In 1968, two remarkable pitchers would dominate the game as well as the broadsheets. One was black, the other white. Bob Gibson, together with the St. Louis Cardinals, embodied an entire generation's hope for integration at a heated moment in American history. Denny McLain, his adversary, was a crass self-promoter who eschewed the team charter and his Detroit Tigers teammates to zip cross-country in his own plane. For one season, the nation watched as these two men and their teams swept their respective league championships to meet at the World Series. Gibson set a major league record that year with a 1.12 ERA. McLain won more than 30 games in 1968, a feat not achieved since 1934 and untouched since. Together, the two have come to stand as iconic symbols, giving the fans “The Year of the Pitcher” and changing the game. Evoking a nostalgic season and its incredible characters, this is the story of one of the great rivalries in sports and an indelible portrait of the national pastime during a turbulent year—and the two men who electrified fans from all walks of life.

    It begins, appropriately, with the winter doldrums and "sweating out" a new contract, then follows the author and his family to spring training in Florida and through the full season s schedule to October. "One of the best baseball books ever written. It is probably one of the best American diaries as well." New York Times Book Review. "The greatest baseball book ever written." Jimmy Cannon."

    A lively, compact history of the game, including commentary on baseball in the 1990s.

    Grueling. Thrilling. Routine. Lonely. Exhilarating. Major league ballplayers even have a name for this relentless, unmatchable rhythm: The Grind.In The Grind, Barry Svrluga, The Washington Post’s national baseball correspondent, zooms in on the 2014 Washington Nationals, reporting not just on the roster’s star players, but also on the typically invisible supporting cast who each have their own sacrifices to make and schedules to keep. There’s The Wife, who acts as a full-time mom, part-time real estate agent, occasional father, and all-hours dog walker; The 26th Man, a minor leaguer on the cusp of job security who gets called up to the majors only to be sent back down the very next week; The Reliever, one of the most mentally taxing, precarious, and terribly exposed positions on any pro squad. These and many more players, scouts, equipment managers, and even travel schedulers create the fabric of Svrluga’s intimate and unusual book; they could be from any team or any big-league city. As he writes: “There is no other sport with an everydayness, a drum-drum-drum beat like baseball.”Built on material that appeared in The Washington Post, Svrluga’s book is a raw, inside look at the wear and tear, the glory and impermanence, of America’s pastime.

    He outslugged Willie Mays, Hank Aaron, and Mickey Mantle when they were in their prime, but while they made repeated World Series appearances in the 1950s and 60s, Banks spent his entire career with the woebegone Chicago Cubs, who didn't win a pennant in his adult lifetime.Today, Banks is remembered best for his signature phrase, "Let's play two," which has entered the American lexicon and exemplifies the enthusiasm that endeared him to fans everywhere. But Banks's public display of good cheer was a mask that hid a deeply conflicted, melancholy, and often quite lonely man. Despite the poverty and racism he endured as a young man, he was among the star players of baseball's early days of integration who were reluctant to speak out about Civil Rights. Being known as one of the greatest players never to reach the World Series also took its toll. At one point, Banks even saw a psychiatrist to see if that would help. It didn't. Yet Banks smiled through it all, enduring the scorn of Cubs manager Leo Durocher as an aging superstar and never uttering a single complaint.Let's Play Two is based on numerous conversations with Banks and on interviews with more than a hundred of his family members, teammates, friends, and associates as well as oral histories, court records, and thousands of other documents and sources. Together, they explain how Banks was so different from the caricature he created for the public. The book tells of Banks's early life in segregated Dallas, his years in the Negro Leagues, and his difficult life after retirement; and features compelling portraits of Buck O'Neil, Philip K. Wrigley, the Bleacher Bums, the doomed pennant race of 1969, and much more from a long-lost baseball era.

