Victor Benucci and Madeline Falco have a story to tell.It begins with the death of Vic’s father.It ends with the murder of Mad’s uncle.The Hackensack Police Department would very much like to hear it.But in order to tell their story, Vic and Mad must focus on all the chapters in between. This is a story about: 1. A coded mission to scatter ashes across New Jersey.2. The momentous nature of the Palisades in winter.3. One dormant submarine.4. Two songs about flowers.5. Being cool in the traditional sense.6. Sunsets & ice cream & orchards & graveyards.7. Simultaneous extreme opposites.8. A narrow escape from a war-torn country.9. A story collector.10. How to listen to someone who does not talk.11. Falling in love with a painting.12. Falling in love with a song.13. Falling in love.

    But he's never seemed to notice that Reena even exists until one day, impossibly, he does. Reena and Sawyer fall in messy, complicated love. But then Sawyer disappears from their humid Florida town without a word, leaving a devastated—and pregnant—Reena behind. After: Almost three years have passed, and there's a new love in Reena's life: her daughter, Hannah. Reena's gotten used to being without Sawyer, and she's finally getting the hang of this strange, unexpected life. But just as swiftly and suddenly as he disappeared, Sawyer turns up again. Reena doesn't want anything to do with him, though she'd be lying if she said Sawyer's being back wasn't stirring something in her. After everything that's happened, can Reena really let herself love Sawyer LeGrande again?In this breathtaking debut, Katie Cotugno weaves together the story of one couple falling in love—twice.

    She lives with her brother, studies hard, and works at a convenience store to contribute to getting her parents back from Mexico.Arden Moss used to be the star quarterback at school. He dated popular blondes and had fun with his older sister, Amber. But now Amber’s dead, and Arden blames his father, the town sheriff who wouldn’t acknowledge Amber's mental illness. Arden refuses to fulfill whatever his conservative father expects.All Carly wants is to stay under the radar and do what her family expects. All Arden wants is to NOT do what his family expects. When their paths cross, they each realize they’ve been living according to others. Carly and Arden’s journey toward their true hearts—and one another—is funny, romantic, and sometimes harsh.

    Haunted by the memory of her boyfriend’s death, she lives her life by one dangerous rule: Nothing matters. At least, that’s what Frankie tells herself after a reckless mistake forces her to leave her privileged life in the Heights to move in with her dad—an undercover cop. She transfers to a public high school in the Downs, where fistfights don’t faze anyone and illegal street racing is more popular than football.Marco Leone is the fastest street racer in the Downs. Tough, sexy, and hypnotic, he makes it impossible for Frankie to ignore him—and how he makes her feel. But the risks Marco takes for his family could have devastating consequences for them both. When Frankie discovers his secret, she has to make a choice. Will she let the pain of the past determine her future? Or will she risk what little she has left to follow her heart?

    After being falsely accused of a crime, she’s stuck under stepmother-imposed house arrest and her BFF’s gone ghost. Tatum fills her newfound free time with community service by day and working at her covert graphic design business at night (which includes trading emails with a cute cello-playing client). When Tatum discovers she’s not the only one in the house keeping secrets, she finds she has the chance to make amends with her family and friends. Equipped with a new perspective, and assisted by her feisty step-abuela-slash-fairy-godmother, Tatum is ready to start fresh and maybe even get her happy ending along the way.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    When they meet they find the tender beginnings of love and healing. Alice is fifteen, with hair as red as fire and skin as pale as bone, but something inside her is broken. She has acquired brain injury, the result of an assault, and her words come out slow and slurred. But when she writes, heartwords fly from her pen. She writes poems to express the words she can't say and leaves them in unexpected places around the town. Manny was once a child soldier. He is sixteen and has lost all his family. He appears to be adapting to his new life in this country, where there is comfort and safety, but at night he runs, barefoot, to escape the memory of his past. When he first sees Alice, she is sitting on the rusty roof of her river-house, looking like a carving on an old-fashioned ship sailing through the stars.

