A warm wind stirred, carrying with it the faint smell of pies and horses, and the man paused for just a moment before he sat down. Benny Miller would have driven right past him in her station wagon on that bright and brimming day.'On the first day of summer in 1993, two strangers arrive in the town of Cedar Valley. One is a calm looking man in a brown suit. He makes his way down the main street and walks directly to Cedar Valley Curios & Oldwares, sitting down on the footpath, where he leans silently against the big glass window for hours.The other is 21-year-old Benny Miller. Fresh out of university, Benny has come to Cedar Valley in search of information about her mother, Vivian, who has recently died. Vivian's mysterious old friend, Odette Fisher, has offered Benny her modest pale green cottage for as long as she wants it.Is there any connection between the man on the pavement and Benny's quest to learn more about her mother? Holly Throsby is the perfect guide as Cedar Valley and its inhabitants slowly reveal their secrets.

    But when Ana returns to look for it, the body is gone.Death Leaves the Station brings the cosy country-house intrigue of crime fiction's golden age to the Australian wheatbelt, and was written for fans of classic mystery and crime fiction.

    Smoker, drinker, ex-boxer. And private investigator.The Dying Trade not only introduces a sleuth who has become an enduring Australian literary legend—the antihero of thirty-seven thrillers—but it is also a long love letter to the seamy side of Sydney itself.

    An elderly couple commit suicide on the terrace of their favorite café. An unidentified white male is stabbed to death in the street.For Sydney homicide detective Harry Belltree, not long out of the military and a grueling tour of Afghanistan, these three deaths appear to be just another day at the office. Until, that is, he identifies the stabbing victim as his own brother-in-law Greg, and journalist Kelly Pool suggests there's a link between the three incidents. It seems Greg and the old couple had ties to the same man, a corrupt money man with a murky past and friends in both high places and low.Harry Belltree can't get officially involved in Greg's murder, but he's not going to leave it in the hands of others. That's when he goes off-grid to investigate the links between these deaths. That's when things start to get dangerous.

    A young African boy, the son of one of her clients, has been murdered in a dingy back alley. Stella, in her forties and running low on empathy, heads into the night to comfort the grieving mother. But when she gets there, she makes a discovery that has the potential to uncover something terrible from her past — something she thought she'd gotten away with.Then Stella's neighbour Tania mysteriously vanishes. When Stella learns that Tania is the heir to a billion-dollar mining empire, Stella realises her glamorous young friend might have had more up her sleeve than just a perfectly toned arm. Who is behind her disappearance?Enlisting the help of her friend, Senior Constable Phuong Nguyen, Stella's investigation draws her further and further into a dark world of drug dealers, sociopaths, and killers, such as the enigmatic Mr Funsail, whose name makes even hardened criminals run for cover.One thing is clear: Stella needs to find answers fast — before the people she's looking for find her instead.Set in the bustling, multicultural innerwest of Melbourne, Good Money reveals a daring and exciting new voice in Australian crime fiction.

    The year is 1929. The Great War with Germany has been fought and won, but at an immense cost to the small community.Death is too familiar here. So many sons were lost. So many daughters would never be wives; so many grandchildren would never be born.Racial hatred is like a bushfire in the belly of some. And the dead girl is found only yards from the property of old Joe Reichenberg, a German. Tom Thompson, the local cop, lost his two sons in Gallipoli. He believes he has come to terms with his bereavement - until that Sunday.Slowly, the true face of Molliston is exposed. By midnight, a full moon is offering its light - and a glimmer of hope.

    He just had to pretend.'It's winter in Melbourne and Detective Emmett Corban is starting to regret his promotion to head of the Missing Persons Unit, as the routine reports pile up on his desk.So when Natale Gibson goes missing, he's convinced this is the big case he's been waiting for - the woman's husband and parents insist the devoted mother would never abandon her children, and her personal accounts remain untouched.But things aren't all they seem. The close-knit Italian family is keeping secrets - none bigger than the one Natale has been hiding.Just as the net seems to be tightening, the investigation is turned on its head. The body of a woman is found . . . then another.What had seemed like a standard missing person's case has turned into a frightening hunt for a serial killer, and time is running out.But to really understand these shocking crimes, Emmett and his team will need to delve back through decades of neglect - back to a squalid inner-city flat, where a young boy is left huddling over his mother's body . . .

    Sammi is a cop. And she refuses to be his victim.

    Alex buys the painting and sets out to uncover more details, but finds there are strange inconsistencies: Molly's mother seemed unconcerned by her daughter's violent death, the main suspect was never brought to trial despite compelling evidence, and vital records are missing. Alex enlists the help of her close friend, art conservator John Porter, and together they sift through the clues and deceptions that swirl around the last days of Molly Dean.