Buried beneath these parallel conflicts--one for the soul of baseball, the other for the soul of the city--was the subtext of race. Deftly intertwined by journalist Jonathan Mahler, these braided Big Apple narratives reverberate to reveal a year that also saw the opening of Studio 54, the acquisition of the New York Post by Rupert Murdoch, a murderer dubbed the "Son of Sam," the infamous blackout, and the evolution of punk rock. As Koch defeated Cuomo, and as Reggie Jackson rescued a team racked with dissension, 1977 became a year of survival--and also of hope.

    Only one of them killed a man. This is the story of Ray Chapman of the Cleveland Indians, a popular player struck in the head and killed in August 1920 by a pitch thrown by Carl Mays of the New York Yankees. Was it, as most baseball observers thought at the time, a tragic but unavoidable accident? Mike Sowell's book investigates the incident and probes deep into the backgrounds of the players involved and the events that led to one of baseball's darkest moments.

    16 pages of photographs.

    . . Mr. Colletti's book might be even more groundbreaking [than Moneyball] in some ways: It's a nearly unprecedented opportunity to see what running a baseball franchise looks like through the eyeballs of an actual general manager. . . [Colletti] has a gift for entertaining storytelling. . . These are stories modern general managers rarely tell, except in late-night gatherings at their favorite bars with people they know and trust. So to read them here, told in such colorful detail, makes you feel as if Ned Colletti has just invited you to plop down on the next bar stool." --Wall Street Journal "Ned Colletti is a baseball treasure with fascinating stories to tell from inside the game. The Big Chair is your all-access pass. After reading this book, you will not only understand the job of a general manager better but also the game of baseball itself."--Tom Verducci, author of The Cubs Way and co-author of The Yankee YearsAn unprecedented, behind-the-scenes look at the career of famed former Los Angeles Dodgers General Manager (a position also known as "The Big Chair"), whose tenure spanned nine of the most exciting and turbulent years in the franchise's history.During his tenure with the Dodgers, Colletti had the highest winning percentage of any general manager in the National League. In The Big Chair, he lets readers in on the real GM experience from his unique vantage point--sharing the inner workings of three of the top franchises in the sport, revealing the out-of-the-headlines machinations behind the trades, the hires and the deals; how the money really works; how the decision-making really works; how much power the players really have and why--the real brass tacks of some of the most pivotal decisions made in baseball history that led to great success along with heartbreak and failure on the field. Baseball fans will come for the grit and insight, stay for the heart, and pass it on for the wisdom.Ned Colletti began his MLB career with his beloved hometown team, the Chicago Cubs, more than 35 years ago. He worked in Chicago for a dozen years and was in the front office when the Cubs won the National League East in 1984 and 1989, after which he moved on as director of baseball operations for the SF Giants. By 1996, he became the Assistant GM for the Giants, before being hired as the GM in Los Angeles in 2006. There he oversaw the Dodgers through the highly publicized and acrimonious divorce battle between Frank and Jamie McCourt that culminated in the equally highly publicized sale of the team. He was present at the press conference where Don Mattingly, having just watched his team eliminated from the playoffs, used the post-season conference to vehemently discuss his lack of a contract extension. He brought marquee names like Greg Maddux and Clayton Kershaw to LA, as well as marquee drama with the likes of Manny Ramirez and Yasiel Puig; hired future Hall of Famer Joe Torre as manager; and oversaw fourteen Dodgers playoff wins. And these are just a few of the highlights.Colletti serves up a huge dish of first-hand experiences with some of the biggest names in baseball history (Barry Bonds, Greg Maddux, Don Mattingly, Don Zimmer, Tommy Lasorda, Scott Boras, Vin Scully, and more). From his humble early years living in a Chicago garage to his path to one of the most prestigious positions in professional sports, his very public and illustrious career has left a permanent handprint in the history of America's sport--and now he's ready to share the insight only those who have sat in The Big Chair have ever seen.

