A time for joy. A time for tears. A time for reflection. A time for hope.And a time for miracles.This Christmas season Dave and Karen Brenner have welcomed a stranger into their lives. A stranger who may change their lives forever.

    The author relates his own life experiences to offer a view of contemporary Native American life.

    The stories range in style from the gritty noir of David Means' "Sault Ste. Marie" to the mesmerizing mythmaking of Louise Erdrich's "The Plague of Doves," while the settings include a village perched on top of an enormous whale (David Lawrence Morse's "Conceived") as well as a swank suite at the Plaza Hotel (Xu Xi's "Famine"). The three most powerful stories seem to have in common the ability to immerse readers in a character's sudden, searing moment of self-knowledge and the way that insight impacts the course of a life. In Edward P. Jones' elegiac, masterful "Old Boys, Old Girls," a hard-bitten con comes to see that redemption is within his reach. Deborah Eisenberg delicately deconstructs a young girl's attraction to an abusive man in the haunting "Windows." And, finally, the storied Alice Munro, in "Passion," conveys the complex inner world of a teenager who discovers she values risk over security.

    It is her Uncle Derek who’s stolen the body of their family dog to take to Charleston to prove the water in their creek has been poisoned. With perfectly poised equanimity,Jos witnesses both her grandfather’s grief and her uncle’s rage at his parents for signing this leasing deal, done in part, simply to be neighborly.Ann Pancake’s ear for dialect of these mountain people is perfect, her respect that of one who writes from the heart of this world. These are folks caught in the complexities of rural economies where there are no quick fixes to questions surrounding right livelihood. With first-hand knowledge of this world and her exquisite depictitions of its natural history she may put you in mind of Daniel Woodrell.

    In Dear Dead Person, a cross-section of archetypes—teen sex-addicts, would-be rock stars, religious fanatics, serial murderers, and families who make the Menendezes look like Ozzie and Harriet—go about their twisted business in a prose that's both minimal and anarchic, as American as Raymond Carver, but riven by poetic ruptures that feel like transmissions from the screwed-up part of our collective psyche.

    With a nice house, a son in medical school, and a wife who's become one of the top brokers stoking the heedless real estate rush in north Raleigh, Will has the perfect life. But overnight a nasty conglomerate buys his station and throws him out, he's arrested for running a red light, he badly injures his knee, and he begins to see both that his marriage is in danger of crumbling, and that his son doesn't like him much. Then the past he thought he didn't have comes calling, in the person of his cousin Wingfoot Baggett, who collects a bewildered Will for some R&R back home, on the banks of the Cape Fear River. How Will comes to terms with his history, sorts out his legal dilemmas, reinvents himself, gets to know his son, and maybe, just maybe, reconciles with his wife, is the subject of Bob Inman's graceful, comic, and poignant novel. In a larger sense, this is also a novel about how the New South, with its booming economy and newly minted cities, is stamping out the Old South, losing in the process a sense of tradition and identity.

    It's a place where the famous come to party like locals, the locals party like rock stars behind velvet ropes, and the press is savvy enough to know what not to report. Rachel Baum is a sheltered, career-oriented everygirl when she moves to South Beach from her quiet Miami suburb, searching for a life less ordinary. Quickly making friends among SoBe's most exclusive scenesters, she spends her days building a career and her nights building a reputation. But in a town where friends become enemies faster than highs become hangovers, the life less ordinary turns into more than Rachel bargained for. As she pursues the endless party in penthouses, dive bars, after-hours clubs, and cocaine speakeasies, Rachel struggles to balance her goals and ambitions with the decadence and excess -- especially her drug-fueled, on-again off-again relationship with Yale-graduate-turned-addict John Hood -- that threaten to destroy everything she's always worked for. With tremendous wit and razor-sharp insight, Diary of a South Beach Party Girl portrays the innermost sanctums of South Beach's privileged Beautiful People through the eyes of a no longer innocent heroine.

