They are the Hindi-Bindi Club, a nickname given by their American daughters to the mothers who left India to start anew—daughters now grown and facing struggles of their own.For Kiran, Preity, and Rani, adulthood bears the indelible stamp of their upbringing, from the ways they tweak their mothers’ cooking to suit their Western lifestyles to the ways they reject their mothers’ most fervent beliefs. Now, bearing the disappointments and successes of their chosen paths, these daughters are drawn inexorably home.Kiran, divorced, will seek a new beginning—this time requesting the aid of an ancient tradition she once dismissed. Preity will confront an old heartbreak—and a hidden shame. And Rani will face her demons as an artist and a wife. All will question whether they have the courage of the Hindi-Bindi Club, to hold on to their dreams—or to create new ones.An elegant tapestry of East and West, peppered with food and ceremony, wisdom and sensuality, this luminous novel breathes new life into timeless themes.

    Rick is famous movie director on the brink of his fiftieth birthday. Despite his wealth and his many conquests, he's floundering until he decides to adopt a baby.Ruthie and Shelly are the hottest comedy writers in Hollywood, and lifelong best friends. But their real partnership begins when they decide to create a baby together, even though Shelly is gay and Ruthie is straight. Lainie and Mitch spent years building a strong marriage and a very exclusive boutique. Although Lainie's health prohibits her from becoming pregnant, Mitch decides that he must father a child.These families find their way to the office of Barbara Singer, child psychologist, with whom they form a unique parenting group they whimsically nickname the Stork Club. Through laugh-out-loud episodes and tearful scenes, Iris Rainer Dart has created a universal story about the transforming power of raising a child. Prepare to lose your heart to the members of the Stork Club, who give new meaning to the term "designer genes."

    Changing foreign whips as she hustles one major drug dealer after another is just a day in the life with her treacherous father as her #1 partner in crime. The devious duo's schemes lead to murder plots and countless setups. Unbeknownst to Semaj the same street life she relentlessly chased can be what may become her downfall. When she meets drug kingpin Quasim, who virtually changes her sheisty mindset overnight, her dreams become a reality. But soon her dark past resurfaces, bringing all the havoc she caused to the forefront. Will Semaj ever be able to escape her previous life or will the revelation of her family history pull her into a world that can ultimately destroy her?

    Vogel.The curse of a supernatural hound brings Sherlock Holmes and Dr. Watson to England's gloomy moor country to solve Sir Charle Baskerville's murder. Will they find the murderer in time to prevent another killing? And what strange secrets are the people in and around Baskerville Hall trying to hide? Follow the great detective as he solves one of his most baffling cases.

    And now you're turning away from me. You are saying something but I can't hear you. It's too windy. You're crying now. Now you're smiling. I'm done. I love you . . .'It's been two years since Raghu left his first love, Brahmi, on the edge of the roof one fateful night. He couldn't save her; he couldn't be with her. Having lost everything, Raghu now wants to stay hidden from the world.However, the annoyingly persistent Advaita finds his elusiveness very attractive. And the more he ignores her, the more she's drawn to him till she bulldozes her way into an unlikely friendship.What attracts at first, begins to grate. Advaita can't help but want to know what Raghu has left behind, what he's hiding, and who broke his heart. She wants to love him back to life, but for that she needs to know what wrecked him in the first place.After all, the antidote to heartache is love.

    wrote on the royal family of the erstwhile state of Travancore. The other two are Dharmaraja (1913) and Ramaraja Bahadur in two parts (1918-1920). Marthanda Varma on the surface, is a historical romance, but its subtext is a political one of contemporary significance. In the novel there is a subplot with Subhadra at the centre. Through what she does or what happens to her, C.V. is projecting a futuristic vision of the New Woman in the Indian context. The conventional image of the woman is replaced by an imagined figure that was to emerge on the Indian scene. Another unique feature of this novel is the introduction, for the first time, of untouchables, the channans of south Travancore, Hence is fiction asserting humanistic values over and above the taboos and superstitions of yester-years.