After a particularly gruelling assignment, she checks into an expensive hotel. Unfortunately she has chosen the exact moment terrorists attack the hotel. Abhi, the hotel manager, begs her to stay quiet and stay put. Abhi has never wanted to be a hero; a disappointment to his army father and brother. He thought he'd come to a safe haven at the hotel, a place where he could be himself. Now stuck inside the sealed-off manager's office in the middle of a terrorist attack, he is desperately trying to keep those still alive safe. His lover Dieter is amongst the hostages in the bar and the photographer Sam, refusing to stay in her room, is roaming through the hotel taking pictures, potentially coming face to face with the terrorists at any moment. A small child, Billy, is found alive under the bodies of his dead parents and Abhi has to persuade the non-maternal Sam to bring him back to her room. He's hurt and Sam has no clue how to look after a child. As the tension mounts and more people are killed, the bond between Sam and Abhi, between Sam and Billy, grows. If any of them get out alive, none of them will ever be the same...

    When Chitra Ramaswamy discovered she was pregnant, she longed for a book that went above and beyond a manual; a book that did more than describe what was happening in her growing body. One that, instead, got to the very heart of this overwhelming, confusing and exciting experience. Expecting takes the reader on a physical, emotional, philosophical and artistic odyssey through pregnancy. A memoir exploring each of the nine months of Chitra's pregnancy, Expecting is a book of intimate, strange, wild and lyrical essays that pay tribute to this most extraordinary and ordinary of experiences.

    I’d think you would be happy to see me here, establishing a business, putting down roots.” “When your roots pull mine out, we have a problem.” Leslie Baker, owner of Potter Lake’s original hometown beauty shop, the Curl & Dye, has a problem. Her problem isn’t her dwindling customer base. And it’s not the shifty, shady Mayor of the idyllic lakeside town. Her problem is a muscular, handsome, 6’4” former basketball superstar with a solid physique and colorful sleeve tattoos. Kade “KC” Cavanaugh is back in Potter Lake following his NBA retirement and the business he’s opened, a slick and shiny co-ed salon, directly competes with Curl & Dye. KC is all too eager to to pick things up where they left off fifteen years ago, but Leslie can’t forget how he pushed her away after an intimate encounter, then dropped out of college and left her behind for the bright lights of professional ball. Though she won’t admit it, time and maturity have eaten away at Leslie's anger and her long-buried attraction to Kade Cavanaugh has resurfaced. With a vengeance. Now there is a larger problem: Leslie and KC find themselves in the center of a city wide drama, and with both sides of Potter Lake at war and their livelihoods at stake, the two have to stop sniping at each other and start working together. And maybe, in the process, forget the past and revive a budding romance that was very special...a very long time ago.

    Always reliable, always there when they need her. After a lifetime spent consulting with the FBI and working for the Seattle Police Department, Anita tumbled onto the front line of the Four Point Killer case. During those years, she helped the people she cared about through endless emotional and physical pain. Now, while the survivors grow beyond the influences of their shared trauma, and begin thriving in their newfound love and happiness, Anita endures the aftermath of the case on her own. Forever on the outskirts, can Anita relinquish the role she's bound herself to over the years in order to embark on her own healing journey? Or will she remain the sole survivor still stuck in the rubble of a collapsed life?

    First, there is the child Mallika, brimming with romantic fantasies and bemoaning the lack of passion in the lives of her mother, Padma, and her mother's contemporaries - women whom she nevertheless loves fiercely. Mallika renders her fantasies through a highly wrought imagination, re-creating for the reader the events that came to devastate her childhood. Then, we revisit the events Mallika has described as they are retold from the points of view of Padma and Padma's sister, mother and friends. The story that slowly emerges is not the same as the one Mallika told. For the world of these women is one where secrets grow like fungus, where guilt roots and ripens, where anger burns and smolders. Every one of them carries the burden of secrets that may or may not be known by the others - some secrets obvious, others subtler and more insidious - and that have for them become a way of life. And so they tell their stories, stories by no means as prosaic as the child Mallika believes. Layer after layer of concealing silence is relentlessly peeled off, till, at last, the truth behind the greatest secret of all is laid bare - the story of Padma's love.

