But Indigo is uneasy in the foreign landscape and confused by the family’s silence surrounding her mother’s recent death. Unable to find solace in either new or old faces, she begins to harbour violent suspicions in place of the truth.Steeped in the dry heat of a South African summer, this keen and touching debut seamlessly interweaves the voices of Indigo and her mother, and beautifully captures the human desire to belong: in a family, in a country, in your own skin.

    With searing honesty he describes his conflicting experiences of growing up in a world where innocence was always surrounded by violence. From an early age he found in storytelling the means of reconciling the stark contrasts - between religion and play-acting, between the breathless discovery of a girl called Maureen and the merciless beating of a black boy, between a meeting with a dwarf who lived in a hole in the ground and an encounter with a magician who threatened to teach him what he hadn't bargained for.While living in Paris in the sixties his discovery of a wider artistic life, allied to the exhilaration of the student uprising of 1968, confirmed in him the desire to become a writer. At the same time the tragedy of Sharpeville crystallised his growing political awareness and sparked the decision to return home and oppose the apartheid establishment with all his strength. This resulted in years of harassment by the South African secret police, in censorship, and in fractured relationships with many people close to him. Equally it led to extraordinary friendships sealed by meetings with leaders of the ANC in exile in both Africa and Europe.André Brink tells the story of a life lived in tumultuous times. His long love affair with music, art, the theatre, literature and sport illuminate this memoir as do relationships with remarkable women, among them the poet Ingrid Jonker, who have shared and shaped his life, and encounters with people like Ariel Dorfman, Anna Netrebko, Nadine Gordimer, Günter Grass, Beyers Naudé, Desmond Tutu and Nelson Mandela. Above all, A Fork in the Road is a love song to the country where he was born, and where, despite its recent troubles and tragedies, he still lives.

    Apart from the 'standard' counterinsurgency activities of Fireforce operations, ambushing and patrols, to contact and destroy SWAPO guerrillas, he was involved in several massive South African Defence Force (SADF) conventional cross-border operations, such as Protea, Daisy and Carnation, into Angola to take on FAPLA (Angolan MPLA troops) and their Cuban and Soviet allies. Having grown up as an East Rand rebel street-fighter, Korff's military 'career' is marred with controversy. He is always in trouble--going AWOL on the eve of battle in order to get to the front; facing a court martial for beating up, and reducing to tears, a sergeant-major in front of the troops; fist-fighting with Drug Squad agents; arrested at gunpoint after the grueling seven-week, 700km Recce selection endurance march--are but some of the colorful anecdotes that lace this account of service in the SADF.

    Now, after more than twenty years of ANC rule, he believes the situation has become so critical that the question must be posed again. He moves from an analysis of Jacob Zuma's rule to the increasingly dire state of the South African economy, concluding that the country is heading towards a likely International Monetary Fund bail-out which will in turn lead to a regime change of some kind. Johnson's analysis is strikingly original and cogently argued. He has for several decades now been a senior international commentator on South African affairs, known for his lucid analysis and complete lack of deference towards the conventional wisdom. He writes without fear or favour. This is a book for every South African.

    Yet prejudice and ignorance about the country are widespread. The evolution of the present-day 'Rainbow Nation' has taken place under conditions of sometimes extreme pressure. Since long before the arrival of the first European settlers in the seventeenth century, the country has been home to a complex and uneasily co-existing blend of races and cultures, and successive waves of immigrants have added to the already volatile mixture. Despite the euphoria which greeted the dismantling of the apartheid system and the election as President of Nelson Mandela in April 1994, South Africa's history, racial mix and recent political upheavals suggest it will not easily free itself from the legacy of its tumultuous past. Newly revised and updated, Frank Welsh's vividly written, even-handed and authoritative history casts new light on many of South Africa's most cherished myths. Like his A History of Hong Kong, it will surely come to be regarded as definitive.

    (H.B.) Garlock and some months later his bride, Ruth, traveled to West Africa to bring the gospel to a place known as "the white man's grave."  Before We Kill and Eat You tells the Garlocks' fascinating real-life story of faith and calling in the face of malaria, cannibals and witch doctors.  Readers will be inspired and encouraged by tales, as if taken straight from the book of Acts, of blind men healed and of people raised from the dead.  Though many of their colleagues before them succumbed to death, H.B. and Ruth persevered in the midst of unbelievable hardship to reap an incredible harvest of believers that continues to this day.  RECOVER ONLY

    The Road to Home by Vanessa Del Fabbro released on Mar 29, 2005 is available now for purchase.

    I am familiar with his feelings of emptiness, loneliness, depression, death, omnipotence and fear. I dive deeply to get a grip on his torment..." A profiler who wants to understand the mind of the serial killer must have been prepared by life experiences before he or she can dare to venture into the abyss. A person who has led a protected life will not survive.

    "Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece which tries to make sense of the madness which overtook South Africa during apartheid.

    This new Seminar Study gives the background to the system that made Nelson Mandela a household name.

    Crossing various controversial, amusing and downright confusing racial divides, the title delivers a healthy dose of black – and white – humour as it explores some of the rainbow nation's defining characteristics, its many colourful characters and its myriad mysterious idiosyncrasies.

    In this must-read book about spiritual warfare, the authors show how to achieve spiritual victory through the power, purpose, and strategies of worship.

    There were three of them, followed by screeching tyres and a screaming engine. In a matter of seconds I recalled the conversation I'd had with Mary. She'd been right after all. 'You'll be fine for a few days,' she'd said, 'but after that they'll turn on you. Our cultures are too different. You won't live through it, not just because of the cultural differences, but because of the common crime. Find a home here in the suburbs where you belong.' The three gunshots had been my first, but perhaps for those who'd lived in these streets for years they were only three gunshots among countless others. Who knows? Perhaps three a week, maybe even three a night? Either way, I'd have to get used to them - or leave. Ignoring advice from his white friends, and to the bemusement of his black friends, Steven Otter throws caution to the wind and moves into Khayelitsha, a black township outside Cape Town. The story of his experiences in the uneven spread of shacks and informal housing that are home to more than a million people provides an unusual perspective on and insight into a predominantly Xhosa community and their reaction to an umlungu in their midst. Steven comes to understand his identity as a South African, the true meaning of community and brotherhood, and that some tsotsis are not what they seem. He finds that his preconceived notions of culture and race are called into question and that ubuntu, community and a sense of humour may still thrive alongside poverty and crime.

    She loves her cute son Hintsa, her witty husband Mandla, her comfortably challenging work with the tourism board, and her best friends Nosizwe and Lauren. But she has to admit – its tough being Superwoman in South Africa today. Try being the perfect traditional wife and African mother at home, the perfect promotable black woman at work, and the perfect foil for her Benetton friends one black and Xhosa, one white and English! Thandi admits defeat and decides she needs that great South African bourgeois accessory: a maid. And since she doesnt have the heart to boss about a sister in her own home, she decides it must be a white maid. Marita joining the household seems to disrupt the comfortable space Thandi, Siz and Lauren have settled into. The secrets of the three womens lives are dramatically exposed and they are forced to confront their assumptions about relationships, history and each other.

    After their recoveries the family made the extraordinary decision to stay in Mauritania, to maintain their commitment to the poor in their community, and to forgive the man who had hurt them. Dangerous Love demonstrates how God can use ordinary people, care for them in times of tragedy and heartbreak, and fulfill his own purposes in remarkable ways.