Soon a couple of friends join in, and the operation proceeds smoothly up until they quit, vowing to take the secret to their graves. A month later, a phone call at 4 in the morning tells Alvin that the police are on their way.At once a workplace novel and a meditation on history and globalization, The Quiet Ones is a grimly humorous take on a soul-sapping, multi-billion-dollar industry. In interlocking narratives, it explores lives rendered mute by irate callers, scripted apologies, and life’s menial violence, but which manage to talk back every now and then, just as long as the Mute button is firmly pressed.Winner, 2017 Palanca Grand PrizeWinner, 37th National Book Award

    Richly imagined, gloriously written, Banana Heart Summer is an incandescent tale of food, family, and longing—at once a love letter to mothers and daughters and a lively celebration of friendship and community. Twelve-year-old Nenita is hungry for everything: food, love, life. Growing up with five sisters and brothers, she searches for happiness in the magical smell of the deep-frying bananas of Nana Dora, who first tells Nenita the myth of the banana heart; in the tantalizing scent of Manolito, the heartthrob of Nenita and her friends; in the pungent aromas of the dishes she prepares for the most beautiful woman on Remedios Street. To Nenita, food is synonymous with love—the love she yearns to receive from her disappointed mother. But in this summer of broken hearts, new friendships, secrets, and discoveries, change will be as sudden and explosive as the monsoon that marks the end of the sweltering heat—and transforms Nenita’s young life in ways she could never imagine.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    Although her mother labels her life in exile a diminished one, Amparo believes her struggles are a small price to pay for freedom...Like Amparo, Beverly Obejas—an impoverished Filipina waitress—forsakes Manila and comes to Oakland as a mail-order bride in search of a better life. Yet even in the land of plenty, Beverly fails to find the happiness and prosperity she envisioned.As Amparo works to build the immigrant's dream, she becomes entangled in the chaos of Beverly's immigrant nightmare. Their unexpected collision forces them both to make terrible choices and confront a life-changing secret, but through it all they hold fast to family, in all its enduring and surprising transformations.

    Edited by literary critic Isagani R. Cruz, this collection spans from 1925 to 1998. In this book readers will meet both famous and unfamiliar writers in both conventional and unexpected renditions of the genre. Although many of the stories are acknowledged masterpieces, the editor also chose stories on the basis of their ability to represent a particular author or decade. The stories of the 25 men and women writers represented here depict a vast gamut of human experience and emotions that, collectively, produce a stunning portrait of Philippine life and society. Dr. Cruz is a professor of literature at De Lasalle University, where he is also publisher of DLSU Press. He is himself a multi-awarded author and columnist, and the founding chair of the Manila Critics Circle. In a country where English has been the medium of instruction since the turn of the century, it is but fitting for the Philippines to share with the rest of the world its own vibrant treasury of short fiction. This richly satisfying collection represents the very best to emerge out of the Philippines in our century.

    This searing novel, originally banned in China but later named one of that nation's most influential books, portrays one man's transformation from the spoiled son of a landlord to a kindhearted peasant. After squandering his family's fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.

    Her uncle, Pol, who has offered her a fresh start and a place to stay in the Bay Area, knows not to ask about her past. And his younger wife, Paz, has learned enough about the might and secrecy of the De Vera family to keep her head down. Only their daughter, Roni, asks Hero why her hands seem to constantly ache.Illuminating the violent political history of the Philippines in the 1980s and 1990s and the insular immigrant communities that spring up in the suburban United States with an uncanny ear for the unspoken intimacies and pain that get buried by the duties of everyday life and family ritual, Castillo delivers a powerful, increasingly relevant novel about the promise of the American dream and the unshakable power of the past. In a voice as immediate and startling as those of Junot Díaz and NoViolet Bulawayo, America Is Not the Heart is a sprawling, soulful telenovela of a debut novel. With exuberance, muscularity, and tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave home to grasp at another, sometimes turning back.

