In the most gentle way the Great Teacher conveyed simple messages – treat your friends with respect, gluttony brings unhappiness, expect rewards only if righteous, be selfless in your devotion – axioms often forgotten in the hurly burly of daily life.

    Later, the memory of the hills and forests which are his home call him back. Kacha goes back to his people and is made the Kaka or village chief. However, the Hegade or feudal lord authorised to collect tribute on behalf of the king, exploits the villagers by demanding in excess and keeping more than half for himself. Kacha is determined to fight this tyranny. The Elusive Kaka is adapted from the Kannada play, Kakana Kote, written by Masti Venkatesha Iyengar. It speaks of the bond that the Kurubas have with the forest and how they must fight to preserve it, if they must preserve themselves.

    But when he tricks the King himself, Sahasramalla realises that there is no longer anyone left to rob and wonders what to do next. Near by, a monk named Vasudda is speaking. Vasudda's words make Sahasramalla realise how many people he has cheated and betrayed. Taken from the Vardhamana-desana, a Jain classic, the story of Sahasramalla is told with compassion. Even a thief is given the option to repent and make up for his crimes.

    Things take an unexpected turn when Bheeshma disrupts the swayamvar and kidnaps the three princesses for his brother, Vichi-travirya, the ruler of Hastinapur. Amba vows to avenge the insult meted out to her. She appeals to several kings and princes to help her destroy Bheeshma but they all refuse as he is too powerful an adversary to challenge. Disappointed and filled with rage, Amba decides to take revenge herself and prays to Shiva to guide her. Amar Chitra Katha tells the compelling story of one who played a crucial role in the final outcome of the epic battle of Kurukshetra.

    But the gentle and generous nature of the daughter brings good fortune. Six queens plot against the seventh, jealous that she is bearing the King's heir, and accuse her of witchcraft. A thoughtless queen decrees that anyone who cries in her kingdom will be thrown out, not foreseeing that one day she too might feel sorrow. India has a rich heritage of folktales, most of which are never written down, present only in a rapidly vanishing oral culture. Each region and language has its own particular set of stories – though many tales recur across different traditions. The stories here are taken from Bengal.

    The Nawab's Diwan

    The beautiful princess Prabhavati was not aware of his ugliness when she married him. Kusha's mother saw to it that the princess never set eyes on her son's face. But when she did, Prabhavati refused to have anything to do with her husband and went away leaving poor Kusha broken-hearted.

    While sheltering in a temple, he meets Durgesh Nandini, the daughter of a Bengali nobleman and falls deeply in love with her. Unfortunately, her father is a sworn enemy of Jagat Singh's father.In this climate of war and hatred, will their love survive. Durgesh Nandini is an adaptation of a novel, written by Bankim Chandra Chattopadhyay (1838-1894).

    Drawing upon common weaknesses – arrogance, greed and narrow-mindedness among others – he makes us laugh even as we recognise some of our petty weaknesses.

    Bullies and misers, dreamers and the narrow-minded, all got a taste of his wit, much to the delight of readers.

    This Amar Chitra Katha tells some of the tales that depict Indra's bravery, his generosity and also, his occasional arrogance.

    The wise, like Nigrodha Kumar, cherish their companions. Pottik's selfless loyalty is rewarded by unexpected riches. On the other hand, for the selfish ingrate Shakha there awaits only a shameful loneliness. Rich or poor, ugly or handsome, powerful or helpless, a friend is one whom you can trust and for this luxury, you should repay your friend with respect and honor.

    Kalidasa, the greatest of Sanskrit poets, wove a tale that caters to every reader's taste. Warring cousins, wily courtiers, jealous wives, disguised princesses, all play their part in his play, which continues to thrill centuries after it was first written.

    One day, he sets off for Patliputra, with his friend Shashi, eager to debate with the scholars there. On the outskirts of the city, they meet a girl picking mangoes. She and Muladeva start arguing but the girl outwits him with ease and then, disappears. Enchanted by her quick replies and her intelligence Muladeva decides that he will not rest until he has found her, outsmarted her, and married her. In this story from the Kathasaritsagar, Muladeva's quest results in an elaborate and prolonged battle of wits.

    A decision he never regretted. Recognizing her abilities, Malharrao trained the young girl in the art of statesmanship and trusted her enough to leave the administration in her hands when he went on military expeditions. Then, in a series of misfortunes, Ahilya lost her husband, father-in-law and son. The brave queen took charge and turned Malwa into a contented and prosperous kingdom. So much so that even the British, whom she opposed steadfastly, praised her as a truly great ruler.