Advancements in nanotechnology have enabled us to control aging. We've genetically engineered mosquitoes to feast on carbon fumes instead of blood, ending air pollution. And teleportation has become the ideal mode of transportation, offered exclusively by International Transport—a secretive firm headquartered in New York City. Their slogan: Departure... Arrival... Delight!Joel Byram, our smartass protagonist, is an everyday twenty-second century guy. He spends his days training artificial intelligence engines to act more human, jamming out to 1980's new wave—an extremely obscure genre, and trying to salvage his deteriorating marriage. Joel is pretty much an everyday guy with everyday problems—until he's accidentally duplicated while teleporting. Now Joel must outsmart the shadowy organization that controls teleportation, outrun the religious sect out to destroy it, and find a way to get back to the woman he loves in a world that now has two of him.

    Johnny Mnemonic (1981)The Gernsback Continuum (1981)Fragments of a Hologram Rose (1977)The Belonging Kind (1981) with John ShirleyHinterlands (1981)Red Star, Winter Orbit (1983) with Bruce SterlingNew Rose Hotel (1984)The Winter Market (1985)Dogfight (1985) with Michael SwanwickBurning Chrome (1982)

    "Robin Hobb" and "Megan Lindholm" are both pseudonyms used by California-born Margaret Ogden, who from 1983 to 1992, published exclusively as Lindholm. This generous, 400-page hardcover original brings together short stories and novellas penned under both authorial bylines. As Hobb herself notes, "their" writing and styles differ in significant ways. (P.S. This collection includes stories previously unpublished in the United States.)

    All you have is the disconnected voice of an attentive caretaker. Dr. Kuhn is there to help you—physically, emotionally, and psychologically. She’ll help you remember everything. She’ll make sure you reclaim your lost identity. Now answer one question: Are you sure you want to?Paul Tremblay’s The Last Conversationis part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Brilliantly imagined and beautifully told, it is the work of a writer at the height of his powers. Our voyage from Earth began generations ago.Now, we approach our new home.AURORA.

    Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say—and the Family must only wait for the travelers to return. But young John Redlantern will break the laws of Eden, shatter the Family and change history. He will abandon the old ways, venture into the Dark…and discover the truth about their world.Already remarkably acclaimed in the UK, Dark Eden is science fiction as literature; part parable, part powerful coming-of-age story, set in a truly original alien world of dark, sinister beauty--rendered in prose that is at once strikingly simple and stunningly inventive.

    Unabashedly classic in the great tradition of Asimov and Clarke, Liu Cixin's science-fiction is firmly rooted in the cosmic. “[most] literature has always left me with the impression of indulging an intense anthropocentric narcissism. […] In the world of literature, the Sun exists for no other reason than to illuminate the pure, unadulterated countryside, the Moon has no other reason to shine than to cast the shadows of the seaside lovers, [but] if the universe is the Sahara, then all that makes the Earth a grain of gold within it, is that a particular bacteria called humanity clinging to its surface.” Liu Cixin uses the unique perspective of science-fiction to take us on a journey into this majestic, desolate cosmos. He gives us the chance to reacquaint ourselves with the fundamental truth that in the face of a vast universe we are no more than a speck of dust; That the Earth is just another celestial body – And an extremely vulnerable one at that. The flash of a gamma-ray burst or the blast of a nearby supernova could, at any moment, reduce our cherished home to nothing but ashes.It can be terrifying to contemplate the end of our world and stories that describe such destruction can be disturbing. At the same time however, they can leave us feeling not only entertained, but exhilarated and inspired. Maybe, they can even give us a chance to renew our love of life. Most stories found in the “The Wandering Earth” collection take us to a sci-fi vision of Earth's end. But here, there are no Hollywood aliens, descending from the depths of space to blow up our cities. In these futures, the dangers humanity faces are much stranger and whimsical than that. The unexpected calamities that befall his richly detailed worlds are only eclipsed by humanity's epic, but always plausible, attempts to escape destruction.In all this peril and doom, Liu Cixin always feels for humanity. His stories are full of a deep love for all of Earth's peoples. But even this love does not escape reflection and even ridicule when viewed through his unrelenting cosmic lens. No matter how dearly one loves the Earth, humanity and all its cultures, there is no avoiding the cold, hard truth that they mean absolutely nothing when viewed against the vastness of the universe. But even an infinite universe could not change the simple fact that we are worthy of love, that we need love. It is this twist that lies at the very heart of the stories in this collection.Table of Contents 1 The Wandering Earth 2 Mountain 3 Of Ants and Dinosaurs 4 Sun of China 5 The Wages of Humanity 6 Curse 5.0 7 The Micro-Age 8 Devourer 9 Taking Care of Gods 10 With Her Eyes 11 The Longest Fall

    In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

    Green.Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by Thomas E. Sniegoski.

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    This collection of four short stories will focus on creatures from the glamorous casino world of Canto Bight, described as the galactic version of Monaco.

    Le Guin has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity.

    Now, as faster-than-light drive opens the stars to exploration, humans are finding other relics of the race they call the Monument-Makers - each different, and each heartbreakingly beautiful. But except for a set of footprints on Jupiter's moon Iapetus, there is no trace of the enigmatic race that has left them behind. Then a team of scientists working on a dead world discover an ominous new image of the Monument-Makers. Somehow it all fits with other lost civilizations, and possibly with Earth's own future. And distant past. But Earth itself is on the brink of ecological disaster - there is no time to search for answers. Even to a question that may hold the key to survival for the entire human race...

    Two archaeologists glean forbidden knowledge from the ruins of a dead world. Robot servants of ruling insectoid Klikiss guard the Klikiss Torch, which has the power to create suns. The reasons for the fall of the Klikiss empire may return.

    Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story.Since his first collection, Nightshift, published thirty-five years ago, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he assembles, for the first time, recent stories that have never been published in a book. He introduces each with a passage about its origins or his motivations for writing it.There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. “Afterlife” is about a man who died of colon cancer and keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Other stories address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, the names of people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win.Magnificent, eerie, utterly compelling, these stories comprise one of King’s finest gifts to his constant reader—“I made them especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”