Brought up by a harsh and stingy aunt and uncle in New York City after the death of his parents, young Andrew dreams of life as an artist in Paris. He has talent enough but lacks the resources to bring his dream to fruition. When a friend arranges for him to work as tutor to the son of a wealthy patron of the arts, Andrew sees a chance to make his dream come true and boards a train heading up the Atlantic coast. His destination is the estate called Seacliff, where he'll tutor his new charge and save his pay to make the life he dreams of possible. But danger lurks everywhere and nothing is quite as easy as it seems.Seacliff: A dark and brooding cliff-top mansion enshrouded in near-eternal fog, dark mystery, and suspicion - perhaps a reflection of the house's master. An imposing Blackbeard of a man, Duncan Stewart is both feared and admired by his business associates as well as the people he calls friends. And his home, in which young Andrew must now reside, holds terrible secrets, secrets that could destroy everyone within its walls.

    Unfortunately, putting the men in the same room could be nearly as dangerous as the reactor: Derek's out and proud, gruff, and occasionally obnoxious; Sambit is closeted, quiet, and reserved. Faced with isolation, ungodly living conditions, and the very real possibility of acute radiation sickness, they race against time to stabilize the reactor. But the attraction growing between them may be beyond their control. On the surface, Derek and Sambit have nothing in common. They live in separate cities, come from disparate cultures, and have trouble just getting along, never mind navigating a relationship. All they have to hold them together is a few isolated weeks of trying to save the world, or at least the environment. Sambit is convinced the end of the assignment will be the end for them as well-and despite their many differences, he's beginning to wonder how he'll survive the fallout once Derek leaves him behind.

    He’s on the corporate fast track as an executive problem solver, yet he can’t help feeling hollow. Yearning for a life spent outdoors makes no sense if he wants to flourish in this city, nor does losing his cool with clients when they make bad decisions. Only leaving the East Coast behind for three months can save his business reputation. His exile in Seattle has unexpected upsides. Jon’s rented home has a garden where his true passions blossom. It’s overgrown yet idyllic—perfect if he didn’t have to share it with another tenant. Tyler might be as cute as hell, and their landlady adores him, but Jon can’t let himself fall for someone who seems lazy. Three months could be enough time to see Tyler clearly, but choosing which to nurture long-term—love or a business career—might take Jon longer than one summer.

    Clark is harassed daily at school for his effeminate behavior and appearance. He has no friends and a brother that is as likely to be on the teasing as to prevent it. When Clark is offered a job babysitting for the Pirella family, it seems like a godsend. The money is good. He bonds with the girls almost instantly. The father, Tony, works in computer security. Tony and Clark strike up a friendship based on a mutual love of computers and hacking. As Tony becomes aware of Clark's transsexuality and his growing feminine alter ego, Clarissa, things become incredibly complicated. Will Tony be Clarissa's salvation, or her undoing?

    Sensing a potential time bomb, and with Mucklewrath creating great pressure, the police brass assign the case to Detective Paul Turner whom they trust with sensitive matters. During their investigation, Turner and his partner discover that other right-wing bigots have been suffering odd attacks, and they begin to suspect a conspiracy of vengeance, perhaps even from the gay community. This is an uncomfortable thought for Turner, who is himself gay, but when Turner is attacked and his two sons threatened, he has to enlist the help of people in his close-knit neighborhood, as well as his contacts in the gay world, to find the solution in time.

    She has grown up with her older half-brother Danny and his boyfriend Nick in the east end of London. Now the area is threatened by a bomber who has been leaving explosive devices in supermarkets. It is only a matter of time before a bomb goes off. Against this increasingly fearful backdrop, Alena seeks to discover more about her past, while Danny takes a job working for a controversial politician. As her family life implodes, and the threat to Londoners mounts, Alena starts getting into trouble. Then she does something truly rebellious.

    and when Glen proposes, hijinks ensue. Follow the guys on their world-spanning adventure as they defeat mobsters, an evil step-mother, a rakish brother-in-law and pirates. No, really -- pirates! Plus there's an underground super-base. And hockey. Come for the romance, stay for the hockey.

