The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    He is most noted for his stories about the detective Sherlock Holmes, which are generally considered a major innovation in the field of crime fiction, and for the adventures of Professor Challenger. He was a prolific writer whose other works include science fiction stories, historical novels, plays and romances, poetry, and non-fiction. His first significant work was A Study in Scarlet, which appeared in Beeton's Christmas Annual for 1887 and featured the first appearance of Sherlock Holmes, who was partially modelled after his former university professor, Joseph Bell. Other works include The Firm of Girdlestone (1890), The Captain of the Polestar (1890), The Doings of Raffles Haw (1892), Beyond the City (1892), The Adventures of Sherlock Holmes (1892), The Exploits of Brigadier Gerard (1896), The Great Boer War (1900), The Green Flag (1900), The Hound of the Baskervilles (1902), and The Lost World (1912).

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    What then? A harsh word can not be hung up by the neck. He gives you impertinence, give him the same; if he give you a slap, return the blow; he a second, you a third; in the end we will compel you to make peace. Whilst if you fight--well, if _you_ should kill _him_, God be with him for I do not like him much; but if he should perforate you, what a nice piece of business Then who will pay for the broken pots?

    Their handsome widower father, Rupert Carrington, too occupied with his London business to see very much of them, merely provides for them generously and leaves them to cultivate their talents -- which they energetically do. Richard, the eldest, is a composer; Clare, whose true talent (if it can be called that) has never disclosed itself, attempts to paint; Drew is collecting material for a novel to be set in the Edwardian era; and Merry, still at school, already works hard towards a stage career. Jane Minton, warmly welcomed into this happy household, feels her luck is too good to be true. And it is certainly too good to last. The delightful private world of Dome House is fated to break up. It is Jane who learns from Rupert Carrington that he is in danger of prosectuion for fraud and must leave England. He asks her to break the news to his children -- who must now fend completely for themselves -- and do what she can to help. She is very willing to, for his sake as well as theirs, as she is greatly attracted by him. What happens then makes an engrossing and unpredicable story, for the Carringtons are not usual young people, and it is, perhaps, their own basic originality which draws to them unusual adventures, in which humor and more than a touch of strangeness are often inextricably blended.

    The book has that indescribable quality, charm." (B-O-T Editorial Review Board)

    The perfect companion to Harper Lee's "To Kill a Mockingbird," this study guide contains a chapter by chapter analysis of the book, a summary of the plot, and a guide to major characters and themes.BookCap Study Guides do not contain text from the actual book, and are not meant to be purchased as alternatives to reading the book.

    Raffles, man-about-town, thief, and "finest slow bowler of his generation." With his partner in crime, Bunny Manders, Raffles preys on the rich, the greedy, and the unspeakably vulgar. His talents are exercised not only in London, but as far afield as Italy, Australia, and South Africa at the height of the Boer War. Throughout these exciting yarns the emphasis on panache, with intensifying suggestions of fallibility, goes to the heart of late Victorian attitudes and values.

    A melodramatic tale of intrigue and daring escapades, it may shed some light on certain aspects of his career.

    In The Last Trail, a woman is kidnapped from Fort Henry by a band of renegades and hostile Ohio Valley Indians, and Lewis Wetzel and Jonathan Zane set out in pursuit, with little hope of survival. Finally, in The Spirit of the Border, Lewis Wetzel must single-handedly save Fort Henry, armed only with his long rifle and knife.

    Part comedy of manners, part social commentary, love story, mystic narration and thriller, it is a sort of Indian version of Oliver Goldsmith's THE VICAR OF WAKEFIELD.

    For outsiders, Pyrrus usually means a quick and painful death, but DinAlt is fleeing the crooked casino masters of Cassylia - where he just broke the bank. But DinAlt is not prepared for the hellish Pyrrus, where every living thing seems bent on exterminating mankind.In DEATHWORLD 2 (originally published as THE ETHICAL ENGINEER), Jason DinAlt finds himself on a hostile, barbarian planet where technology and civilization have almost disappeared. Using his skills, DinAlt literally reinvents the wheel in his quest to escape and return to his friends on Pyrrus.

    

    In a letter to Yvonne Davet, Orwell described Animal Farm as a satirical tale against Stalin ("un conte satirique contre Staline"),[7] and in his essay "Why I Write" (1946), wrote that Animal Farm was the first book in which he tried, with full consciousness of what he was doing, "to fuse political purpose and artistic purpose into one whole".[8]

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."