Following in the maverick mold of Quentin Tarentino, Spike Lee, and Richard Rodriguez, Joe Queenan becomes an auteur and, in the process, funnier than ever, as he tries to master the art of writing, directing, scoring, casting, and marketing a movie--all by himself.

    They had already made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To

    For over forty years he has dominated Hollywood and his success both in front of and behind the camera has assured his place in cinema history alongside such superstars as Marlon Brando, John Wayne and Robert De Niro..."Clint" reveals the man behind the myth. Bestselling author Douglas Thompson draws on exclusive interviews with the star, to provide the definitive portrait of Clint Eastwood. From his early days as a jobbing actor on $75 a week to his directorial triumph with "Million Dollar Baby", "Clint" reveals the personal highlights of one of the most celebrated careers in cinema history.

    Dympna, the only girl, adores her father Micheál. She does her best to help her English mother and the family rub along by working hard and expecting little.But beneath the smooth-seeming surface there are hidden secrets. Beatrice idolises her clever eldest son, but her attitude to her husband and to Dympna is puzzling. Yet when the family desperately needs money it is Dympna who crosses the water to Liverpool, to send money back for them.Meanwhile, in Liverpool orphaned, half-starved Jimmy Ruddock struggles to escape from his background with little success until he meets Elsie, a tough young slum-dweller who helps him to better himself. Then he starts work abroad a Fleetwood trawler, and meets up with Dympna...Set in the late 1920s and 30s, No Silver Spoon charts the pleasures and pains of life - and love - in the glorious countryside of Connemara and in the fiercely competitive streets of the Liverpool slums. It confirms Katie Flynn as one of the most beloved and bestselling saga writers in Britain.

    Comedy in Three Men and a Baby, Hannah and Her Sisters, Ghostbusters, and Back to the Future; all a teenager needs to know in Pretty in Pink, Ferris Bueller’s Day Off, Say Anything, The Breakfast Club, and Mystic Pizza; the ultimate in action from Top Gun, Die Hard, Beverly Hills Cop, and Indiana Jones and the Temple of Doom; love and sex in 9 1/2 Weeks, Splash, About Last Night, The Big Chill, and Bull Durham; and family fun in The Little Mermaid, ET, Big, Parenthood, and Lean On Me.In Life Moves Pretty Fast, Hadley puts her obsessive movie geekery to good use, detailing the decade’s key players, genres, and tropes. She looks back on a cinematic world in which bankers are invariably evil, where children are always wiser than adults, where science is embraced with an intense enthusiasm, and the future viewed with giddy excitement. And, she considers how the changes between movies then and movies today say so much about society’s changing expectations of women, young people, and art—and explains why Pretty in Pink should be put on school syllabuses immediately.From how John Hughes discovered Molly Ringwald, to how the friendship between Dan Aykroyd and John Belushi influenced the evolution of comedy, and how Eddie Murphy made America believe that race can be transcended, this is a “highly personal, witty love letter to eighties movies, but also an intellectually vigorous, well-researched take on the changing times of the film industry” (The Guardian).

    Biskind began as a radical journalist and film critic, excavating the likes of Rocky and Thunderbolt and Lightfoot for their hidden political subtexts in small lefty rags. Now he can legitimately describe himself - as he does in his autobiographical introduction to this book - as a "recovering celebrity journalist."" The ghosts of McCarthyism and the blacklist haunt Gods and Monsters as do the casualties of the counterculture and the New Hollywood. At the heart of the book are the likes of Martin Scorsese, Robert Redford, Terrence Malick, Sue Mengers, and uber-producer Don Simpson, all of whom Biskind portrays in great Dickensian detail, charting how they have had a simultaneously strangulating and liberating effect on the industry.

    Filled with the most recognizable Indian comic characters, from Suppandi to Shikari Shambu, from Kalia the Crow to the Defective Detectives, Tinkle Digest also features new work by some of India's most exciting writers and artists for children. And that's not all! Each issue comes with loads of knowledge pages, facts and value education. The perfect size to read anywhere, Tinkle Digest will never disappoint.

    In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.

    Rosie, Mummy and Daddy’s little Princess, can certainly look after herself though, and cunningly throws secret spanners in the works for her sisters. As the girls grow older, Rosie becomes more and more manipulative and her schemes soon take on a more malicious note. But even she can go too far and, when Olivia and Emily find out what she has in store for them, they decide the time has come to put a stop to their sister’s antics once and for all … Praise for Marcia Willett: 'Unexpected subtlety and charm ... a genuine voice of our times' - The Times 'With beautifully ironic observations and flashbacks to a mysterious past, the story has a twist in the tail so staggering that it necessitates re-reading and a strong cup of tea' - The Lady Willa Marsh was born in Somerset and lives in a Georgian parsonage in Devon with her husband and two Newfoundlands. As Marcia Willett, she also writes well-reviewed novels published by Headline.

    But he is a cold man, with little time for his children, Dolly and Ken. Dolly works for the company and is set to marry her father's deputy, Frank Mitchell. But during the General Strike, Dolly is rescued from a dangerous riot by factory hand Bill Drake, and the pair soon fall in love. But Henry Slafer is displeased by the match, and does everything in his power to destroy their relationship. Confused and alone, Dolly agrees to marry Frank and Bill, heartbroken, takes a job elsewhere. Will Dolly and Bill ever see each other again? And can Bill forgive her for turning her back on him?

    Her razor-sharp wit combines with her acute powers of observation to produce social and political commentary that will have you in stitches even as it informs and provokes you to think seriously about the topics she discusses. In Best White, Davis offers advice on life’s tricky issues; discusses the perils of being a ‘Best White’; laments the fact that society does not have a universally adopted form of greeting, such as the high five; explores the intricacies of social media and internet dating; considers the future of reading and tackles a range of controversial topics in between.

    

    The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense.Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene--from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics--notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history--half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

    More than a decade's worth of essays by the Pulitzer Prize winning syndicated columnist capture the essence of big city American life, from neighborhood taverns to backroom politics.

    It hooks you with unnerving stories of dread and evil, pushes your limits and pokes every phobia. Audiences love to be scared but behind every muffled scream is something deeper and even more fascinating. In Screaming for Pleasure, S.A. Bradley takes you on a wild journey exploring horror, where you’ll discover what is so tantalizing about terror, including: • Rare insights about some of the greatest fright directors of all time, like David Cronenberg, Guillermo Del Toro and John Carpenter, culled from hundreds of interviews. • An in-depth look at 6 of the most impactful horror films by women directors, plus a list of over 15 women directors you should be watching now. • Relive the most terrifying and shocking moments in horror film history with detailed breakdowns of over 100 films. Plus, you’ll uncover how horror lets you peek in at what may be lurking within yourself. Screaming for Pleasure thrills you with the beauty and depth of the horror genre, dissecting films, literature and music that reveals how horror constantly reinvents itself and reflects the anxieties of each generation. Whether you’re frightened to watch scary movies alone or a horror obsessive, Screaming for Pleasure is the entertaining guide to help cinephiles of all types fall in love with horror again. Early Accolades! “With masterful brilliance and fireside charm, Scott Bradley beautifully navigates horror’s past, present, and future with undeniable genius, biting wit, and keen observation. A must have for any and every horror fan.” - Soska Sisters directors of American Mary (2007) and Rabid (2019)