    A romance springs to life as two strangers merge with a common goal: to catch a killer they suspect occupies one of the apartments across the courtyard. But their romance must hurdle the main protagonist's suffocating, unresolved demons as well as encroaching, life threatening danger. But if they make it through, they can both bring life back to their lives.

    Meet 'Bob the Book, ' a gay book for sale in a Greenwich Village bookstore, where he falls in love with another book, Moishe. But an unlikely customer separates the young lovers. As Bob wends his way through used book bins, paper bags, knapsacks, and lecture halls, hoping to be reunited with Moishe, he meets a variety of characters, both book and human, including Angela, a widowed copy of Jane Austen's Mansfield Park, and two other separated lovers, Neil and Jerry, near victims of a book burning. Among their owners are Alfred and Duane, whose on-again, off-again relationship unites and separates our book friends. Will Bob find Moishe? Will Jerry and Neil be reunited? Will Alfred and Duane make it work? Read 'Bob the Book' to find all the answers...

    Chris sometimes feels more like a maid than part of the family. But when Chris’s stepsister Kimberly begins dating golden boy J. J. Kennerly, heir to a political dynasty, everything changes. Because Chris and J. J. fall in love . . . with each other.With the help of a new friend, Coco Chanel Jones, Chris learns to be comfortable in his own skin, let himself fall in love and be loved, and discovers that maybe he was wrong about his step-family all along. All it takes is one fairy godmother dressed as Diana Ross to change the course of his life.My Fairy Godmother is a Drag Queen is a Cinderella retelling for the modern reader. The novel expertly balances issues like sexuality, family and financial troubles, and self-discovery with more lighthearted moments like how one rogue shoe can launch a secret, whirlwind romance and a chance meeting with a drag queen can spark magic and light in a once dark reality.

    The first is of Ritwik’s; a story of a young man’s escape from a blighted childhood of squalor and abuse in Calcutta to the edge of what he considers to be a new world, full of possibilities, in England, where he has a chance to start all over again. But his past, especially the scarred, all-consuming relationship with his mother, is a minefield: will Ritwik find the salvation he is looking for? Could it arrive in the form of the second story that comprises the novel, the one he is writing himself, the story of an Englishwoman in the old world of Bengal on the eve of India’s first partition? Or could it be in the figure of the eighty-six-year-old Anne Cameron, fragile and damaged, who gives shelter to Ritwik in London in exchange of the care that she needs? And then one night, in the badlands of King’s Cross, Ritwik meets the suave, unfathomable Zafar bin Hashm. As present and past of several lives collide, Ritwik’s own goes into free fall. Set in India during the 1970s and ’80s, in England in the ’90s and in Raj Bengal in the 1900s, this award-winning first novel from one of India’s most acclaimed new writers is about dislocation and alienation, outsiders and losers, the tenuous and unconscious intersections of lives and histories, and the consolations of storytelling. Unsentimental yet full of compassion, and written with unrelenting honesty, this scalding debut marks a new turning point in writing from and of the Subcontinent.

    When one stupid word heard by the wrong ears sends the captain of the baseball team’s life into chaos, his plan to get out of trouble involves the one kid who seems to hate him.Ryan just wants to have some fun at the jock’s expense. He won’t be stupid enough to fall for the gorgeous blonde with green eyes, dimples and impressive arm muscles from pitching. Okay, he might like to look, but it’s difficult being the only gay kid in a small town.Relationships are never easy, especially when both people want different things. Ryan wants a boyfriend who wants him back. Luke wants things to start making sense again. But what if they both wanted the same thing? What if they want each other?Could one terrible word lead to something great?One Little Word is an LGBT teen fiction book for anybody who loves fun romantic comedies, fake boyfriends and silly situations, enemies becoming friends and opposites who attract. This gay romance novel also includes a ridiculous amount of hand holding. This is the first book in a series, though this novel can stand alone.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    old boy named Tyler Morris, who auditions for a student film to win the heart of Billy Greske, the school's celebrity thespian. The plan seems promising until Tyler’s bipolar best friend Jenny offers love advice and a local skater takes interest in Tyler as well. Furthering complications, Tyler's estranged mother, a clairvoyant circus clown, returns home to win back the love of her family.