From there, in this mesmerizing, provocative debut, Evie remembers and reckons with her complicated upbringing in this lush, wild land off the coast of Southern California.  Evie grew up with her well-meaning but negligent father, surviving on the money he made dealing the island’s world-famous strain of marijuana, Winter Wonderland. Although he raised her with a deep respect for the elements, the sea, and the creatures living within it, he also left her to parent herself. With wit, love, and bracing  ashes of anger, Creatures probes the complexities of love and abandonment, guilt and forgiveness, betrayal and grief—and the ways in which our ability to love can be threatened if we are not brave enough to conquer the past.  Lyrical, darkly funny, and ultimately cathartic, Creatures exerts a pull as strong as the tides.

    Here again she mines the territory of the small town of Zebulon, Mississippi, where even the most seemingly ordinary folks harbor well-disguised heartaches and intricate secrets. Thirteen-year-old Layla Jay was only pretending when she knelt before the preacher to seek salvation. She was hoping to make her grandma happy and get noticed by the cute new boy in town. But religion truly piques her interest when a young, handsome visiting preacher stays at her family’s home. Wallace seems genuinely interested in Layla Jay’s life–until he meets her mama and falls head over heels, like many men have before him. When Wallace marries Frieda, Layla Jay believes she will finally have the father she’s always wanted. But it seems that none of her dreams will come true as Layla Jay wrestles with her mother’s reckless ways, her unsavory stepfather, a best friend’s betrayal, and the longing for love’s first kiss. Yet everything pales in comparison to what happens next as Layla Jay is forced to tell a lie to save her mother’s world from crashing down.

    Despite her successful career, she leads a sheltered life and languishes in the shadow of her twin brother Andy, an accomplished climate scientist stationed on a remote island off Greenland’s barren coast. But Andy is gone: a victim of suicide, having willfully ventured unprotected into 50 degree below zero weather. Val is inconsolable—and disbelieving. She suspects foul play. When Wyatt, Andy’s fellow researcher in the Arctic, discovers a scientific impossibility­—a young girl frozen in the ice who thaws out alive, speaking a language no one understands—Val is his first call. Will she travel to the frozen North and meet this girl, try to comprehend what she is so passionately trying to communicate? Under the auspices of helping Wyatt interpret the girl’s speech, Val musters every ounce of her courage and journeys to the Artic to solve the mystery of her brother’s death. The moment she steps off the plane, her fear threatens to overwhelm her. The landscape is fierce, and Wyatt, brilliant but difficult, is an enigma. But the girl is special, and Val’s connection with her is profound. Only something is terribly wrong; the child is sick, maybe dying, and the key to saving her lies in discovering the truth about Wyatt’s research. Can his data be trusted? And does it have anything to do with how and why Val’s brother died? With time running out, Val embarks on an incredible frozen odyssey—led by the unlikeliest of guides—to rescue the new family she has found in the most unexpected of places.

    - The author herself was diagnosed with MS 21 years ago and authentically and beautifully captures the thoughts and emotions of a vibrant woman navigating a new reality.- Comparable to Jan Karon's bestselling Mitford series, A SUNDOG MOMENT is brimming with insight and wisdom for everyone--no matter what their experience or point of view.- Sharon Baldacci has written for "The Herald-Progress and "Richmond Magazine, among others, and has won awards from the Virginia Press Association and the Virginia Press Women, of which she is a member.

    I’m thirty-six years old. It’s September. I know what I’m doing and why I am here…for now.Ten years ago, Claire Hines lost her unborn child—and her short-term memory—following a heartrending tragedy. With notebooks, calendars, to-do lists, fractured pieces of the past, and her father’s support, Claire makes it through each day, hour by hour, with relative confidence. She also has a close-knit community of friends in the remote Alaskan town where she teaches guitar to the local children. It’s there, in the reminders.As determined as Claire is to regain all that’s disappeared, she’d prefer to live without some memories of her before life—especially those of her mother, Alice, who abandoned her, and Tate, the ex-boyfriend who broke her heart.But when Alice and Tate return from the past, there’ll be so much more for Claire to relive. And to discover for the very first time. Through healing, forgiveness, and second chances, Claire may realize that what’s most important might not be re-creating the person she was, but embracing the possibilities of being the person she is.

    When a violent storm leaves Sarah and her daughter stranded, Sarah finds herself tortured by the past—what really happened on that fateful day one of her daughters died?

    One is reliving the abandonment of his mother and the death of his little sister. The next has a grandmother suffering from Alzheimer's. The third is the daughter of constantly warring parents. Their worlds collide at the annual fair.

    This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life.

