. . Is the rising number of abused women who've gone missing a statistical anomaly? Or is a serial killer targeting this vulnerable group of women? When the Milwaukee Police Department refuses to investigate because no bodies have been discovered, Lisa Rayburn, the clinical psychologist who discovers the anomaly, is drawn into an investigation to discover the cause after one of her own clients goes missing. She finds herself forming an unlikely alliance with a former policewoman turned security consultant, TJ Peacock, and the husbands of two of the missing women who may themselves be murderers. When TJ is attacked, and a woman looking remarkably like Lisa is found murdered, they know . . . someone is willing to kill to protect his secret. Can they reveal the killer before he gets to them?

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    Maybe she’s ready now. Maybe she can trust again. Maybe it's time to let her terrifying secret past go. Then her daughter rescues a boy from drowning and their pictures are all over the news for everyone to see. Lisa's world explodes, and she finds everything she has built threatened. Not knowing whom she can trust, it's up to her to face her past to save what she holds dear.

    Except one person. Someone who knows Aimee very well—and what she’s done. . .When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is—but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows. As she struggles to keep her career and sanity intact, her past comes back to haunt her in ways more dangerous than she could have ever imagined.

    She has everything she’s ever wanted – a career she loves, friends she can rely on and a husband who dotes on her. All she needs is to start a family of her own and things will be even better than good.They’ll be perfect.For Alfie, it couldn’t be more different. His life with Claire is built on a lie. A lot of lies. And she can never find out.Because Alfie has plans for her. Plans which must never come to light. But lies have a way of taking on a life of their own, and when his do, the consequences threaten to destroy everything.For him and Claire.

    Now, he is back, leaving a trail of bloody carnage in his wake. The media has dubbed him Strawberries, and the country is mesmerized. Detective Harry Bland is a broken man, and can’t find a single clue to catch him. It doesn’t help that his mind won’t focus; his heart just isn’t in it anymore. Halfway across the country, Sylvia is in a different state of mind. When she isn’t selling sex to the rich, she is doing her best to disappear. She lives a life of assumed names, one night stands and a constant stream of narcotics. A reporter, two cross-country truckers, an eccentric friend, and a rubber-clad CSI all have their part to play. Get ready for an intense, yet human experience, as their paths come together in a small town you've never heard of. Strawberries has killed again.

    Her antique furniture restoration business is taking off and she’s engaged to a wonderful man. But there’s one big question that still haunts her — who are her birth parents? Sara is finally ready to find out. Sara’s birth mother rejects her—again. Then she discovers her biological father is an infamous killer who’s been hunting women every summer for almost forty years. Sara tries to come to terms with her horrifying parentage — and her fears that she’s inherited more than his looks — with her therapist, Nadine, who we first met in "Still Missing." But soon Sara realizes the only thing worse than finding out your father is a killer is him finding out about you. Some questions are better left unanswered.

    All that’s required is to look pretty and hang on his every word. Sexual favours are optional.Though more than thirty years her senior, Gabe, a handsome corporate finance attorney, seems like the perfect candidate, and within a month, they are madly in love. At least, Nat is…Gabe already has a family, whom he has no intention of leaving.So when he abruptly ends things, Nat can’t let go. She begins drinking heavily and stalking him: watching him at work, spying on his wife, even befriending his daughter, who is not much younger than she is. But Gabe’s not about to let his sugar baby destroy his perfect life. What was supposed to be a mutually beneficial arrangement devolves into a nightmare of deception, obsession, and, when a body is found near Gabe’s posh Upper East Side apartment, murder.

    Y2K is expected to end in chaos: planes falling from the sky, elevators plunging to earth, world markets collapsing. A digital apocalypse. None of that happens. But at a Blockbuster Video in Linden, New Jersey, four teenage girls working the night shift are attacked. Only one survives. Police quickly identify a suspect who flees and is never seen again.Fifteen years later, in the same town, four teenage employees working late at an ice cream store are attacked, and again only one makes it out alive. Both surviving victims recall the killer speaking only a few final words... “Goodnight, pretty girl.”In the aftermath, three lives intersect: the survivor of the Blockbuster massacre who’s forced to relive her tragedy; the brother of the original suspect, who’s convinced the police have it wrong; and the FBI agent, who’s determined to solve both cases. On a collision course toward the truth, all three lives will forever be changed, and not everyone will make it out alive.Twisty, poignant, and redemptive, The Night Shift is a story about the legacy of trauma and how the broken can come out on the other side, and it solidifies Alex Finlay as one of the new leading voices in the world of thrillers.

    Seventeen years after Mitchell Norton, the devil, terrorized Algonquin, Illinois on a spree of kidnapping, torture and murder, the authorities release the butcher from psychiatric prison.Tony longs to charge across the street to destroy Norton--no remorse--as if stepping on a cockroach. Only sheer force of will prevents his doing so.The devil walks the world again. What shall Tony do about it? Aye, what indeed.After all, this is what Tony does. It's who he is. The devil himself long ago made Tony into this hunter of monsters. What a sweet twist of fate this is, that he may still, finally, administer justice.Will FBI Special Agent Linda Monroe stop him? She owes him her life, so how can she possibly put an end to his?Tony Hooper and Mitchell Norton battle for supremacy, with law enforcement always a step away, in this story of justice and vengeance, evil and redemption, fear and courage, love and loss..

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    The action runs across a tiny Caribbean bar on the island of St. John, the editorial boardroom of the NY Times, the gleaming skyline of Atlanta, the isolation of northern New Mexico, Adirondack hideouts, Manhattan suits, to Mississippi backwoods. One season based on the book ran as amusing action TV series "The Finder" with a younger Afghanistan vet Walter, Florida Key bartender retired lawyer Leonard, U.S. Marshal Isobel, and Willa, Gypsy teen on parole.

    Paris and Shari Lapena.The perfect home. The perfect family. The perfect lie.Jane Harris lives in a sparkling home in an oceanfront gated community in Orange County. It’s a place that seems too beautiful to be touched by sadness. But exactly one year ago, Jane’s oldest daughter, Mary, died in a tragic accident and Jane has been grief-stricken ever since. Lost in a haze of anti-depressants, she’s barely even left the house. Now that’s all about to change.It’s time for Jane to reclaim her life and her family. Jane’s husband, David, has planned a memorial service for Mary and three days later, their youngest daughter, Betsy, graduates high school. Yet as Jane reemerges into the world, it’s clear her family has changed without her. Her husband has been working long days—and nights—at the office. Her daughter seems distant, even secretive. And her beloved Mary was always such a good girl—dutiful and loving. But does someone know more about Mary, and about her last day, than they’ve revealed?The bonds between mothers and daughters, and husbands and wives should never be broken. But you never know how far someone will go to keep a family together…

    We prefer the charade that we are in control. Lillian Dove, however, is constantly reminded she has very little control over her life and only has the ability to move to the choices that come her way. The Lillian Dove Series is a journey in recovery. While Lillian is a recovering alcoholic, like many who struggle with addictions come to understand, stopping drinking does not mean life returns to normal. However, as this series begins, Lillian does realize she has compulsions and addictions to many things, not just Absolut. How we handle dependency and denial is what allows for choice. In Admit to Mayhem, Lillian needs to admit her life has become unraveled again when she becomes an eyewitness to arson. Probing into a cold case of arson sixty years ago and the arson she witnessed at the beginning of this novel helps her admit to some of her own life’s challenges and successes. Admit to Mayhem, offering comedic dysfunction, is not only a suspenseful mystery but an important step for Lillian’s self-identity--and possibly for the reader’s.Admit: I admit that my life has become unmanageable.