    In October 1908, though, no one would have laughed: The Cubs were, without doubt, baseball's greatest team—the first dynasty of the 20th century.Crazy '08 recounts the 1908 season—the year when Peerless Leader Frank Chance's men went toe to toe to toe with John McGraw and Christy Mathewson's New York Giants and Honus Wagner's Pittsburgh Pirates in the greatest pennant race the National League has ever seen. The American League has its own three-cornered pennant fight, and players like Cy Young, Ty Cobb, Walter Johnson, and the egregiously crooked Hal Chase ensured that the junior circuit had its moments. But it was the National League's—and the Cubs'—year.Crazy '08, however, is not just the exciting story of a great season. It is also about the forces that created modern baseball, and the America that produced it. In 1908, crooked pols run Chicago's First Ward, and gambling magnates control the Yankees. Fans regularly invade the field to do handstands or argue with the umps; others shoot guns from rickety grandstands prone to burning. There are anarchists on the loose and racial killings in the town that made Lincoln. On the flimsiest of pretexts, General Abner Doubleday becomes a symbol of Americanism, and baseball's own anthem, "Take Me Out to the Ballgame," is a hit.Picaresque and dramatic, 1908 is a season in which so many weird and wonderful things happen that it is somehow unsurprising that a hairpiece, a swarm of gnats, a sudden bout of lumbago, and a disaster down in the mines all play a role in its outcome. And sometimes the events are not so wonderful at all. There are several deaths by baseball, and the shadow of corruption creeps closer to the heart of baseball—the honesty of the game itself. Simply put, 1908 is the year that baseball grew up.Oh, and it was the last time the Cubs won the World Series.Destined to be as memorable as the season it documents, Crazy '08 sets a new standard for what a book about baseball can be.

    This glaring omission—later rectified by a panel of experts—raised an important question: How could a first-ballot Hall of Famer, widely considered one of the greatest hitters in baseball history, still rank as the most underrated athlete of all time?In Stan Musial, veteran sports journalist George Vecsey finally gives this twenty-time All-Star and St. Louis Cardinals icon the kind of prestigious biographical treatment previously afforded to his more celebrated contemporaries Ted Williams and Joe DiMaggio. More than just a chronological recounting of the events of Musial’s life, this is the definitive portrait of one of the game’s best-loved but most unappreciated legends, told through the remembrances of those who played beside, worked with, and covered “Stan the Man” over the course of his nearly seventy years in the national spotlight.Stan Musial never married a starlet. He didn’t die young, live too hard, or squander his talent. There were no legendary displays of temper or moodiness. He was merely the most consistent superstar of his era, a scarily gifted batsman who compiled 3,630 career hits (1,815 at home and 1,815 on the road), won three World Series titles, and retired in 1963 in possession of seventeen major-league records. Away from the diamond, he proved a savvy businessman and a model of humility and graciousness toward his many fans in St. Louis and around the world. From Keith Hernandez’s boyhood memories of Musial leaving tickets for him when the Cardinals were in San Francisco to the little-known story of Musial’s friendship with novelist James Michener—and their mutual association with Pope John Paul II—Vecsey weaves an intimate oral history around one of the great gentlemen of baseball’s Greatest Generation. There may never be another Stan the Man, a fact that future Hall of Famer Albert Pujols—reluctantly nicknamed “El Hombre” in Musial’s honor—is quick to acknowledge. But thanks to this long-overdue reappraisal, even those who took his greatness for granted will learn to appreciate him all over again.

    With four World Series championships in five seasons and a deep bench of legends and comers -- Clemens, Rivera, Williams, Soriano, Jeter, O'Neill -- they dominated the major leagues.For the members of the team, though, baseball Yankees-style was a pressure cooker of anxiety, expectation, and infighting. As the spending and emotion spiraled, careers were made and broken, friendships began and ended, and a sports dynasty rose and fell.In The Last Night of the Yankee Dynasty, Buster Olney tracks the Yankees through these tumultuous seasons and into the scandals and disappointments of 2004, providing insightful portraits of the stars, the foot soldiers, the coaches, the manager, and the Boss himself. With unparalleled knowledge of the game and an insider's familiarity with the team, Olney also advances a compelling argument that the philosophy that made the Yankees great was inherently unsustainable, ultimately harmful to the sport, and led inevitably to that warm autumn night in Arizona -- the last night of the Yankee dynasty.

    But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo "the Lip" Durocher. Following a five decade career as a player and manager for baseball's most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success and an outsized celebrity.

    It was the quiet beginning to the most resonant baseball achievement of all time. Starting that day, the vaunted Yankee centerfielder kept on hitting-at least one hit in game after game after game.In the summer of 1941, as Nazi forces moved relentlessly across Europe and young American men were drafted by the millions, it seemed only a matter of time before the U.S. went to war. The nation was apprehensive. Yet for two months in that tense summer, America was captivated by DiMaggio's astonishing hitting streak. In 56, Kostya Kennedy tells the remarkable story of how the streak found its way into countless lives, from the Italian kitchens of Newark to the playgrounds of Queens to the San Francisco streets of North Beach; from the Oval Office of FDR to the Upper West Side apartment where Joe's first wife, Dorothy, the movie starlet, was expecting a child. In this crisp, evocative narrative Joe DiMaggio emerges in a previously unseen light, a 26-year-old on the cusp of becoming an icon. He comes alive-a driven ballplayer, a mercurial star and a conflicted husband-as the tension and the scrutiny upon him build with each passing day.DiMaggio's achievement lives on as the greatest of sports records. Alongside the story of DiMaggio's dramatic quest, Kennedy deftly examines the peculiar nature of hitting streaks and with an incisive, modern-day perspective gets inside the number itself, as its sheer improbability heightens both the math and the magic of 56 games in a row.

