Mare Internum. Mesogeios. The Mediterraneus. That sea has been known by many names since the creation of the world. To the people living around its shores, it was the entire world. Myron had no use for the myriad of gods that the people of his village worshiped - and cursed. And it was obvious to himself that those immortals, in turn, had no interest in a young man whose future would be bound by the reed pools and swamps of the Nilos delta. His disinterest was such that he seldom even bothered to bash the ears of whichever deity was supposedly responsibility for the daily misfortunes of an orphan. Then came the evening when the marauders struck... Had he been given even a glimpse of his future from that moment on, he would have dismissed it as the ravings of a drunken myth weaver. In fact, the story might have been similar to the tales that were told on occasion, around the evening fires, by an itinerant bard who entertained the village in return for a bone to gnaw and a jar of bitter beer to quaff. But, sanctioned by the gods or no, his future would take him to the far reaches of the known world. And his rise from the lowest drudge to the command of men was certainly not derived from bending his knee to some vaporous deity, but by innate skill and the ability to take the measure of a man. Indeed, his story was the kind of tale that a bard loved and would cause his listeners sit in total silence to hear. After all, why would a man in reality, who had fought his way to power and riches, would give them up for a mere woman and an uncertain future? Of course, only the gods knew of his unique gift...

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     With the quizzical grimace of long-neglected astigmatism she adjusted the steel-bowed spectacles that had been her mother's, had of a notion peddler for two dozen eggs and a pound of butter. The wooden-wheeled clock—a noisy but amazingly accurate and exquisitely ornamented product of old Ferd's, while laid up one winter with a broken leg that had kept him two months sober—clacked irascibly at Martha that another blistering August morning was nearly five hours old.

    Curwood loved the outdoors and is known for his conservation efforts. Many of his books were made into movies as late as the 1990's. In The River's End two men who resemble each other physically lead very different lives. Conniston is a member of the Northwest Mounted Police. Keith is an outlaw. This physical trait linked these men together.

    It was Saturday and a half-holiday; it was that one day of all the year when the seasons change places when winter is visibly worsted and summer with warmth and relaxation bathing and tennis and motor trips in the moonlight becomes again a reality.

    Each volume helps the reader to encounter the original more fully by placing it in historical context, focusing on the important aspects of the text and posing key questions.

    Or read this book and find out how you have all the tools you need, but must make the one change to become the writer you have always wanted to be.

    THE SCENE: Seattle from village to skyscraper city; the Alaskan gold fields.TIME: 1851 - 1941.THE SUBJECT: Four generations of the marvelous Melendys--a frontier family grown rich and ill at ease.THE AUTHOR: Edna Ferber, who wrote So Big, Cimarron, Show Boat, and other great novels straight from the heart of America.

    Instead he is there for the long haul, bringing up his three children, and doing his best for his small community

    Excerpt and one of them, Gavin, was reputed to be the strongest man in the neighborhood. The daughter, a long-limbed slip of a girl who rode like a cow-puncher, was about the boy's age. Though Godfrey French had a ranch it was worked scarcely at all. The boys did not like work, and apparently did not have to. Godfrey French was reputed to have money. His ranch was a hang-out for what were known as "remittance men," young Englishmen who received more or less regular allowances from home--or perhaps to keep away from home. There were rumors of gambling and hard drinking at French's ranch. "Well, I'll take you home," the boy said. "You can ride my pony. He's on a rope a mile from here. But I'll have to hang up this buck, or the coyotes will chew him." He found two small saplings close together, bent them down, trimmed them and lashed their tops. Over these he placed the tied legs of the buck. With a little search he found a long dry pole. With this he had a tripod. As he hoisted with the pole the spring

    Filled with dark humor and an unforgettable cast of characters Oliver Twist, Fagin, Nancy, Bill Sykes, and the Artful Dodger, to name a few Dickens's second novel is a compelling social satire that has remained popular since it was first serialized in 1837-39. The text for this Modern Library Paperback Classic is taken from the 1846 New Edition, revised and corrected by the author. It includes new explanatory notes and an appendix, A Brief History of the English Poor Laws.

    Cooper Silwood, precise in attire, composed in appearance, and punctual as usual to the minute, walked into his room on the first floor of 176 New Square, Lincoln's Inn, where were the offices of Eversleigh, Silwood and Eversleigh, the well-known and long-established firm of solicitors of which he was a partner. He was met, as was customary, on his entrance by the head-clerk, John Williamson, who had already opened and sorted out methodically the letters received over-night. An admirable specimen of his class, Williamson generally wore an air of great imperturbability, but this morning his face had a troubled expression. "Anything special, Mr. Williamson?" asked Silwood quietly, putting away his hat and gloves.

    Until the feisty young prostitute, Tibs Tyler, takes her under her wing, and the two girls, one dark, one fair, set themselves up as a music hall act. As they desperately try to break free from Tibs's violent pimp, and to avoid the educated and wealthy yet sinister Dr Tressing, they are also hoping to make a new life for themselves as the new century breaks.

    At least his wife, his students, and his community thought so. But when he dies to save the life of a stranger, Steve is sent to an afterlife reserved for the truly heroic: Valhalla.But the Norse realm of the dead isn’t anything like he expected. Valhalla is a school, the Gods are teachers, and Steve’s fellow students are his competition in the great games.Then there are the women...Ila, the beautiful but stoic warrior. Molly, the cutie with her heart on her sleeve. Idun, the blonde Goddess bombshell with a soft spot for poetry. And Twyla, the dwarven bartender who’s always brewing up a sexy good time.Now, Steve must find where he belongs. But in a place where everyone is a hero, he’ll learn that his greatest fight is with himself.Join Steve in a HaremLit adventure filled with romance, sexy goddesses, self-doubt, creative uses of a dorm’s common shower, exploding houses, copious amounts of food and beer, dresses that get wet or come off very easily, and plenty of sexy times.Afterlives Valhalla is rated R for adult themes, graphic violence, undefined relationships/harem, and explicit scenes. Reader discretion is advised.

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