    Working his way through the minor leagues, earning three hundred dollars a month, he survived just about everything, even riots in stadiums in Puerto Rico. And while players and other umps hit the bars at night, Harvey memorized the rule book. In 1962, he broke into the big leagues and was soon listening to rookie Pete Rose worrying that he would be cut by the Reds and laying down the law with managers such as Tommy Lasorda and Joe Torre. This colorful memoir takes you behind the plate for some of baseball’s most memorable moments, including Roberto Clemente’s three thousandth and final hit; the heroic three-and-two pinch-hit home run by Kirk Gibson in the ’88 World Series; and the nail-biting excitement of the ’68 World Series. But beyond the drama, Harvey turned umpiring into an art. He was a man so respected, whose calls were so feared and infallible, that the players called him “God.” And through it all, he lived by three rules: never take anything from a player, never back down from a call, and never carry a grudge. A book for anyone who loves baseball, They Called Me God is a funny and fascinating tale of on- and off-the-field action, peopled by unforgettable characters from Bob Gibson to Nolan Ryan, and a treatise on good umpiring techniques. In a memoir that transcends the sport, Doug Harvey tells a gripping story of responsibility, fairness, and honesty.

    As 18-year-old Sid Luckman made headlines across New York City for his high school football exploits at Erasmus Hall High School in Brooklyn, his father, Meyer Luckman, was making headlines in the same papers for a very different reason: the gangland murder of his own brother-in-law. Amazingly, when Sid became a star at Columbia and a Hall of Fame NFL quarterback in Chicago, all of it while Meyer Luckman served 20-years-to-life in Sing Sing Prison, the connection between sports celebrity son and mobster father was studiously ignored by the press and ultimately overlooked for eight decades.Tough Luck traces two simultaneous historical developments through a single immigrant family in Depression-era New York: the rise of the National Football League led by the dynastic Chicago Bears, whose famed owner George Halas convinced Sid Luckman to help him turn the sluggish game of pro football into America's favorite pastime; and the demise--triggered by Meyer Luckman's crime and initial coverup--of the Brooklyn labor rackets and Louis Lepke's infamous organization Murder, Inc. Filled with colorful characters--from ambitious district attorney-turned-governor Thomas Dewey and legendary columnist Walter Winchell, to Sid Luckman's rival quarterback "Slingin'" Sammy Baugh and pro football's unsung intellectual genius Clark Shaughnessy; from the lethal Lepke and hit men like "Tick Tock" Tannenbaum, to Sid's powerful post-career friends Frank Sinatra and Joe DiMaggio--Tough Luck memorably evokes an era of vicious Brooklyn mobsters and undefeated Monsters of the Midway, a time when the media kept their mouths shut and the soft-spoken son of a murderer could become a beloved legend with a hidden past.

    It also captures the experience of growing up obsessed with baseball cards and explores what it means to be a fan of the game. Along the way, as we get to know Josh, his family, and his friends, we also get Josh’s classic observations about the central artifacts from his life: the baseball cards themselves. Josh writes about an imagined correspondence with his favorite player, Carl Yastrzemski; he uses the magical bubble-blowing powers of journeyman Kurt Bevacqua to shed light on the weakening of the powerful childhood bond with his older brother; he considers the doomed utopian back-to-the-land dreams of his hippie parents against the backdrop of inimitable 1970s baseball figures such as “Designated Pinch Runner” Herb Washington and Mark “The Bird” Fidrych. Cardboard Gods is more than just the story of a man who can’t let go of his past, it’s proof that — to paraphrase Jim Bouton — as children we grow up holding baseball cards but in the end we realize that it’s really the other way around.

    Thomas, the grandson of Walter Johnson, lives in Arlington, Virginia. He is currently editing, for audio release, the interviews taped by Lawrence Ritter for his classic The Glory of Their Times. Shirley Povich died in 1998 at the age of 92 after seventy-five years as an award-winning sportswriter for the Washington Post.

    Gardner's illuminating autobiography is a candid self-portrait by the man evolutionary theorist Stephen Jay Gould called our single brightest beacon for the defense of rationality and good science against mysticism and anti-intellectualism.Gardner takes readers from his childhood in Oklahoma to his varied and wide-ranging professional pursuits. He shares colorful anecdotes about the many fascinating people he met and mentored, and voices strong opinions on the subjects that matter to him most, from his love of mathematics to his uncompromising stance against pseudoscience. For Gardner, our mathematically structured universe is undiluted hocus-pocus--a marvelous enigma, in other words.Undiluted Hocus-Pocus offers a rare, intimate look at Gardner's life and work, and the experiences that shaped both.