    Her dad's consulting job means she's grown up moving from one rundown city to the next, and she's learned to cope by collecting (sometimes even stealing) quirky trinkets and souvenirs in each new place--possessions that allow her to feel at least some semblance of home.But in the year since her brother Oren's death, Lo's hoarding has blossomed into a full-blown, potentially dangerous obsession. She discovers a beautiful, antique butterfly pendant during a routine scour at a weekend flea market, and recognizes it as having been stolen from the home of a recently murdered girl known only as "Sapphire"--a girl just a few years older than Lo. As usual when Lo begins to obsess over something, she can't get the murder out of her mind.As she attempts to piece together the mysterious "butterfly clues," with the unlikely help of a street artist named Flynt, Lo quickly finds herself caught up in a seedy, violent underworld much closer to home than she ever imagined--a world, she'll ultimately discover, that could hold the key to her brother's tragic death.

    He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him-at least not yet. Instead, he's been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change.Grace isn't who Henry pictured as his dream girl-she walks with a cane, wears oversized boys' clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.

    But it hasn’t always been easy, especially while living in her mother’s shadow.When Indy is sent to live with distant relatives in Nassau, trouble follows her. Now she must hide an unwanted pregnancy from her aunt, who would rather throw Indy out onto the street than see the truth.Completely broke with only a hand-me-down pregnancy book as a resource, Indy desperately looks for a safe space to call home. After stumbling upon a yoga retreat, she wonders if perhaps she’s found the place. But Indy is about to discover that home is much bigger than just four walls and a roof—it’s about the people she chooses to share it with.

    After a personal crisis and her subsequent expulsion from high school, she’s going nowhere fast. Jane’s well-meaning parents push her to attend a high school completion program at the nearby Elbow River Community College, and she agrees, on one condition: she gets to move out.   Jane tackles her housing problem by signing up for House of Orange, a student-run reality show that is basically Big Brother, but for Elbow River Students. Living away from home, the chance to win a car (used, but whatever), and a campus full of people who don't know what she did in high school… what more could she want? Okay, maybe a family that understands why she’d rather turn to Freud than Jesus to make sense of her life, but she'll settle for fifteen minutes in the proverbial spotlight.   As House of Orange grows from a low-budget web series to a local TV show with fans and shoddy T-shirts, Jane finally has the chance to let her cynical, competitive nature thrive. She'll use her growing fan base, and whatever Intro to Psychology can teach her, to prove to the world—or at least viewers of substandard TV—that she has what it takes to win.

    She's always been driven to make a difference in the world, and what better way than to vote in her first election? Duke Crenshaw is so done with this election. He just wants to get voting over with so he can prepare for his band's first paying gig tonight. Only problem? Duke can't vote.When Marva sees Duke turned away from their polling place, she takes it upon herself to make sure his vote is counted. She hasn't spent months doorbelling and registering voters just to see someone denied their right. And that's how their whirlwind day begins, rushing from precinct to precinct, cutting school, waiting in endless lines, turned away time and again, trying to do one simple thing: vote. They may have started out as strangers, but as Duke and Marva team up to beat a rigged system (and find Marva's missing cat), it's clear that there's more to their connection than a shared mission for democracy. Romantic and triumphant, The Voting Booth is proof that you can't sit around waiting for the world to change, but some things are just meant to be.

    Seven days to say good-bye to the electric city, her wild best friend, and the boy she’s harbored a semi-secret crush on for years. Seven perfect days…until Jamie Foster-Collins moves back to Japan and ruins everything. Jamie and Sophia have a history of heartbreak, and the last thing Sophia wants is for him to steal her leaving thunder with his stupid arriving thunder. Yet as the week counts down, the relationships she thought were stable begin to explode around her. And Jamie is the one who helps her pick up the pieces. Sophia is forced to admit she may have misjudged Jamie, but can their seven short days of Tokyo adventures end in anything but good-bye?

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    Her friends were okay, her grades were fine, and while she somehow managed to land a boyfriend, he doesn’t actually know anything about her. When Penny heads to college in Austin, Texas, to learn how to become a writer, it’s seventy-nine miles and a zillion light years away from everything she can’t wait to leave behind.Sam’s stuck. Literally, figuratively, emotionally, financially. He works at a café and sleeps there too, on a mattress on the floor of an empty storage room upstairs. He knows that this is the god-awful chapter of his life that will serve as inspiration for when he’s a famous movie director but right this second the seventeen bucks in his checking account and his dying laptop are really testing him. When Sam and Penny cross paths it’s less meet-cute and more a collision of unbearable awkwardness. Still, they swap numbers and stay in touch—via text—and soon become digitally inseparable, sharing their deepest anxieties and secret dreams without the humiliating weirdness of having to see each other.