His power is growing, and his duel with the ice mage Yu Ang looms just ahead, as well as graduation. Afterward, there is the grand prospect of Magic University awaiting him! Unbeknownst to him, other dark currents are moving in the background, and his duel is the trigger that will set off a storm of blood, as the result opens the door to events that will encompass all of Bo City! Mo Fan's character as a sometimes total blockhead stays true, even as the world turns topsy-turvy around him, and he starts preparing to take his first steps out beyond the world of Bo City!

    A man of simple needs whose greatest ambition is to one day own his own rickshaw, Xiangzi is nonetheless thwarted, time and again, in his attempts to improve his lot in life.One of the most important and popular works of twentieth-century Chinese literature, Rickshaw Boy is an unflinchingly honest, darkly comic look at a life on the margins of society and a searing indictment of the philosophy of individualism.

    During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"--a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication--only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth.From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

    Family, one of the most popular Chinese novels of that time, vividly reflects that turmoil and serves as a basis for understanding what followed. Written in 1931, Family has been compared to Dream of the Red Chamber for its superb portrayal of the family life and society of its time. Drawn largely from Pa Chin's own experience, Family is the story of the Kao family compound, consisting of four generations plus servants. It is essentially a picture of the conflict between old China and the new tide rising to destroy it, as manifested in the daily lives of the Kao family, and particularly the three young Kao brothers. Here we see situations that, unique as they are to the time and place of this novel, recall many circumstances of today's world: the conflict between generations and classes, ill-fated love affairs, students' political activities, and the struggle for the liberation of women. The complex passions aroused in Family and in the reader are an indication of the universality of human experience. This novel illustrates the effectiveness of fiction as a vehicle for translating the experience of one culture to another very different one.

    Ten years later, Huo is now a beautiful young woman, who could not forget the boy she saved. However, the emperor has long forgotten Huo, and with a new love in his life, Xu Pingjun. The heartbroken Huo later meets a handsome Meng Jue, only later to find herself embroiled in a power struggles within the imperial palace

    Like the symbols that haunt our dreams and guide our inner journeys, the myths of the Western world touch something deep within us, awakening old nightmares and new yearnings.Some of the gods, tales, and mythic creatures in Bergen Evan's Dictionary Of Mythology are as familiar as the disturbing tale of Oedipus. Others may seem strange, wonderful, or chillingly macabre: Lycaon, the murderer, who is transformed into a wolf by an angry god; Cronus (Time) who devours his won children; Pan, the god of the animal in man, who fills us with overmastering fears that sweep courage and prudence aside; the hero Sigurd, who seeks a magic ring and finds a maiden . . . in a ring of fire.These tantalizing stories and dozens more make this book a perfect addition to any library, as delightful for browsing as it is essential for reference.

    It includes myths, heroes, places and legends from all five continents, and from the different cultures and peoples found there.

    Celebrating the 125th anniversary of its original publication, this expanded and updated edition of a classic reference features a new, simplified organization.

    Add a little magic to each day and keep pace with the ever-turning Wheel of the Year with this indispensable, on-the-go tool. You'll find fun, fresh ways to celebrate the sacred seasons and enhance your practice—inspiring Sabbat musings (Deborah Blake), tasty Sabbat recipes (Diana Rajchel), Moon rituals (Magenta Griffith), and flowers (Tess Whitehurst). For spellwork, there's astrological information and daily colors. Also included are in-depth articles on play-day magick (Melanie Marquis), automatic writing (Sybil Fogg), relaxation (Elizabeth Barrette), seduction magick (Suzanne Ress), and more.

    But for Lola Li, a nightmare came just after her birthday party. At the young age of 22, the charming and intelligent Lola Li finally graduated from the university and her future seemed to be promising. But she didn't know that challenges would arise. As her birthday party came to an end, her best friend betrayed her; her boyfriend dumped her; and her father went bankrupt. When she woke up the next day, Lola Li found herself lying in the bed of a hotel room. With her heart racing, she could only vaguely remember a strange man she was with last night. Was he someone who came to rescue her? Or a demon who pursued her?

    Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures.

    Originally published in 1934 by author Shen Congwen, this beautifully written novel tells the story of Cuicui, a young country girl who is coming of age in rural China in the tumultuous time before the communist revolution.

    With Chineasy, learning and reading Chinese has never been simpler or more fun. Breaking down the Great Wall of Language, iShaoLan Hsueh draws on her entrepreneurial and cultural background to create a simple system for quickly understanding the basic building blocks of written Chinese. Working with renowned illustrator Noma Bar, she transforms Chinese characters into charming pictograms that are easy to remember.In Chineasy, she teaches the key characters, called radicals, that are the language’s foundation, and then shows how they can be combined to form new words and even phrases. Once you’ve mastered these key characters, you can practice your skills with three stories—a fairy tale, an Asian legend, and a contemporary fable—told using the radicals.With Chineasy, readers of all ages will be able to navigate a Chinese menu, read signs and billboards, and grasp the meaning of most articles in a Chinese newspaper.

    Comprised of three novellas, "The Golden Age," "East Palace, West Palace," and "2015," this book is the first English translation of his work."East Palace, West Palace," one of the first contemporary Chinese fictional works dealing with male homosexuality, is an S/M-oriented love story between a masochistic gay writer and a handsome policeman unaware of his sadistic tendencies. In "The Golden Age," for which Wang Xiaobo is perhaps best known, the protagonist, Wang Er (literally, Wang number two) is a city student sent to the countryside for rustification during the Cultural Revolution. There he meets a lovely young doctor whom he encourages to live up to her undeserved reputation as "damaged goods." In "2015," another Wang Er, after being put into a labor camp for practicing painting without a license, becomes the love object of a sadistic policewoman.Although the sexual and social roles of Wang Xiaobo's characters intertwine, sexuality functions not as protest but as an absurd metaphor for state power and the voluntary, even enthusiastic, collaboration of those subject to it. Full of deadpan humor and oddball sex, Wang Xiaobo's novellas allow us to see, through a subtly shifting kaleidoscope, scenes from the elaborate dance the individual must do with the state in twentieth-century China.

    Here conformity is valued above all else, and suspicion governs every exchange among neighbors, classmates, and even friends. Into this stifling atmosphere comes a tall, clean-shaven teacher from Shanghai, wearing an elegant gray wool jacket and carrying an English dictionary under his arm.With the dictionary as his disposal, Love Liu turns to it for answers to his most pressing questions about love and life, and a whole new world opens up for him. His classmates-the bright, troubled Sunrise Huang and the rowdy, impoverished Garbage Li-also find hope in the unfamiliar and tantalizing sounds of English, but in an atmosphere of accusation and recrimination, one in which their teacher is deemed morally suspect and mere innuendo can cost someone his life, their ideals face a test more challenging than any they'll take in the classroom.A major bestseller in China, where it was voted best novel of the year independently by the critics and the general public, English is a transcendent novel about the power of language to launch a journey of self-discovery.