    Unfortunately, her father disagrees and comes up with an ingenious plan. To curb the love life of his youngest, Robert Morgan proclaims that neither of his younger daughters can marry until Maddie does. This causes a stir and a generous pot is set up for whoever can take Maddie off the market.Aghast at being hounded by sweaty bachelors anxious to win the pot and her hand, Maddie turns to her brother for help. Her brother's solution is to spread the story that Maddie was pining away for the love of her life, Evan Montgomery, who left for the war and has never returned. Things go from bad to worse when the ladies in town, struck by the romance of long lost love, demand that Maddie's father rescind his proclamation and that the mayor give Maddie the deed to the dilapidated Montgomery ranch.When Maddie protests that her brother has gone too far, he replies with a shrug and the carefree statement that she needn't worry because after eight years, it's unlikely that any Montgomery would show up.As luck would have it, two years later Trevor Montgomery returns home to find a beautiful stranger living there, claiming to be his brother's fiancé. A fiancé Trevor wishes were his own. Torn between his loyalty to his brother and the love in his own heart, Trevor works to uncover the truth behind the woman who has stolen more than his family home.

    One escapes unharmed, another suffers severe brain damage. A year later, summoned by the memories of those closest to them, the three that died come back on a last chilling mission among the living. A strange and unsettling ghost story in the tradition of Ray Bradbury and Shirley Jackson, "The Night Country" creeps through the leaf-strewn streets and quiet cul-de-sacs of one bedroom community, reaching into the desperately connected yet isolated lives of three people changed forever by the accident: Tim, who survived yet lost everything; Brooks, the cop whose guilty secret has destroyed his life; and Kyle's mom, trying to love the new son the doctors returned to her. As the day wanes and darkness falls, one of them puts a terrible plan into effect, and they find themselves caught in a collision of need and desire, watched over by the knowing ghosts.

    And when a cute pug named Potato is brought in to Orphan Paws, the shelter where she volunteers, she knows he is the dog she's been waiting for. There's just one problem: Eric Chung -- a popular, arrogant boy from school -- adopts Potato first. What's worse, he hopes to train the little tater to become a show-dog superstar. Cecilia knows that Potato is not cut out for a life of sparkly collars and snobby judges, so she sets out to sabotage Eric's plans.But the more time Cecilia spends with Potato and Eric, the more she questions everything she thought she knew about dog shows ... and a certain cute show-dog trainer. Can Cecilia save Potato -- while also listening to her heart?

    In such a dangerous landscape it can only be a terrible tragedy, surely...When another child goes missing, and then a third, it’s no longer possible to believe that their deaths were accidental, and the villagers must admit that there is a murderer among them. Even Catrin Quinn, a damaged woman living a reclusive life after the accidental deaths of her own two sons a few years ago, gets involved in the searches and the speculation.And suddenly, in this wild and beautiful place that generations have called home, no one feels safe and the hysteria begins to rise.But three islanders—Catrin, her childhood best friend, Rachel, and her ex-lover Callum—are hiding terrible secrets. And they have two things in common: all three of them are grieving, and none of them trust anyone, not even themselves.

    All they want for Christmas is a different life. When chef Charlie Goodwin gets hit on the head on the L.A. set of her reality baking show, she loses a lot more than consciousness; she also loses her ability to taste and smell--both critical to her success as show judge. Meanwhile, Charlie's identical twin, Cass, is frantically trying to hold her own life together back in their quaint mountain hometown while running the family's bustling bakery and dealing with her ex, who won't get the memo that they're over. With only days until Christmas, a desperate Charlie asks Cass to do something they haven't done since they were kids: switch places. Looking for her own escape from reality, Cass agrees. But temporarily trading lives proves more complicated than they imagined, especially when rugged firefighter Jake Greenman and gorgeous physician's assistant Miguel Rodriguez are thrown into the mix. Will the twins' identity swap be a recipe for disaster, or does it have all the right ingredients for getting their lives back on track?

    While she's packing her possessions, she finds a clue to the whereabouts of her twin sister, who disappeared from the little-known Jewish mecca of Boyle Heights on the eve of WWII when the girls were eighteen. Plunging back into memories of her childhood and the momentous historical facts that impacted her family, Elaine recalls her family's stories-those from the Old Country, and tales of immigration travails, and the heartache of being the "smart" one of the twins instead of the "popular" one.In an utterly unforgettable, salty voice, Elaine revives the memories of growing up with her twin sister Barbara, her parents, her Zayde, her aunts and her younger sisters as the Greensteins bear the disappointments, heartbreaks, and fallout from the immigrant baggage that they have been unable to shed despite settling in southern California-the land of sunshine and opportunity, fig trees and equality.Janice Steinberg's novel is not only about the stories that make up our family histories, but also about those we tell ourselves in order to believe in who we've made ourselves out to be.

    She just jumped in her car, abandoned her (very nice) house in north London and kept on driving until she reached the Norfolk coast. Now she's rented a tiny cottage and holed herself away there, if only to escape the ceaseless sympathy and insincere concern. She's not quite sure, but thinks she may be having a bit of a breakdown. Or perhaps this sense of dislocation is perfectly normal in the circumstances. All she knows is that she can't sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect. That it was, in fact, full of frustration and disappointment, as well as one or two significant secrets, and that by running away to this particular village she might actually be making her own personal pilgrimage. By turns elegiac and highly comical, The Widow's Tale conjures up this most defiantly unapologetic of narrators as she begins to pick over the wreckage of her life and decide what has real value and what she should leave behind.