But William Cavanaugh argues that religious fervor never left -- it has only migrated toward a new object of worship. In Migrations of the Holy he examines the disconcerting modern transfer of sacred devotion from the church to the nation-state. In these chapters Cavanaugh cautions readers to be wary of a rigid separation of religion and politics that boxes in the church and sends citizens instead to the state for hope, comfort, and salvation as they navigate the risks and pains of mortal life. When nationality becomes the primary source of identity and belonging, he warns, the state becomes the god and idol of its own religion, the language of nationalism becomes a liturgy, and devotees willingly sacrifice their lives to serve and defend their country. Cavanaugh urges Christians to resist this form of idolatry, to unthink the inevitability of the nation-state and its dreary party politics, to embrace radical forms of political pluralism that privilege local communities -- and to cling to an incarnational theology that weaves itself seamlessly and tangibly into all aspects of daily life and culture. Read more about the book in a blog post by Cavanaugh on EerdWord.

    A great introduction to the Episcopal way of thinking in readable prose for any newcomer or seeker in the Episcopal Church who may wonder what makes Episcopalians different than Roman Catholics or other protestants.

    Authentic, poetic translations of key texts are coupled with insightful introductions and "grace notes."

    have largely been built on assumptions that are secular origin--such as reliance on self-interest and having a common enemy as a motivator for change. But what if Christians were to shape their organizing around the implications of the truth that God is real and Jesus is risen? Alexia Salvatierra has developed a model of social action that is rooted in the values and convictions born of faith. Together with theologian Peter Heltzel, this model of faith-rooted organizing offers a path to meaningful social change that takes seriously the command to love God and to love our neighbor as ourself.

    At Saint Barbara’s Church in Cairo, they found a painting in which the risen Jesus grasps the hands of other figures around him. Unlike the Western image of a solitary Jesus rising from an empty tomb that he viewed across Eastern Europe, Asia, and the Middle East, the Crossans saw images of the resurrection depicting a Jesus grasping the hands of figures around him, or lifting Adam and Eve to heaven from Hades or hell, or carrying the old and sick to the afterlife. They discovered that the standard image for the Resurrection in Eastern Christianity is communal and collective, something unique from the solitary depiction of the resurrection in Western Christianity.Fifteen years in the making, Resurrecting Easter reflects on this divide in how the Western and Eastern churches depict the resurrection and its implications. The Crossans argue that the West has gutted the heart of Christianity’s understanding of the resurrection by rejecting that once-common communal iconography in favor of an individualistic vision. As they examine the ubiquitous Eastern imagery of Jesus freeing Eve from Hades while ascending to heaven, the Crossans suggest that this iconography raises profound questions about Christian morality and forgiveness.A fundamentally different way of understand the story of Jesus’ rebirth illustrated with 130 images, Resurrecting Easter introduces an inclusive, traditional community-based ideal that offers renewed hope and possibilities for our fractured modern society.

    They are balancing dramatic changes in their own lives while dealing with uncertainties in a world around them. In a culture that is no longer predominantly Christian, college ministry workers can no longer assume the students on their campuses have a basic understanding of Christ or his Church.In College Ministry in a Post-Christian Culture, Stephen Lutz translates missional theology to the practice of college ministry-ministry as a proactive movement that is constantly adapting to its ever-changing environment. This resource will equip college ministry staff, pastors, churches, and student leaders to minister effectively to today's college students with both depth and practical insight.Lutz walks you through the approaches needed to establish, grow and maintain a missional college ministry.

    I don't much like going. So, what now?"What's happening to the Church? Why are so many people who for decades have been faithful, steady churchgoers (and others who want to start going to church but can't seem to find one that meets their needs) losing interest in even attending church, let alone getting involved? What is fundamentally wrong with the "types" of churches (Seeker, Bible, Emergent, Liberal, Evangelical) that dot the religious landscape? Larry Crabb believes it is time to rethink the entire foundation and focus of what we know today as church -- everything we're doing and are wanting to see happen. In his most honest and vulnerable book to date, the author reveals his own struggles in this area and then offers a compelling vision of why God designed us to live in community with Him and others, and what the church he wants to be a part of looks like."