    Early marriage and motherhood seemed to put even that dream out of reach, but fifteen years later she was a distinguished law professor with a deep understanding of why people go bankrupt. Then came the phone call that changed her life: could she come to Washington DC to help advise Congress on rewriting the bankruptcy laws?Thus began an impolite education into the bare-knuckled, often dysfunctional ways of Washington. She fought for better bankruptcy laws for ten years and lost. She tried to hold the federal government accountable during the financial crisis but became a target of the big banks. She came up with the idea for a new agency designed to protect consumers from predatory bankers and was denied the opportunity to run it. Finally, at age 62, she decided to run for elective office and won the most competitive—and watched—Senate race in the country. In this passionate, funny, rabble-rousing book, Warren shows why she has chosen to fight tooth and nail for the middle class—and why she has become a hero to all those who believe that America's government can and must do better for working families.

    The daughter of immigrants, she was raised in an Oakland, California community that cared deeply about social justice; her parents--an esteemed economist from Jamaica and an admired cancer researcher from India--met as activists in the civil rights movement when they were graduate students at Berkeley. Growing up, Harris herself never hid her passion for justice, and when she became a prosecutor out of law school, a deputy district attorney, she quickly established herself as one of the most innovative change agents in American law enforcement. She progressed rapidly to become the elected District Attorney for San Francisco, and then the chief law enforcement officer of the state of California as a whole. Known for bringing a voice to the voiceless, she took on the big banks during the foreclosure crisis, winning a historic settlement for California's working families. Her hallmarks were applying a holistic, data-driven approach to many of California's thorniest issues, always eschewing stale "tough on crime" rhetoric as presenting a series of false choices. Neither "tough" nor "soft" but smart on crime became her mantra. Being smart means learning the truths that can make us better as a community, and supporting those truths with all our might. That has been the pole star that guided Harris to a transformational career as the top law enforcement official in California, and it is guiding her now as a transformational United States Senator, grappling with an array of complex issues that affect her state, our country, and the world, from health care and the new economy to immigration, national security, the opioid crisis, and accelerating inequality.By reckoning with the big challenges we face together, drawing on the hard-won wisdom and insight from her own career and the work of those who have most inspired her, Kamala Harris offers in The Truths We Hold a master class in problem-solving, in crisis management, and leadership in challenging times. Through the arc of her own life, on into the great work of our day, she communicates a vision of shared struggle, shared purpose, and shared values. In a book rich in many home truths, not least is that a relatively small number of people work very hard to convince a great many of us that we have less in common than we actually do, but it falls to us to look past them and get on with the good work of living our common truth. When we do, our shared effort will continue to sustain us and this great nation, now and in the years to come.

    Over six feet tall, clean cut, and college educated, he didn't pitch on the Sabbath and rarely spoke an ill word about anyone. He also had one of the most devastating arms in all of baseball. New York Giants manager John McGraw, by contrast, was ferocious. The pugnacious tough guy was already a star infielder who, with the Baltimore Orioles, helped develop a new, scrappy style of baseball, with plays like the hit-and-run, the Baltimore chop, and the squeeze play. When McGraw joined the Giants in 1902, the Giants were coming off their worst season ever. Yet within three years, Mathewson clinched New York City's first World Series for McGraw's team by throwing three straight shutouts in only six days, an incredible feat that is invariably called the greatest World Series performance ever. Because of their wonderful odd-couple association, baseball had its first superstar, the Giants ascended into legend, and baseball as a national pastime bloomed.

    From the Preface:This new enlarged edition of The Glory of Their Times contains the complete text and all the photographs that were in the original book, published in 1966, plus for the first time the first-person stories of four additional major-league players - George Gibson, Babe Herman, Specs Toporcer, and Hall of Famer Hank Greenberg.

    Bell’s speed was extraordinary; as Satchel Paige famously quipped, he was so fast he could fl ip a light switch and be in bed before the room got dark. In The Bona Fide Legend of Cool Papa Bell, experienced baseball writer and historian Lonnie Wheeler recounts the life of this extraordinary player, a key member of some of the greatest Negro League teams in history. Born to sharecroppers in Mississippi, Bell was part of the Great Migration, and in St. Louis, baseball saved Bell from a life working in slaughterhouses. Wheeler charts Bell’s ups and downs in life and in baseball, in the United States, the Dominican Republic, and Mexico, where he went to escape American racism and MLB’s color line. Rich in context and suffused in myth, this is a treat for fans of baseball history.

    During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates, "and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smiling recognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig--and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassed Babe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. We watch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro League standings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.