing the souls of children. Fiona's soul could be next.Alistair has a choice. He can believe her, or he can believe something else...something even more terrifying.

    . . Sara Louise Bradshaw is sick and tired of her beautiful twin Caroline. Ever since they were born, Caroline has been the pretty one, the talented one, the better sister. Even now, Caroline seems to take everything: Louise's friends, their parents' love, her dreams for the future.For once in her life, Louise wants to be the special one. But in order to do that, she must first figure out who she is . . . and find a way to make a place for herself outside her sister's shadow.