    Exiles: Living Missionally in a Post-Christian Culture presents a biblical, Christian worldview for the emergent churchâ?"people who are not at home in the traditional church or in the secular wor

    On different continents, under pressure from historical events and social conditions, people of faith have glimpsed the living God in fresh ways. It is not that a wholly different God is discovered from the One believed in by previous generations. Christian faith does not believe in a new God but, finding itself in new situations, seeks the presence of God there. Aspects long-forgotten are brought into new relationships with current events, and the depths of divine compassion are appreciated in ways not previously imagined.' This book sets out the fruit of these discoveries. The first chapter describes Johnson's point of departure and the rules of engagement, with each succeeding chapter distilling a discrete idea of God. Featured are transcendental, political, liberation, feminist, black, Hispanic, interreligious, and ecological theologies, ending with the particular Christian idea of the one God as Trinity.

    The Old Testament Speaks offers a clear picture of the archaeological, geographical, historical, and linguistic dimensions of God's covenant with his people from the time of Abraham to the coming of the Messiah. The Old Testament Speaks examines the historical and religious life of the Hebrews, integrates the development of non-hebraic cultures with conventional biblical history, and reviews the best modern scholarly research in placing the Scriptures in their Near Eastern setting.Samuel J. Schultz emphasizes the importance of letting the Scriptures tell their own stories. He makes selective use of the best and latest literature in Old Testament studies, and offers a balanced perspective. Schultz sifts the facts and follows them to their inevitable conclusions. However, when the evidence is not definitive, he exercises caution, presenting his own interpretation as only one of several possible views. Schultz also appraises the impact of recent archaeological and historical findings on the understanding of key portions of the Old Testament.The Old Testament Speaks contains all the relevant material -- biblical and nonbiblical -- necessary for classroom use or personal study of the Old Testament. Schultz provides outlines that reflect the historical background and summarize the contents of each biblical book, as well as charts and maps to help visualize the biblical narrative. He has also revised and updated the biblio-graphies at the end of each chapter.

    Its focus is on formalism - how the forms of the film create meaning. It is updated with recent films and personalities for students.

    Alter takes the old yet simple step of reading the Bible as a literary creation.

    With their mouths they claim that Jesus is their Lord, but with their actions they demonstrate their allegiance to money, sex, and personal self-fulfillment."In this candid and challenging book, Sider addresses an embarrassing reality: most Christians' lives are no different from the lives of their secular neighbors. Hedonism, materialism, racism, egotism, and many other undesirable traits are commonplace among Christians. Rather than simply a book bemoaning the state of American Christianity today, The Scandal of the Evangelical Conscience offers readers solutions to repair the disconnect between belief and practice. While it's not easy medicine to take, this book is a much-needed prophetic call to transformed living.

    Many of these movies propagate a distorted sense of morality and ethics. Under the surface of immoral behavior and unlawfulness, however, there can be deeper problems in Hollywood's messages. What are these stories telling the viewer about life, relationships, and God? What worldviews and ideas do they espouse? If Christians are to tread carefully at the theater complex, they need resources to help them.This book is just such a resource. By exploring the relationship between Christianity and art, the theology of biblical discernment, and a brief history of filmmaking, as well as through analysis of popular films, Meaning at the Movies equips readers for careful discernment in the cinema. The book does not simply list criteria for judging film art; instead it encourages Christians to develop biblical and critical discernment in regard to not only film, but all aspects of culture.

      Over the last twenty years, Andrew Peterson has performed thousands of concerts, published four novels, released ten albums, taught college and seminary classes on writing, founded a nonprofit ministry for Christians in the arts, and executive-produced a film—all in a belief that God calls us to proclaim the gospel and the coming kingdom using whatever gifts are at our disposal. He’s stumbled along the way, made mistake after mistake, and yet has continually encountered the grace of God through an encouraging family, a Christ-centered community of artists in the church, and the power of truth, beauty, and goodness in Scripture and the arts.   While there are many books about writing, none deal first-hand with the intersection of songwriting, storytelling, and vocation, along with nuts-and-bolts exploration of the great mystery of creativity. In Adorning the Dark, Andrew describes six principles for the writing life:  serving the workserving the audienceselectivitydiscernmentdisciplineand community  Through stories from his own journey, Andrew shows how these principles are not merely helpful for writers and artists, but for anyone interested in imitating way the Creator interacts with his creation.   This book is both a memoir of Andrew’s journey and a handbook for artists, written in the hope that his story will provide encouragement to others stumbling along in pursuit of a calling to adorn the dark with the light of Christ.