    . . Provides rare insight into the three cultures--Spanish, Chinese, and Filipino--that coexist in the Philippines."--The New York Times Book ReviewCaridad's mother never writes. So when a letter arrives for her in Sydney from Manila, Caridad doesn't even recognize her mother's handwriting. There is more distance than just miles between the two women. And that is why Caridad is called home. Her mother needs to talk. And to reveal a secret that has been weighing heavily on her for years.As Caridad hears at last the unspoken stories, and the never forgotten tragedy of the war years, she will learn a startling truth that will change her life forever. For Caridad is not who she thinks she is. . . ."Beautifully written . . . Reading each chapter is like having a conversation with a close friend."--Chicago Tribune"A sensitive . . . portrait of a family of Filipina women . . . The novel illuminates much modern Philippine history."--The Boston Globe

    A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.

    K. Narayan’s centennialIntroducing this collection of stories, R. K. Narayan describes how in India “the writer has only to look out of the window to pick up a character and thereby a story.” Composed of powerful, magical portraits of all kinds of people, and comprising stories written over almost forty years, Malgudi Days presents Narayan’s imaginary city in full color, revealing the essence of India and of human experience. This edition includes an introduction by Pulitzer Prize- winning author Jhumpa Lahiri. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Ten years ago, the town's harvest failed utterly, and the people---believing the gods had abandoned them--left their farms and moved on.Now, on a Friday before a long weekend, Regina ends her workday at an office in Makati, and walks home with a new colleague, Diana. Following a strange and disturbing conversation between them, Diana does not show up at work on Monday, nor Tuesday, nor Wednesday.On Thursday, Regina finds a folded piece of paper In her bag. In Diana's handwriting are two names and a strange map that will send Regina back to her hometown. Here, in her quest to find Diana, she encounters rumors of genetic experiments, stumbles upon a strange facility that no one seems to know about, finds herself in places that don't exist, and discovers that people are not who they seem to be. And the biggest question in the bizarre chain of events is not what, or how, but why?Wounded Little Gods is a tale that brings mythology to a sci-fi thriller that's filled with a sense of place--a place where gods are in many ways human and point to the ways in which humans can be inhumane. As Regina struggles to unwind the knots surrounding the mystery of this facility and the people connected to it. She discovers that she is more intertwined in the strange events in her hometown than she ever knew.

    Ocampo’s newspaper column “Looking Back” that began in the Philippine Daily Globe and later moved to the Philippine Daily Inquirer. He presents a readable and painless introduction to Jose Rizal and offers fascinating insights, lively anecdotes, academic intrigue, and little-known facts about the hero as human. Investigating Rizal’s own writings - his diaries, letters, and other papers – Ocampo attempts to strip the countless myths and rumors that surround the national hero.

    A post-World War II society woman marries, mothers, and holds court, little suspecting her solitary fate. A jazz pianist in the age of rock, haunted by his own ghosts, is summoned to appease the house's resident spirits. In the present, a young woman tries to outpace the long shadow of her political past. And in a New Krungthep yet to come, savvy teenagers row tourists past landmarks of the drowned old city they themselves do not remember. Time collapses as these lives collide and converge, linked by the forces voraciously making and remaking the amphibious, ever-morphing capital itself. Bangkok Wakes to Rain is an elegy for what time erases and a love song to all that persists, yearning, into the unknowable future.

    This thought-provoking trilogy of stories explores the very essence of loneliness and stands as a stirring introduction to modern Japanese literature.

    As told by Junichiro Tanizaki, the story of the Makioka sisters forms what is arguably the greatest Japanese novel of the twentieth century, a poignant yet unsparing portrait of a family–and an entire society–sliding into the abyss of modernity.Tsuruko, the eldest sister, clings obstinately to the prestige of her family name even as her husband prepares to move their household to Tokyo, where that name means nothing. Sachiko compromises valiantly to secure the future of her younger sisters. The unmarried Yukiko is a hostage to her family’s exacting standards, while the spirited Taeko rebels by flinging herself into scandalous romantic alliances. Filled with vignettes of upper-class Japanese life and capturing both the decorum and the heartache of its protagonist, The Makioka Sisters is a classic of international literature.