    The straight road has never had so many turns as Glory hooks up with other casualties from the chemical generation. There?s ex-Sister Jacqueline who fled the convent of the Sisters of Patience with the baby Jesus under her arm, ever relapsing gun freak Dooley who wants to be sober but is always drunk and Zemecki, so immersed in his lonely torpor that he can only express love for his ex-girlfriend?s cat. In this streetwise and sardonic book, Glory finds love and work whilst steering clear of self-pity and ?happy-talk?: she very determinedly goes and gets some. Winner of the prestigious Whiting Award for young writers, Emily Carter is that rare combination: a writer who can do very dark lightly.

    They don't know each other and they don't know how they got there. Their only refuge from the heat and sun is the ghost town shimmering on the horizon.Once inside the ghost town they become pawns in a twisted game. They must figure out the clues, the connection they all have to each other, and the rules of this game if they have any hope of surviving.

    A right comedy of errors if ever there was one. If you're looking for her beauty secrets and fashion ideas you've come to the right place. Read of her intimate sex life, her secrets for staying young and how she keeps her man - just. A fly-on-the wall true account of the life of a romantic comedy novelist, written in her own words. It's all here, the truth the whole truth and nothing but the truth. Publisher Note: We are not responsible for any of the advice given in this book. If you do not look like Lynda after reading this we cannot be held accountable. Warning: Tena Pads recommended while reading.

    A job as a house/dog-sitter – albeit in a minus one-star leaky cottage in windswept Shelly Beach – seems the perfect opportunity to relax and regroup. But Gina hasn't counted on the locals, and soon finds herself reluctantly convening the writers' group, babysitting, baking, seal-watching, bicycling . . . and perhaps even falling in love.With a cast of unforgettable characters, The Shelly Beach Writers' Group is an irresistible story of reinvention.

    He lands an enviable gig writing about shopping and fashion for the city’s major newspaper, but an ill-fated promotional junket gets Albo into hot water. He becomes a gossip item and finds himself caught in an acrimonious war between Old and New Media. Here's a gimlet-eyed account of the back-biting media scene, a glimpse into the inner workings of the fashion crowd, and a candid portrait of what it takes to survive as a writer in today’s chattering and watchful New York City."I was perilously close to exposing a secret underground economy of promotion: favors and junkets and banquets and gifts that keeps the city in motion, and keeps underpaid writers at work. Basically, I became the Silkwood of Swag."

    Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.

    Ingeniously plotted, with richly drawn characters and Jeffrey Archer's trademark of deliciously unexpected conclusions, this new collection has the added bonus of thirteen charming illustrations by the internationally acclaimed artist Ronald Searle. Some of these twelve stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St. Petersburg---with unexpected consequences. "The Red King" is a tale about a con man who discovers that an English lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, "The Commissioner," a Bombay con artist ends up in the morgue after he uses the police chief as bait in his latest scam. "The Perfect Murder" reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In "Charity Begins at Home," an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, "In the Eye of the Beholder," in which a handsome star athlete falls in love with a three-hundred-pound woman . . . who happens to be the ninth-richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, nonfiction, and short stories. "Cat o'Nine Tales" is Archer at his best: witty, poignant, sad, surprising, and unforgettable.

    Ellis is obsessed by the spiders that inhabit the crumbling house where he lives with his dad, his older sister and great aunt Mafi - and also by a need to find out more about his mother, whose death overshadows the family's otherwise happy existence. Ellis a quirky soul; awkward and sensitive, out of place most of the time, funny, and with an often embarrassing habit of speaking his thoughts aloud, whatever the company. From early attempts at relationships, to building jobs, flatshares and drug-addled nights on the beach, Ellis muddles his way towards adulthood. What endures is the strength of his bond with his dad and his affectionate relationship with his intrepid sister, Chrissie, who turns up whenever he needs her - a new boyfriend in tow every time - to take the piss out of her introspective and hapless brother. Meanwhile their dad, Denny, an ex-Merchant Navy man, bottles up his grief at the loss of his wife, refusing to talk about her. The family banter is Ellis' lifeline and a counterpoint to the constant heartache of his desire to know something - anything - about his mother.