    Now, for the first time, with his trademark wisdom and philosophical generosity, he turns his attention to his most important role yet: grandparent.In Grand, Johnson shares stories from his life with his six-year-old grandson, Emery, weaving in advice and life lessons that stand the test of time. “Looking at the problems I see in the world around me,” Johnson writes, “I realize that there are so many things I want to say to him about the goodness and beauty that life offers. What are the perennial truths that I can impart to Emery that might make his journey through life easier or more rewarding?” Johnson shares these truths and more, offering profound meditations on family, race, freedom and creativity.Joyful, lucid and deeply comforting, Grand is Johnson at his most accessible and profound, an indispensable compendium for new grandparents and growing grandchildren alike, from one of America’s most revered thinkers.

    Everyday objects surround us, the unconditional keepers of confessions and secrets.They are with us in those private moments when we think we are alone, perhapsin an abandoned stairwell or an empty lift, as we adjust our clothes, checkourselves in the mirror, scratch an itch or allow ourselves a sigh or a sob.What if those inanimate witnesses to silent thought and hidden emotion hadstories to tell—Of love, betrayal and hope?

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    The poems in Admission Requirements attempt to discover what is required of us when we cut across our material and psychic geographies. Simultaneously full and empty of its origins, the self is continually taxed of any certainties and ways of being. The speaker in these poems is engaged in a kind of fieldwork, surveying gardens, communities, and the haphazard cityscape, where the reader is presented with the paradoxes of subsumed histories. With understated irony and unsettling imagery, the poems address the internal conflicts inherent in contemporary living.

    It’s the only option really. There’s no way Macy could not show up. For two reasons, it’s her friend’s wedding and it’s Christmas. So, jealousy it is. With the help of her hot alpha, best friend, Cooper, showing up with man candy on her arm, will get the job done. It’s perfect.She gets to be part of such a magical event and avoid facing her prick of a past alone, at the same time. Only she doesn’t know that Cooper’s feelings have gone from friendly to down right sinful. And he’s determined to use the opportunity of posing as her fake boyfriend to his advantage. They belong together, and by the end of this, he’ll make sure she knows it.

    Her love for Raghav is true. But hailing from two very different cultures is the basis of their continued friction. Aisha is a Punjabi girl from Gurgaon and Raghav a Bihari from Ranchi. Raghav's family will certainly not accept a girl from outside their community. And yet, he continues giving her false hopes through his efforts and promises. And then they take a step which entangles her life further. Will she manage to come out of this quandary or must she continue to live in her self-created web? Explore her journey that makes her realise the atrocities being committed on women in the Indian society and the tough decisions she must take, keeping her most loved ones oblivious to everything happening in her life.

    If you loved Until Harmony, then you will want to read Until Forever.

    Then one day they are separated when one of the families moves to the other side of the world. But the boy leaves her a special present and a promise. 20 years later a flavor awakens her memories.As she grows older and raises a family, a woman holds on to her memories of a first love and a toothbrush.A hand made gift and a small lie lead to great upset.A mother's gift for knitting lays unappreciated until it is almost too late.A soccer shirt is a poor substitute for the idol that should be wearing it.Yani Hu whips up a recipe of adolescent love in its many forms in these five not-so-little stories from this debut graphic novelist in English.

    Non fiction piece on Sardar Sarovar (Narmada) Project published in 1999.

    Mother. Lover. Aunt. Friend.She plays many roles round here. And neverScared to tell the whole of her truth, whetherOr not anyone wants to hear it. WifeOf Willesden: pissed enough to tell her lifeStory to whoever has ears and eyes . . .'Zadie Smith's first time writing for the stage, The Wife of Willesden is a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath's Prologue, brought to glorious life on the Kilburn High Road.Commissioned to celebrate Brent's year as Borough of Culture 2020, The Wife of Willesden will premiere at the Kiln Theatre, London in September 2020.