A 1926 short story by the Japanese writer and Nobel Prize winner Yasunari Kawabata.

    One by one, over a hundred men and women are forced by the harsh feudal officialdom to take to the hills. They band together and defeat every attempt of the government troops to crush them. Within this framework we find intrigue, adventure, murder, warfare, romance ... in a connected series of fascinating individual tales, told in the suspenseful manner of the traditional storyteller.

    As the river of life dries up, with each passing moment, our dreams of childhood give way to the reality of life, which is not always pleasant or fair. There is so much we don’t control and can’t change. In these difficult and lonely moments, we wonder if there is anyone in this world or any other whom we can count on. If faith moves mountains, then how do we build such faith and how do we know it will work for us? What is faith, anyway? From a physicist to a physician, an injured bird to an erudite Brahmin, people from different walks of life and religions share their incredible stories of rapid transformation, all united by the common thread of faith in one person – Om Swami. Every story makes you think and dares you to see the world differently. The Book of Faith is unlike anything ever written in the modern times.NAVJOT GAUTAM is a postgraduate in Journalism and Mass Communication from Punjabi University, Patiala. She has worked with top organizations in the fields of health, education, IT and hospitality.SADHVI VRINDA OM is an award-winning poet and author. She graduated from Sophia College, Ajmer, and went on to pursue an MBA. The turning point of her life though was to pen a mesmerizing non-fiction, Om Swami: As We Know Him. It has been hailed transformational by readers.

    Powers Unlocked. An Alliance is Born.Ten thousand years ago, the Furies nearly exterminated all life in the universe before being defeated by a coalition of worlds led by the Olympians.Or so everyone thought.Now they're back, and a new reign of terror has begun.

    Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures.

    Combining the traditional and the contemporary, Stone Boy and Other Stories contains ten works of short fiction that illuminate Buddhist themes and Vietnamese culture.

    She was sunk in deep melancholy. Tears gushed from her beautiful eyes. The cause of her grief was known, as well as the fears she entertained lest that grief should displease the king, her father. The old man, Mambres, ancient magician and eunuch of the Pharoahs, was beside her, and seldom left her. He was present at her birth. He had educated her, and taught her all that a fair princess was allowed to know of the sciences of Egypt. The mind of Amasidia equaled her beauty. Her sensibility and tenderness rivaled the charms of her person; and it was this sensibility which cost her so many tears.The princess was twenty-four years old, the magician, Mambres, about thirteen hundred. It was he, as every one knows, who had that famous dispute with Moses, in which the victory was so long doubtful between these two profound philosophers. If Mambres yielded, it was owing to the visible protection of the celestial powers, who favored his rival. It required gods to overcome Mambres!

    It is considered second only to the Tao Te Ching, but the two books coundn't be more different. Where the Tao Te Ching is distant and proverbial in style, the Chuang Tze buzzes with life and with insights, often with considerable humour behind them.

    An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of form is more central than meaning and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.

    A profoundly wise and humorous rendering of the classic Chinese text on military strategy, as told through the delightful Chinese cartoon panels of best-selling author Tsai Chih Chung.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Young, reckless, and catapulted toward uncertain futures, here is the new face of Chinese youth on a quest for every kind of freedom.From a crowded apartment on Mott Street, where an immigrant family raises its first real Americans, to a pair of divers at the Beijing Olympics poised at the edge of success and self-discovery, Wang’s unforgettable characters – with their unusual careers, unconventional sex lives and fantastical technologies – share the bold hope that, no matter where they’ve come from, their lives too can be extraordinary.

    She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.

    It revealed a cataclysmic internal power struggle between Communist Party factions, one that reached all the way to China's new president Xi Jinping. The scandalous story of the corruption of the Bo Xilai family -- the murder of British businessman Neil Heywood; Bo's secret lovers; the secret maneuverings of Bo's supporters; the hasty trial and sentencing of Gu Kailai, Bo's wife -- was just the first rumble of a seismic power struggle that continues to rock the very foundation of China's all-powerful Communist Party. By the time it is over, the machinations in Beijing and throughout the country that began with Bo's fall could affect China's economic development and disrupt the world's political and economic order. Pin Ho and Wenguang Huang have pieced together the details of this fascinating political drama from firsthand reporting and an unrivaled array of sources, some very high in the Chinese government. This was the first scandal in China to play out in the international media -- details were leaked, sometimes invented, to non-Chinese news outlets as part of the power plays that rippled through the government. The attempt to manipulate the Western media, especially, was a fundamental dimension to the story, and one that affected some of the early reporting. A Death in the Lucky Holiday Hotel returns to the scene of the crime and shows not only what happened in Room 1605 but how the threat of the story was every bit as important in the life and death struggle for power that followed. It touched celebrities and billionaires and redrew the cast of the new leadership of the Communist Party. The ghost of Neil Heywood haunts China to this day.

    Have you ever wondered what it would be like to be a fly on the wall of a creative agency? No? Well, that’s fine as well. You wouldn’t know you were in an agency anyway; flies have no concept of that kind of thing. All they’re interested in is standing in poo then walking around the rim of your coffee mug.