In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    Selby's second novel is a claustrophobic descent into the tormented soul of a man trapped in a loveless society.

    But then he slips--he meets a young "model" and begins an affair. One night he arrives at his girlfriend's apartment and finds more than he bargained for. Two masked men have caught his misdemeanors on camera and now they want a cool hundred grand. But they've picked the wrong man, because Harry Mitchell doesn't get mad--he gets even.

    Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner.  She wants Burke to find a monster for her—so she can kill him with her bare hands.In this cauterizing thriller, Andrew Vachss's renegade investigator teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.  Fearfully knowing, crackling with narrative tension, and written in prose as forceful as a hollow-point slug, Flood is Burke at his deadliest—and Vachss at the peak of his form.

    . .  A boy literally disappears from Main Street.  A security camera captures the moment of his instant, inexplicable vanishing. An audacious bank robbery goes seriously wrong: four cops are gunned down; a TV news helicopter is shot and spins crazily out of the sky, triggering a disastrous cascade of events that ricochet across twenty different lives over the course of just thirty-six hours.Nick Kavanaugh, a cop with a dark side, investigates. Soon he and his wife, Kate, a distinguished lawyer from an old Niceville family, find themselves struggling to make sense not only of the disappearance and the robbery but also of a shadow world, where time has a different rhythm and where justice is elusive.  . . .Something is wrong in Niceville, where evil lives far longer than men do.Compulsively readable, and populated with characters who leap off the page, Niceville will draw you in, excite you, amaze you, horrify you, and, when it finally lets you go, make you sorry you have to leave.Read the first thirty-five pages.  Find out why Harlan Coben calls Carsten Stroud the master of “the nerve-jangling thrill ride.”

    She watches, unmoving, as someone dressed in a rabbit costume kidnaps a young girl. Devastated over having done nothing, Rhonda joins the investigation. But the closer she comes to identifying the abductor, the nearer she gets to the troubling truth about another missing child: her best friend, Lizzy, who vanished years before.From the author of the acclaimed Promise Not to Tell comes a chilling and mesmerizing tale of shattered innocence, guilt, and ultimate redemption.

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    Another year, and he'll be out of the department completely. That's the plan, at least, until his niece's body is found in the guest home of one of his city's most wealthy citizens. The coroner calls it an overdose, but the case doesn't add up. Against orders, Ash begins a danger-filled investigation to find his niece's murderer, but the longer he searches, the more entangled he becomes in a case that hits increasingly close to home. If he doesn't solve it fast, his niece won't be the only family member he has to bury.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    Konrath's critically acclaimed thrillers FUZZY NAVEL and CHERRY BOMB...Before the events of Jack Kilborn's and Blake Crouch's #1 Amazon Kindle bestseller SERIAL...Three hunters of humans meet for the ultimate showdown at the TRUCK STOP.Taylor is a recreational killer, with dozens of grisly murders under his belt. He pulls into a busy Wisconsin truck stop at midnight, trolling for the next to die.Chicago Homicide cop Jacqueline "Jack" Daniels is a long way from home, driving to meet her boyfriend for a well-earned vacation. She pulls into the truck stop for a quick cup of coffee and stumbles into her worst nightmare.Jack's no stranger to dealing with psychos, but she's got her hands full trying to stop Taylor. Especially since he's getting help from someone just as deadly; a portly serial maniac named Donaldson...TRUCK STOP is a 15,000 word thriller novella that ties together Konrath's and Kilborn's works, with terrifying results.A prequel to SERIAL, which has been downloaded more than 70,000 times, TRUCK STOP is an eighteen-wheeled ride straight into hell. Not for the faint of heart. Let the reader beware.This ebook also includes an exclusive interview: JA Konrath talks with Jack Kilborn, plus excerpts from their latest books, CHERRY BOMB and AFRAID.Praise for JA Konrath's thriller FUZZY NAVEL:"Fuzzy Navel is Konrath at his best – a hilariously heartstopping thriller." — Linda Fairstein, author of Lethal Legacy"This gripping novel is an adrenalin rush." — Library Journal"This book moves so fast it was like having the words fired into my head by a machine gun." — CrimespreePraise for AFRAID by Jack Kilborn:"AFRAID is a masterpiece of unrelenting horror. And I'm not exaggerating. Masterpiece. It's the best piece of fiction I've read in several years. It simply NEVER lets up." — James Rollins, author of The Doomsday Key"A bloody, terrifying, hurtling assault across a landscape of non-stop mayhem. A guilty, guilty pleasure." — F. Paul Wilson, creator of Repairman Jack“AFRAID is a true page turner, a novel that offers a million mile a minute action and suspense. Definitely, a must have with constant thrills and chills." — Heather Graham, author of Deadly Gift"Never have I read a novel so gruesome and simultaneously relentless. This book throbs with unmitigated, inexorable. sheer friggin’ TERROR. You’ll probably need a shrink when you’re done.” — Edward Lee, author of The Golem"Fast and ferocious, this is a dangerous thriller that will take a bite out of you. An absolute must read for anyone who loves the adrenaline rush of a shocking story told with style, speed and savage grace." — Jonathan Maberry, author of Patient Zero

    As a rookie, he is given a simple suicide investigation to cut his teeth on. But when he arrives at the scene, he swiftly begins to suspect that something is not quite right.Despite the fact that the door was locked from the inside, and there is no other way out of the apartment, Hunter has a hunch that the victim did not commit suicide. But with a new Captain to impress and the evidence stacked against him, Hunter has a lot to prove if he is to solve the case and keep his place on the team.

    At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

    She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

    On his way home from work, some heavily-tattooed gangsters throw him in the back of a car and take him to an abandoned house, where they saw off his friend's head and feed the kid's fingers to...something. Their message is clear: this is their territory, now. But Fernando isn't put down that easily. Using the assistance of a Santeria priestess, an insane Puerto Rican pop sensation, a very human dog, and a Russian hitman, he'll build the courage (and firepower) he'll need to fight a gangbanger who's a bit more than human...