    The author offers his views on the state of basball today, and comments on his experiences as a sportscaster.

    "ROGER MARIS may be the greatest ballplayer no one really knows. In 1961, the soft-spoken man from the frozen plains of North Dakota enjoyed one of the most amazing seasons in baseball history, when he outslugged his teammate Mickey Mantle to become the game's natural home-run king. It was Mantle himself who said, "Roger was as good a man and as good a ballplayer as there ever was." Yet Maris was vilified by fans and the press and has never received his due from biographers--until now.Tom Clavin and Danny Peary trace the dramatic arc of Maris's life, from his boyhood in Fargo through his early pro career in the Cleveland Indians farm program, to his World Series championship years in New York and beyond. At the center is the exciting story of the 1961 season and the ordeal Maris endured as an outsider in Yankee pinstripes, unloved by fans who compared him unfavorably to their heroes Ruth and Mantle, relentlessly attacked by an aggressive press corps who found him cold and inaccessible, and treated miserably by the organization. After the tremendous challenge of breaking Ruth's record was behind him, Maris ultimately regained his love of baseball as a member of the world champion St. Louis Cardinals. And over time, he gained redemption in the eyes of the Yankee faithful.With research drawn from more than 130 interviews with Maris's teammates, opponents, family, and friends, as well as 16 pages of photos, some of which have never before been seen, this timely and poignant biography sheds light on an iconic figure from baseball's golden era--and establishes the importance of his role in the game's history.

    In eighteen revealing chapters, he delves into the amazingly varied cultures ranging from the south of Sudan to Afghanistan and from Islamabad to Istanbul. His probing and often perilous journeys--at one point during a meeting with an al-Qaeda missionary, Pope is forced to quote Koranic verse to argue against his own murder--provide an eye-opening look at diverse societies often misportrayed by superficial reporting and "why they hate us" politics. With intimate and personal anecdotes arising out of experiences from war fronts to bazaars to the palaces of kings, Pope weaves a rich narrative that embraces art, food, poetry, customs, and the competing histories of the Middle East. Merging the traditions of the classics Balkan Ghosts and From Beirut to Jerusalem, Dining with al-Qaeda illuminates an infintely complex part of the world. With U.S. foreign policy aiming to engage more construvtively with Muslim nations, this lyrical book of adventures collects some of the truly important untold stories of our times.

    Louis Cardinals when they won a world championship knocks out a home run for the fans with this. It is more than a ""funny game"" that Garagiola describes. His story is full of humor and light touches but there is a human touch too that makes you feel for the players, their wives, the umpires, management, etc. He gives you too the feel of baseball from the inside- as well as sharing inside baseball. Full of anecdotes, plays and incidents that take you from the time a rookie breaks into the game until his star fades out of the picture. Garagiola winds up as a broadcaster and his voice is a familiar one on the west coast. This ""funny"" book about baseball should win its audience too"

    Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...," a childrens story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Goreys shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Goreys drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969.Those letters, published here for the first time, are remarkable in their quantity and their content. While the creative collaborations of Gorey and Neumeyer centered on illustrated books, they held wide-ranging interests; both were erudite, voracious readers, and they sent each other many volumes. Reading their discussions of these books, one marvels at the beauty of thoughtful (and merry) discourse driven by intellectual curiosity.The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterized as macabre or even ghoulish. His gentleness, humility, and brilliance--interwoven with his distinctive humor--shine in these letters; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer, 38 of which are reproduced here.During the time of their correspondence, Peter Neumeyer was teaching at Harvard University and at SUNY Stony Brook, on Long Island. His acumen and compassion, expressed in his discerning, often provocative missives, reveal him to be an ideal creative and intellectual ally for Gorey.More than anything else, "Floating Worlds" is the moving memoir of an extraordinary friendship. Gorey wrote that he felt they were part of the same family, and I dont mean just metaphorically. I guess that even more than I think of you as a friend,